1. Home
  2. Vol 11, No 4 (2022)
  3. Uli Purba

Analisis Bentuk dan Makna Lagu Tondi Tondikku Karya Herbet Aruan yang Dinyanyikan Style Voice

Elvita Uli Purba(1), Emmi Simangunsong(2), Kamalluddin Sigalingging(3),
(1) Universitas HKBP Nommensen Medan  Indonesia
(2) Universitas HKBP Nommensen Medan  Indonesia
(3) Universitas HKBP Nommensen Medan  Indonesia

Corresponding Author
Copyright (c) 2023 Elvita Uli Purba, Emmi Simangunsong Simangunsong

DOI : https://doi.org/10.24036/js.v11i4.119603

Full Text:    Language : id

Abstract


This article discusses the analysis of the form and meaning of the song Tondi Tondikku by Herbet Aruan which is sung by Style Voice. The method used in this research is descriptive qualitative method. The song Tondi Tondikku was composed in 2019 by Herbet Aruan and sung by Style Voice. The results obtained in this study are the song Tondi Tondikku has an intro, main melody and ending. Tondi Tondikku's song was performed with piano instruments, soprano saxophone, electric guitar, bass guitar, drums, violin with 4/4 rhythm and with adagio tempo. Tondi Tondikku's song is Binary Form which is a two-part song form. The song Tondi Tondikku has a deep meaning for parents. The meaning contained in the song Tondi Tondikku tells about the expression of feelings of love and affection of parents for their children and illustrates that the father is the first man seen by his daughter and he is the first to lose his daughter if he later finds a mate and lives with his husband 

Keywords


Tondi Tondikku; Herbet Aruan; Analysis; Form and Meaning; Binary Form

References


Arabica, Firman. (2015). Anaisis Lagu Dan Makna Syair grup Bend Be Seeven Stendy Semarang. Skripsi. Semarang: Jurusan Seni Drama, tari dan Musik, Fakultas Bahasa dan Seni Universitas Negri Semarang.

Batubara. J. (2021). Kajian Musik dan Makna Lagu Siksik Sibatumanikkam Dicover Oleh Grup Jamrud. Ekspresi Seni. Vol 23. No.2. 2021.518.

Banoe, Pono. (2003). Kamus Musik. Yogyakarta: Kanisius.

Banoe, Pono. (2003). Pengantar Pengetahuan Harmoni. Yogyakarta. Kanisius.

Beard, David dan Gloag, Kenneth. (2005). Musicology The Key Concepts. USA. New York: Routledge.

Heryanto, A. (2008). Pop Culture and Indonesia: Fluid Identities on Post-Authoriatarian Politics. New York: Routledge.

Hidayat, Rahmat. (2014). Analisa Semiotika Makna Motivasi Pada Lirik Lagu” Laskar Pelangi” Karya Nidji. Ejournal Ilmu Komunikasi.

Hutasoit, Medina. (2013). Analisis Tekstual Penyajian Andung Dalam Kematian Pada Masyarakat Toba Desa Sigumpar Kecamatan Lintong Nihuta Kabupaten Humbang Hasundutan. Skripsi Fakultas Ilmu Budaya Departemen Etnomusikologi Medan, Universitas Sumatra Utara.

Prier SJ, Karl-Edmund. 2004. Ilmu Bentuk Musik. Yogyakarta Pusat Musik Liturgi.

Samuel, Ray. (2016). “My Son My Hero” Komposisi Musik Program Dengan Format Combo Band. Skripsi: Universitas Kristen Satya Wacana Salatiga.

Sarumpaet, J.P. (1995). Kamus Batak-Indonesia. Jakarta: Penerbit Erlangga.

Sinaga J, Tumpak. (2016). Deskripsi musik pada pertunjukanopera Batak dalam cerita ‘’perempuan dipinggir danau’’oleh plot (pusat pelatihan opera Batak di medan)

Sugiyono. (2015). Metode Penelitian Kuantitatif Kualitatif dan R & B, Bandung: Alfabeta.

Yade Surayya dan Fahmi marh. (2022). Perkembangan Kreatif Musik Gamat di Sumatera Barat. Jurnal Sendratasik, 11(03), 439. https://doi.org/DOI: 10.24036/js.v11i3.119502

Widhyatama, Sila. (2012). Pola Imbal Gamelan Bali Dalam Kelompok Musik Perkusi Cooperland Di Kota Semarang. Jurnal Seni Musik. 1 (1):59-67.

https://text-id.123dok.com/document/eqojl4jz1-teori-konsep-dan-teori-yang-dipergunakan.html

https://123dok.com/document/ky6vkw7q-deskripsi-musik-pertunjukan-opera-cerita-perempuan-pinggir-latihan.html


Article Metrics

 Abstract Views : 272 times
 PDF Downloaded : 650 times

Refbacks

  • There are currently no refbacks.


Copyright (c) 2023 Elvita Uli Purba, Emmi Simangunsong Simangunsong

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.