The Meaning of Text Visualization in Contemporary Paintings in West Sumatra

Nessya Fitryona(1), Dwi Mutia Sari(2), Asra Ilal Khairi(3), Firza Firza(4),
(1) Universitas Negeri Padang  Indonesia
(2) Universitas Negeri Padang  Indonesia
(3) Universitas Negeri Padang  Indonesia
(4) Universitas Negeri Padang  Indonesia

Corresponding Author
Copyright (c) 2024 Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni

DOI : https://doi.org/10.24036/komposisi.v25i1.126366

Full Text:    Language : id

Abstract


Within two decades in West Sumatra, some artists' paintings contain visualization of letters, numbers, sentences, which are sometimes arranged scattered, even upside down. This is unusual considering that contemporary painting has developed into more sophisticated forms. This research aims to explore the meaning of text visualization in contemporary paintings of artists in West Sumatra. This research uses descriptive qualitative method with Hans-Georg Gadamer's hermeneutic approach. The object of study was selected based on purpose sampling, namely the paintings of Syahrial, Yasrul Sami, Yon Indra and Dika Adrian. The results showed that the meaning of Syahrial's painting text hints at a critical mindset in viewing the reality of life facing the value conventions of Western theories that give distance to the mindset of the community towards culture. The meaning of the text in Yasrul Sami's painting is a representation of the inner and psychological self over the problems of life. The meaning of Yon Indra's painting text leads to the essence of the attitude and mindset of the younger generation. The meaning of the text of Dika Adrian's paintings, leads to cultural consumption, social context and environment of today's young generation. From the results of the research, it can be concluded that the text in the paintings has personal meaning and social meaning. The difference in the way the text visualization is expressed in the work has an influence on cross-generational cultural consumption.


Keywords


meaning, hermeneutics, text, contemporary painting

References


Achjar, K. A. H., Rusliyadi, M., Zaenurrosyid, A., Rumata, N. A., Nirwana, I., & Abadi, A. (2023). METODE PENELITIAN KUALITATIF: Panduan Praktis untuk Analisis Data Kualitatif dan Studi Kasus. PT. Sonpedia Publishing Indonesia.

Anam, S., Nashihin, H., Taufik, A., Sitompul, H. S., Manik, Y. M., Arsid, I., Jumini, S., Nurhab, M. I., Widiyastuti, N. E., & Luturmas, Y. (2023). Metode Penelitian (Kualitatif, Kuantitatif, Eksperimen, dan R&D). Global Eksekutif Teknologi.

Chia, P. (2023). Analisis Karya Seni Lukis Yasrul Sami (Doctoral dissertation, Universitas Negeri Padang).

Colantonio, C., Pelosi, C., Calabrò, G., Spizzichino, V., Partenzi, I., & Lanteri, L. (2023). Scientific investigation of contemporary pastel painting by Roberto Sebastian Matta: Characterization of original materials through multispectral imaging and spectroscopic techniques. Heritage, 6(3), 2541–2558.

Darmaji, A. (2013). Dasar-dasar ontologis pemahaman hermeneutik Hans-Georg Gadamer.

DUAN, L. (2015). Anxiety of Glocalization: Contemporary Chinese Art Responding to Western Influence. Comparative Literature: East & West, 23(1), 49–56.

Esmaili, A., & Kazemi, M. (2023). Studying the works of contemporary painters from Ghazaliat Shams based on Genette’s theory of Transtextuality: A case study of the works of 3 painters from the Shams Farhangistan book. Journal of Interdisciplinary Studies of Visual Arts, 1(2), 64–77.

Fitryona, N. (2017). The Dialectic of Visual Arts Life in West Sumatra 1986-2003. International Journal of Creative and Arts Studies, 4(1), 27–39.

Gozali, A. (2018). Dimensi Spiritual dalam Seni Lukis Abstrak Kontemporer Indonesia: Sejarah dan Wacana.

Hasanah, H. (2017). Hermeneutik Ontologis-Dialektis Hans-Georg Gadamer. Jurnal At-Taqaddum, 9(1), 1–32.

Holt, N. J. (2019). The expression of schizotypy in the daily lives of artists. Psychology of Aesthetics, Creativity, and the Arts, 13(3), 359.

Kusmara, A. R. (2019). Karya-karya seni rupa kontemporer Indonesia berbasis media kertas: Bentuk dan wacana. Mudra Jurnal Seni Budaya, 34(2), 269–274.

Loho, A. M. (2021). Kontribusi Hermeneutika Hans-Georg Gadamer Bagi Ilmu Pengetahuan. Vidya Darsan: Jurnal Mahasiswa Filsafat Hindu, 2(2), 163–169.

Noviadji, B. R. (2022). Analisis Hermeneutika Gadamer Karya-Karya Lukisan Roby Dwi Antono Dalam Pameran “Lucid Fragments. Journal of Contemporary Indonesian Art, 8(2), 113–121.

Raharjo, M. (2008). Dasar-dasar hermeneutika: antara intensionalisme dan gadamerian. Yogyakarta: Ar-Ruzz Media, 148.

Ramadhani, C. C. (2017). Penyadaran Berekspresi dalam Estetika Seni Rupa Kontemporer. Seminar Nasional Seni Dan Desain 2017, 139–146.

Rath, A. (2011). Contextualizing Contemporary Art: Propositions Of Critical Artistic Practice In Seni Rupa Kontemporer In Indonesia.

Sanjaya, A. D., & Nugroho, S. W. (2023). Konsep dan proses penciptaan seni lukis kontemporer Heri Dono dalam Phantasmagoria of Science and Myth. Sungging, 2(1).

Saragi, D. (2016). Kecerdasan Emosional Anak Dalam Sebuah Lukisan (Suatu Kajian Menurut Teori Hermeneutik Hans-Georg Gadamer).

Soriano-Colchero, J.-A., & López-Vílchez, I. (2019). The role of perspective in the contemporary artistic practice. Cogent Arts & Humanities, 6(1), 1614305.

Sugiyono, D. (2013). Metode penelitian pendidikan pendekatan kuantitatif, kualitatif dan R&D.

Taylor, D. F. (2022). Picturing Ekphrasis: Image and Text in Shakespeare Painting. European Romantic Review, 33(4), 461–478.

Thalib, M. A. (2022). Pelatihan Analisis Data Model Miles Dan Huberman Untuk Riset Akuntansi Budaya. Madani: Jurnal Pengabdian Ilmiah, 5(1), 23–33.

Yasini, S. R. (2023). The Image of Contemporary Iranian painting at Post-Islamic Revolution‎ Cultural-Artistic‎ Journals (‎‏ 1981-2013). Glory of Art (Jelve-y Honar) Alzahra Scientific Quarterly Journal, 15(3), 124–142


Article Metrics

 Abstract Views : 223 times
 PDF Downloaded : 101 times

Refbacks

  • There are currently no refbacks.


Copyright (c) 2024 Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.