Penyajian Teknik Bernyanyi pada Lagu Le violette Karya Alessandro Scarlatti

Priska Juli Kristine Giawa(1), Ance Juliet Panggabean(2), Agustina Helena Samosir(3),
(1) Universitas HKBP Nommensen Medan  Indonesia
(2) Universitas HKBP Nommensen Medan  Indonesia
(3) Universitas HKBP Nommensen Medan  Indonesia

Corresponding Author
Copyright (c) 2023 Priska Juli Kristine Giawa, Ance Juliet Panggabean, Agustina Helena Samosir

DOI : https://doi.org/10.24036/js.v11i4.120073

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Abstract


This study discusses the presentation of singing techniques in the song Le violette by Alessandro Scarlatti. The singing techniques used in singing the song are posture, breathing, sound production, articulation, intonation, resonance, and dynamics. The author also discusses the characteristics of the song. The distinctive feature of the music that the author brings is the solo vocal work which connects with the expression of falling in love with someone. The author applies it repeatedly until it can be done for quite a long time so that the mastery of Le violette's songs is really mature both in terms of song mastery and mentally, and is ready to be performed.

 


Keywords


Presentation; Solo; Interpretation; Le violette; Singing technique

References


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Rink, John. 2002. Musical Performance: A Guide to Understanding. Cambridge University Press.

Sinaga, Theodora. 2018. Dasar-Dasar Teknik Bernyanyi Opera. Vol 2, No 2. Medan: Fakultas Bahasa dan Seni. Universitas Negeri Medan.

Sinaga, Theodora. 2014. Teknik Bernyanyi Dalam Paduan Suara. Generasi kampus Vol 7, No 2. Medan: Fakultas Bahasa dan Seni, Universitas Negeri Medan.

Yade Surayya dan Fahmi marh. (2022). Perkembangan Kreatif Musik Gamat di Sumatera Barat. Jurnal Sendratasik, 11(03), 438. https://doi.org/DOI: 10.24036/js.v11i3.119502


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