Ekranisasi Sastra terhadap Alih Wahana Novel Soe Hok Gie: Catatan Seorang Demonstran ke dalam Film “Gie”

Dwi Anggraini, Trie Utari Dewi

Abstract


The emergence of Ecranization in the development of Indonesian literature is increasingly rapid with the help of technological advances. Therefore, the phenomenon that occurs in the transfer of the novel medium into the film can indirectly be studied because it is part of the various changes that occur in the world of literature. This study discusses the literary ecranization of the novel Soe Hok Gie: Notes of a Demonstrator into the film Gie by finding various changes from the novel into the form of a film, such as reductions, additions, and changes in variations. The method used in this research is descriptive qualitative method. The theory used in this study refers to the views of Damono (2012) and Eneste (1991). Data collection techniques used observational techniques and note-taking techniques. The results of this study indicate that there are reductions (2 data), additions (2 data), and changes in variation (6 data) in the ecranization of Soe Hok Gie's novel: Notes of a Demonstrator. Overall, the literary ecranization from the novel to the film greatly influences the storyline about the character of a Gie depicted through the film Gie.


Keywords


Ecranisation; novels to film; Soe Hok Gie

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References


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DOI: https://doi.org/10.24036/jbs.v10i2.116627

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