Subalternitas Tokoh Sita dalam Puisi Tema Epos Ramayana Karya Sapardi Djoko Damono
Abstract
Intertextuality studies bring several literary works to face each other. The great work of Ramayana which has been translated into various languages has become one of the most popular epics to date. The phenomenal event in the text called agni pariksha or Sita's burning as a test of chastity indicates that Sita is a symbol of loyalty. In the form of poetry, Sapardi Djoko Damono wrote it under the title Sita Magic by expressing Sita's feelings. Sapardi also wrote another poem with the same theme as the title Benih which is described from the story of accusations of Sita's pregnancy by Rama and the people of Ayodya in Valmiki's Bab Utarakandha. Based on the reading of the three texts, this study explains Sita's inability to articulate her voice against Rama's accusations. Through Gayatri Spivak's subaltern theory, this research will dismantle Sita's suppressed voices which are narrated through the author's thoughts. It was found that culture greatly influences Sita's silence which is based on stereotypes that have been defined in cultural identity.
Full Text:
PDFReferences
Ashcroft, Bill, Gareth Griffiths dan Helen Tiffin, ed. 2003. The Post-Colonial Studies Reader. New York: Routledge.
Buker, Derek M. 2002. Science Fiction and Fantasy Readers’ Advisory: The Librarian’s Guide to Cyborgs, Aliens, and Sorcerers. American Library Association.
Elleström, Lars. 2010. Media Borders, Multimodality and Intermediality. Springer.
Handayani, Christina S, and Ardhian Novianto. 2004. Kuasa Wanita Jawa. LKIS PELANGI AKSARA.
Hartati, Dian. 2019. “Pembacaan Heuristik dan Hermeneutik Puisi Indonesia Modern Bertema Pewayangan.” Deiksis 11 (01): 7–20.
Hermawati, Tanti. 2007. “Budaya Jawa dan Kesetaraan Gender.” Jurnal Komunikasi Massa 1(1): 18-24.
Morton, Stephen. 2011. “Subalternity and Aesthetic Education in the Thought of Gayatri Chakravorty Spivak.” Parallax 17 (3): 70–83.
Nugraha, Dipa, and Suyitno Suyitno. 2020. “Pendekatan Sastra Bandingan Feminis Atas Variasi Gubah Ulang Agni Pariksha Sita Dalam Tiga Sajak Indonesia.” ATAVISME 23 (1): 62–74.
Nurgiyantoro, Burhan. 1999. “Pengaktualan Unsur Mitologi Dalam Puisi Goenawan Mohamad Dan Sapardi Djoko Damono*.” Cakrawala Pendidikan, 95242.
Pudjiastuti, Titik. 2010. “Sita: Perempuan Dalam Ramayana Kakawin Jawa Kuna.” Jumantara: Jurnal Manuskrip Nusantara 1 (2): 81–96.
Rokhmansyah, Alfian, and Bayu Aji Nugroho. 2019. “Model Transformasi Babak Sinta Obong Dalam Puisi-Puisi Indonesia.” In Prosiding Seminar Nasional Pascasarjana (PROSNAMPAS), 2:54–59.
Setiawan, Lilik. 2018. “Studi Fenomenologi: Pengalaman Keluarga Dalam Merawat Anggota Keluarga Yang Mengalami Gangguan Jiwa.” Jurnal Kesehatan Mesencephalon 4 (2).
Singh, Bhupinder. 2020. “Aspects of Sikh Axiology: Three Essays.” Sikh Formations 16 (4): 448–64.
Wedhowerti, Scolastica. 2014. “Is the Ramayana a World Literature? The History, Translation, and Anthologization of the Ramayana.” In LITERARY STUDIES CONFERENCE 2014, 35.
Zulfadli. 2018. “Citra Perempuan Dalam Kumpulan Puisi Karya Sapardi Djoko Damono.” Bahasa dan Sastra 3 (9).
DOI: https://doi.org/10.24036/jbs.v10i3.120837
Refbacks
- There are currently no refbacks.
Jurnal Bahasa dan Sastra (2302-3538) is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.