Proses Belajar dalam Rangka Pewarisan Calempong Oguang Sialang Kecamatan Kapur IX Kabupaten Lima Puluh Kota

Pano Pio Putra(1), Marzam Marzam(2),
(1) Prodi Pendidikan Sendratasik, Universitas Negeri Padang  Indonesia
(2) Prodi Pendidikan Sendratasik, Universitas Negeri Padang  Indonesia

Corresponding Author
Copyright (c) 2023 Pano Pio Putra, Marzam Marzam

DOI : https://doi.org/10.24036/js.v11i4.116856

Full Text:    Language : id

Abstract


The type of research conducted is qualitative research with descriptive methods. The types of data used in this study are in the form of primary data and secondary data, and make the researcher the main instrument of research assisted by supporting instruments such as; stationery, photo camera and digital camera. Data collection techniques were carried out through observation, interviews, documentation and literature studies. The steps in analyzing the data are done by reducing the data, presenting the data, drawing conclusions and verifying the data. The results showed that the effort to inherit the art of Calempong Oguang Sialang was an open system involving the government participating in maintaining and teaching it to the younger generation. The stages of teaching carried out include; 1) the implementation of prayer; 2) introduction to the tools used; 3) song introduction; 4) the appearance of Calempong Oguang Sialang by the eldest, and; 5) Individuals are taught one by one different musical instruments. The efforts that have been made have been welcomed by the whole community. Because according to them Calempong Oguang Sialang must be preserved so that it doesn't become extinct and just abandoned.


Keywords


Learning Process; Inheritance; Calempong Oguang Sialang

References


Bahar, M. (2003). Perkembangan budaya musik perunggu Minangkabau di Sumatera Barat (Doctoral dissertation, Universitas Gadjah Mada).

Hidayat, H. A., Wimbrayardi, W., & Putra, A. D. (2019). Seni Tradisi Dan Kreativitas Dalam Kebudayaan Minangkabau. Musikolastika: Jurnal Pertunjukan Dan Pendidikan Musik, 1(2), 65–73. https://doi.org/10.24036/musikolastika.v1i2.26

Hidayat, H. A., Yensharti, Y., & Saaduddin, S. (2020). Bansi Organology: Minangkabau Wind Instrument Production of Hamdan Thawil in Padangpanjang. Journal of Urban Society’s Arts, 7(2), 109–117. https://doi.org/10.24821/jousa.v7i2.4157

Indrayuda. 2012. Eksitensi Tari Minangkabau. Padang : UNP Pers.

Koentjaraningrat. (2009). Pengantar Ilmu Antropologi. Jakarta: RinekaCipta.

Refrianto, Desmawardi, Yurisman. (2019). Eksistensi Gondang Oguang di Desa Lubuk Bendahara Kecamatan Rokan IV Koto Kabupaten Rokan Hulu Provinsi Riau. Creativity And Research Theatre Journal, Institut Seni Indonesia Padang Panjang.

Supriyanto, S. (2019). Model Pendidikan Kepariwisataan Dalam Pengembangan Desa Wisata Berbasis Masyarakat di Desa Candirenggo Kecamatan Ayah Kabupaten Kebumen. Jurnal Sosial Soedirman, 3(2), 49-63.

Sugiono. (2016). Memahami Penelitian Kuantitatif. (Cetakan ke – 12), Bandung: CV Alfabeta.

Syeilendra. (2000). Musik Tradisi. Padang: DIPA Universitas Negeri Padang.


Article Metrics

 Abstract Views : 72 times
 PDF Downloaded : 24 times

Refbacks

  • There are currently no refbacks.


Copyright (c) 2023 Pano Pio Putra, Marzam Marzam

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.