Ecological Metaphor in Shinkai Makoto’s Animated Film Tenki No Ko

Marisa Rianti Sutanto(1), Kemal Yusuf Indrabhaswara(2), Anton Sutandio(3),
(1) Universitas Kristen Maranatha  Indonesia
(2) -  Indonesia
(3) Universitas Kristen Maranatha  Indonesia

Corresponding Author
Copyright (c) 2023 Humanus

DOI : https://doi.org/10.24036/humanus.v22i1.117183

Full Text:    Language : en

Abstract


This paper discusses a 2019 animated film entitled Tenki no Ko by Shinkai Makoto. This film is Shinkai’s most commercially successful work. Like other Shinkai’s works, Tenki no Ko talks about a romantic story between two teenage characters. The film is not only a work of fantasy or romance, but it also brings up natural elements that are expressed in the plot. Not only do the natural elements expressed in the film send the message of global warming, but they also show the reality of human life. Therefore, the analysis will be carried out with an epistemological method to prove the truth of the reality of life that the film expresses. The explanatory element applied to the object is a metaphorical expression of the scenes with reference to the multimodal metaphor theory through an ecological perspective. The analysis aims to trace ecological metaphorical expressions in the film. The findings show that the dominant metaphorical expression is “human life is like the weather” which can be called an ecological metaphor in connection with the ecological relationship between the human characters and their environment.

Keywords


anime, ecology, metaphor, human life, weather

References


Arcadio, R. (2020). “Your Name” Director Makoto Shinkai Teases New Movie. The Jakarta Post. https://www.thejakartapost.com/life/2020/05/20/your-name-director-makoto-shinkai-teases-new-movie.html

Bolton, C. (2018). Interpreting Anime. University of Minnesota Press.

de Regt, H. W., & Baumberger, C. (2020). What Is Scientific Understanding and How Can It Be Achieved? In What is Scientific Knowledge: An Introduction to Contemporary Epistemology of Science (pp. 66–82). Routledge.

Forceville, C. (2009). Non-verbal and Multimodal Metaphor in a Cognitivist Framework: Agendas for Research. In C. Forceville & E. Urios-Aparisi (Eds.), Multimodal Metaphor (pp. 19–42). Mouton de Gruyter.

Furuhata, Y. (2022). Weathering with You : Mythical Time and the Paradox of the Anthropocene. Representations, 157(1), 68–89. https://doi.org/10.1525/rep.2022.157.4.68

Jones, C. (2020). Apocalyptic Ecology in The Graphic Novel: Life and The Environment After Societal Collapse. McFarland & Company, Inc.

Makoto Shinkai’s “Tenki No Ko” Anime Grosses $15 Million in 3 days. (2019). Kyodo News. https://english.kyodonews.net/news/2019/07/40611ae05cae-shinkais-tenki-no-ko-anime-grosses-15-million-in-3-days.html

McCain, K. (2020). How Do Explanations Lead to Scientific Knowledge? In What is Scientific Knowledge: An Introduction to Contemporary Epistemology of Science (pp. 52–65). Routledge.

Mulyadi, B. (2022). The Environmental Problem in Anime Weathering With You Directed By Makoto Shinkai. The7th International Conference on Energy, Environment, Epidemiology and Information System, 359, 03028. https://doi.org/10.1051/e3sconf/202235903028

Mumcu, S., & Yılmaz, S. (2018). Anime Landscapes as a Tool for Analyzing the Human–Environment Relationship: Hayao Miyazaki Films. Arts, 7(2), 1–16. https://doi.org/10.3390/arts7020016

Read, R. (2019). A-Film Philosophy of Ecology and Enlightenment. Routledge.

Riandi, A. P. (2021). Makoto Shinkai Butuh Waktu Lebih untuk Film Barunya. Kompas.Com. https://www.kompas.com/hype/read/2021/01/04/141419966/makoto-shinkai-butuh-waktu-lebih-untuk-film-barunya

Rohdin, M. (2009). Multimodal Metaphor in Classical Film Theory from the 1920s to the 1950s. In C. Forceville & E. Urios-Aparisi (Eds.), Multimodal Metaphor (pp. 403–428). Mouton de Gruyter.

Shinkai, M. (2019). Tenki no Ko. Toho Co., Ltd.

Sosa, E. (2017). Epistemology. Princeton University Press.

Sutanto, M. R., Sobarna, C., Risagarniwa, Y. Y., & Saleha, A. (2020). Redescription of Maiko and Geiko Identities: Metaphorical Reading in Suo Masayuki’s Maiko wa Lady. PalArch’s Journal of Archaeology of Egypt / Egyptology, 17(6), 84–101. https://archives.palarch.nl/index.php/jae/article/view/708%0A

Sutanto, M. R., Sobarna, C., Risagarniwa, Y. Y., & Saleha, A. (2021). Representation of Consumptive Society on Monk Lifestyle in “Fancy Dance.” Psychology and Education, 58(2), 6130–6138. http://psychologyandeducation.net/pae/index.php/pae/article/view/3129

Thelen, T. (2016). Disaster and Salvation in the Japanese Periphery. “The Rural” in Shinkai Makoto’s Kimi no na wa (Your Name). Ffk Journal, 4, 215–230. https://doi.org/https://doi.org/10.25969/mediarep/3697

Ureña Gómez-Moreno, J. M. (2017). Online Construction of Multimodal Metaphors in Murnau’s Movie Faust (1926). Metaphor and Symbol, 32(3), 192–210. https://doi.org/10.1080/10926488.2017.1338024

Wulandari, Y. (2017). Kearifan Ekologis dalam Legenda “Bujang Sembilan” (Asal Usul Danau Maninjau). Madah, 8(1), 105–114. https://doi.org/http://dx.doi.org/10.26499/madah.v8i1.376

Yoneyama, S. (2020). Rethinking Human-Nature Relationships in The Time of Coronavirus: Postmodern Animism in Films by Miyazaki Hayao & Shinkai Makoto. Asia-Pasific Journal: Japan Focus, 18(16), 1–16.


Article Metrics

 Abstract Views : 468 times
 PDF Downloaded : 271 times

Refbacks

  • There are currently no refbacks.




Copyright (c) 2023 Humanus

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.