Struktur Pertunjukan Tari Andun dalam Upacara Perkawinan di Desa Tumbuan Kecamatan Lubuk Sandi Kabupaten Seluma Provinsi Bengkulu
(1) Prodi Pendidikan Sendratasik, Universitas Negeri Padang  Indonesia
(2) Prodi Pendidikan Tari, Universitas Negeri Padang  Indonesia
Corresponding Author
Copyright (c) 2023 Dyantika Citra Winanda, Desfiarni Desfiarni
DOI : https://doi.org/10.24036/js.v12i2.121575
Full Text: Language : en
Abstract
The aim of this research is to reveal and describe the structure of the Andun Dance in a wedding ceremony in Tumbuan Village, Lubuk Sandi District, Seluma Regency, Bengkulu Province. This type of research is a qualitative research with descriptive method. The research instrument was the researcher himself and assisted by supporting instruments such as stationery and cameras. The data in this study uses primary data and secondary data. Data collection techniques were carried out by means of literature study, observation, interviews and documentation. The steps to analyze the data are data collection, data presentation and conclusion. The results of the study show that the structure of the Andun Dance performance in the wedding ceremony consists of 3 parts. 1) Opening; i.e. performing bedik (Sarafal Anam). Bedikir at the wedding ceremony has the aim of conveying praise to Allah SWT, praying for the bride and groom to become a sakinah, mawaddah and warohmah family, and entertaining the family and guests with Islamic nuances. 2) Core Section; namely performing the Andun and Berejung dances. The purpose of the Andun Dance in a wedding ceremony is to introduce and socialize between the families of the bride and groom. Andun Dance has 3 types of movements, namely Eagle Movement, Lelayang Movement, and Saluang Ngambat Ulak Movement. Berejung in a wedding party aims to express the dancers' hearts to the bride and groom in the form of congratulations and messages in satirical language through poetry. 3) Cover; namely showing Mencak. The purpose of Mencak in a wedding ceremony is toughness, a man's dexterity in protecting his family.
Keywords
References
Djelantik, M. (1999). Estetika Sebuah Pengantar. Bandung : Masyarakat Seni Pertunjukan Indonesia.
Fatmawati, A., & Asriati, A. (2013). FUNGSI TARI KELIK LANG DALAM UPACARA ADAT PERKAWINAN DI KELURAHAN PULAU TEMIANG KABUPATEN TEBO. Jurnal Sendratasik, 2(1), 18-25.
Indrayuda. (2013). Tari Sebagai Budaya dan Pengetahuan. Padang: UNP Press
Jazuli, M. (1994). Telaah Teoritis Seni Tari. Semarang: IKIP Semarang Press
Moleong, Lexy J. (2012). Metodologi Penelitian Kualitatif. Bandung: PT. Remaja Rosdakarya.
Oktaviani, R. D., & Desfiarni, D. (2021). Kemasan Tari Kejai Dalam Pesta Perkawinan Di Desa Tunggang Kecamatan Lebong Utara Kabupaten Lebong Provinsi Bengkulu. Jurnal Sendratasik, 10(4), 92-103.
Rahmida, Setiawati. (2008). Seni Tari ilid 1. Jakarta: Direktorat Pembinaan Sekolah Menengah Kejuruan.
Rahmida, Setiawati. (2008). Seni Tari Jilid 2. Jakarta: Direktorat Pembinaan Sekolah Menengah Kejuruan.
Soebadio, Haryati. (1991). Relevansi Pernaskahan Dengan Berbagai Bidang Ilmu Dalam Naskah dan Kita Lembaran Sastra Nomor Khusus 12 Januari 1991. Depok: Universitas Indonesia.
Soedarsono, (1986). Pengantar Pengetahuan dan Komposisi Tari. Jakarta: Depdikbud.
Sugiyono. (2013). Metode Penelitian Kuantitatif Kualitatif Dan R&D. Bandung: Alfabeta.
Supardjan, N. (1982). Pengantar Pengetahuan Tari. Jakarta : Departemen Pendidikan dan Kebudayaan.
Surya, W. K., & Nerosti, N. (2021). Eksistensi Tari Andun Dalam Upacara Adat Perkawinan Di Kecamatan Seluma Kabupaten Seluma Provinsi Bengkulu. Jurnal Sendratasik, 10(4), 51-60.
Article Metrics
Abstract Views : 162 timesPDF Downloaded : 59 times
Refbacks
- There are currently no refbacks.
Copyright (c) 2023 Dyantika Citra Winanda, Desfiarni Desfiarni
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.