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				<identifier>oai:ojs.ejournal.unp.ac.id:article/135362</identifier>
				<datestamp>2025-08-28T14:42:35Z</datestamp>
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<oai_dc:dc
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	<dc:title xml:lang="en-US">Expressive Language Disorder of Asperger Syndrome  Children Videos from YouTube Aged 4-14 Years Old  (2009-2022)</dc:title>
	<dc:creator>Ulfah, Azzahra Mulia</dc:creator>
	<dc:creator>Oktoviandry, Rifki</dc:creator>
	<dc:subject xml:lang="en-US">Expressive language disorder, Autism Spectrum Children, Asperger Syndrome.</dc:subject>
	<dc:description xml:lang="en-US">This research analyzed and described the types of expressive language disorder in the eleven YouTube videos (2009-2022) from children with Asperger syndrome. It aims to identify the verbal and non-verbal communication impairment in the utterances of Asperger’s children. In this research, Carroll’s theory (1985) about expressive language disorder on verbal communication of ASD and Gilberg’s (2002) theory about non-verbal impairments of expressive language specifically on Asperger syndrome are used. The qualitative methods were used to analyze the data which consisted of the utterances of Asperger syndrome children. The result reveal that the videos contained 192 appearances of verbal communication impairment, with Phonological Disorder appeared 133 times, Pragmatic Disorder with 35 times, Semantic Disorder was 19 appearances, and Syntactical Disorder was 5 appearances. Meanwhile, the non-verbal communication impairments appeared 55 times with Gauche Body Language occured 21 times, inappropriate facial expression appeared 15 times, peculiar stiff gaze with 12 times, limited facial expression with 4 appearances, and limited use of gestures with 3 times. This analysis shows that a lot of expressive language disorder on the children in YouTube videos was found because of the difficulties of the children to use and convey the language as a mean of communication.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-08-17</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
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	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/135362</dc:identifier>
	<dc:identifier>10.24036/ell.v14i3.135362</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 3 (2025); 626-639</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/135362/110679</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Azzahra Mulia Ulfah</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
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				<identifier>oai:ojs.ejournal.unp.ac.id:article/118571</identifier>
				<datestamp>2022-11-22T03:17:56Z</datestamp>
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<oai_dc:dc
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	<dc:title xml:lang="en-US">Analysis of Logical Fallacy on the Arguments Made by Student from 2019 Indonesian Protests and Riots in Television Debates</dc:title>
	<dc:creator>Wiranda, Ayu</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Logical fallacy, arguments, debate, demonstration</dc:subject>
	<dc:description xml:lang="en-US">AbstractThis study sought to identify the many sorts of logical fallacies used in Indonesian television debates, notably those made by students who participated in the 2019 protests and rioting there. This is a descriptive study that takes a qualitative approach. In this study, the five categories and sixty-two types of fallacies introduced by Damer's (2009) theory of fallacy classification were used. There were eighteen of the sixty different types identified. First, the results revealed that students consistently violated the acceptability and rebuttal criteria in their arguments, using five different fallacies in each category. Second, with a frequency of 27.98%, poisoning the well was the type of fallacy that students used the most frequently, followed by the two-wrong fallacy with a frequency of 10.29% and manipulation of emotion with a frequency of 8.82%. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-10-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
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	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/118571</dc:identifier>
	<dc:identifier>10.24036/ell.v11i3.118571</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 3 (2022); 322-327</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/118571/106928</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Ayu Wiranda, Hamzah Hamzah</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
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				<identifier>oai:ojs.ejournal.unp.ac.id:article/8546</identifier>
				<datestamp>2018-02-26T07:24:46Z</datestamp>
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<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
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	<dc:title xml:lang="en-US">THE SHIFT WORDS USED BY THE YOUNG GENERATION IN KOTO NAN AMPEK PAYAKUMBUH</dc:title>
	<dc:creator>Yolanda, Bunga</dc:creator>
	<dc:creator>Saun, Saunir</dc:creator>
	<dc:subject xml:lang="en-US">Shift Words, Word classes, Koto Nan Ampek Payakumbuh</dc:subject>
	<dc:description xml:lang="en-US">Today, many young people do not understand the words used by the older generation, so a lot of misunderstandings happen when older generation talking using the words this all happened because there is shift words used by young generation. Therefore, the purpose of this paper is to find the words that are no longer used by the younger generation in Koto Nan Ampek Payakumbuh and writer wanted to know what factors that cause these shift words. In writing this paper, the author was helped by several informants who can provide information about the words that no longer used by the younger generation in daily conversation. Then the authors classify the data according to the words classes. The shift words are lost because it was no longer use, this caused by several factors such as social factors, economic factors, political factors, demographic factors and attitude and value.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2017-03-24</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/8546</dc:identifier>
	<dc:identifier>10.24036/ell.v6i1.8546</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 6, No 1 (2017): Serie A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/8546/6564</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2017 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/105457</identifier>
				<datestamp>2019-08-15T09:51:01Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
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	<dc:title xml:lang="en-US">WRESTLING WITH SCHIZOPHRENIA IN THE NOVEL CHALLENGER DEEP (2015) BY NEAL SHUSTERMAN</dc:title>
	<dc:creator>Elqayyimah, Rasyidah</dc:creator>
	<dc:creator>Syafei, An Fauzia Rozani</dc:creator>
	<dc:subject xml:lang="en-US">wrestling, schizophrenia, symptoms</dc:subject>
	<dc:description xml:lang="en-US">The purpose of this analysis is to expose the issue about wrestling with schizophrenia which is done by protagonist and to know the contribution of setting, character and plot in revealing the issue about wrestling with schizophrenia. This analysis is related to the medical theory of schizophrenia and the concept of id, ego, and superego by Sigmund Freud. This analysis is supported by the text and context based interpretation. The result of this analysis shows the protagonist succeeds in wrestling with schizophrenia through self-controlling and socializing with others. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-08-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/105457</dc:identifier>
	<dc:identifier>10.24036/ell.v8i3.105457</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 3 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/105457/102262</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/130277</identifier>
				<datestamp>2024-11-02T02:20:32Z</datestamp>
				<setSpec>ell:ART</setSpec>
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<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
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	<dc:title xml:lang="en-US">Flouting Maxim in Creating Humor in Stand-Up Comedy: Comparative Study between Minangkabaunese &quot;Rin Hermana&quot; and American &quot;K-Von&quot;</dc:title>
	<dc:creator>Jefelia, Fitrisia Yola</dc:creator>
	<dc:creator>Zaim, M</dc:creator>
	<dc:subject xml:lang="en-US"></dc:subject>
	<dc:description xml:lang="en-US">Some people may misunderstand when communication and fail to obey the maxim that is called flouting maxim. Grice (1975) proposed four types of flouting maxims, they are flouting maxim of quantity, flouting maxim of quality, flouting maxim of relevance, and flouting maxim of manner. People who disobey the maxims can be found in creating humor. In this study, conversation in creating humor became a data source, and Stand Up Comedy Minangkabaunese Rin Hermana and American K-Von were chosen to be analyzed. The purpose of this study is to find out what type of maxim they flouted the most and the differences on both of the Stand Up Comedy. The method of this research is descriptive research. It is found that there were total of 32 utterances that flout the maxim. The results show that Stand Up Comedy Americans flout the maxim the most with 18 utterances while Minangkabaunese with 14 utterances. It is also found that the differences in flouting maxim of both of the Stand Up Comedy show that in Minangkabaunese Rin Hermana flouts maxim of quantity and manner with the highest number of 7 and 5 utterances while Flouting maxim of quality and relevance rarely appeared with 2 and 0. American K-Von flouts maxim of quality and quantity the most with the highest number of 8 and 5 utterances while flouting maxim of manner and relevance with number of 4 and 1 utterances.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-08-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/130277</dc:identifier>
	<dc:identifier>10.24036/ell.v13i3.130277</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 3 (2024); 755-766</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/130277/109611</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Fitrisia Yola Jefelia</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/110346</identifier>
				<datestamp>2022-04-08T16:30:38Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
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	<dc:title xml:lang="en-US">The Analysis of Errors Made by The Third Year Students of English Department in Translating Narrative Text</dc:title>
	<dc:creator>Adelia, Vioksana Bonita</dc:creator>
	<dc:creator>Rosa, Rusdi Noor</dc:creator>
	<dc:subject xml:lang="en-US">Translation; Error in translation; Linguistics errors; Narrative translation</dc:subject>
	<dc:description xml:lang="en-US">This study aims at finding out the errors made by the third year English Department students of Universitas Negeri Padang in translating a narrative text from English into bahasa Indonesia. This study used a descriptive method. The data were the translation of the narrative text entitled Snow White done by the third year English Department students of Universitas Negeri Padang. The data were collected using a test and were analyzed using the error analysis. The results of the study indicate semantic error is the error frequently committed by the students in their translation with the frequency of 72 times (59%). Pragmatic error (29%) is the second most frequent error, while morphological error and syntactical error are seldom found in the students’ translation. In conclusion, the errors made by the students are mainly motivated by their tendency to follow the meaning of the dictionary (word for word translation).</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-12-25</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/110346</dc:identifier>
	<dc:identifier>10.24036/ell.v9i4.110346</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 4 (2020); 423-430</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/110346/104405</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 vioksana bonita adelia</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/136179</identifier>
				<datestamp>2025-11-07T14:09:01Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
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<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
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	<dc:title xml:lang="en-US">Phonetic-Phonological and Lexical Comparison Between Bukittinggi and Sijunjung Sub-dialect of Minangkabaunese</dc:title>
	<dc:creator>Azzahra, Shelcylia</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">Dialectology, Phonetics, Phonology, Lexical, Minangkabauese, Bukittinggi, Sijunjung.</dc:subject>
	<dc:description xml:lang="en-US">This study aimed to analyze the phonetic-phonological and lexical differences and similarities between the Bukittinggi and Sijunjung sub-dialect of Minangkabaunese. Although both sub-dialects are part of the same language family, there are geographical differences between these sub-dialect. This study uses a descriptive qualitative method with data collected through direct interviews. A total of 216 words, based on the Swadesh List, were used as research instruments, and data were obtained from 10 native speakers of each sub-dialect. The findings show that 132 of the 216 words exhibit variation, with 111 representing phonetic-phonological changes and 21 showing lexical differences. Prominent phonetic-phonological patterns include the substitution of the phoneme /r/ in Bukittinggi sub-dialect  into /w/or /ɣ/ in Sijunjung sub-dialect, vowel shifts such as /a/ in Bukittinggi sub-dialect becoming /ɔ/ or /ə/in Sijunjung sub-dialect, and the deletion of /h/ in final position in the Sijunjung sub-dialect. Lexical variation also exists, with different vocabulary used for the same meaning. Based on Guiter’s dialectometric formula, the percentage difference between the two sub-dialects is calculated at 61,1%, categorized as dialect variation. The outcomes of this research contribute to a deeper understanding of Minangkabaunese dialectology.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-11-07</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/136179</dc:identifier>
	<dc:identifier>10.24036/ell.v14i4.136179</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 4 (2025); 982-990</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/136179/110880</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/136179/9557</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/136179/9558</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/136179/9599</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Shelcylia Azzaha, Jufrizal Jufrizal</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/119982</identifier>
				<datestamp>2023-02-16T04:30:40Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
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	<dc:title xml:lang="en-US">Betrayal Recovery in The Girl on The Train by Paula Hawkins (2015)</dc:title>
	<dc:creator>Pasti, Nada Nyata</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">betrayal, trauma, stages of betrayal recovery</dc:subject>
	<dc:description xml:lang="en-US">This research is an analysis of the novel by Paula Hawkins entitled The Girl on The Train (2015). This research reveals the kinds of betrayals committed by Rachel's ex-husband and how she was able to manage her life after experiencing trauma, anxiety and depression for a long time. This research is a qualitative descriptive study that uses psychoanalysis theory and is supported by defense mechanism theory. The results of this research indicate several stages that Rachel went through to be able to rise from the adversity she experienced. The stages of recovering the betrayal that are told in this novel are; denial, anger, depression, bargaining and acceptance. These stages have a different time span for each victim, depending on the betrayal experienced and the mental state of each victim. The results of this study also reveal that betrayal can occur not because of the shortcomings and helplessness of the betrayed person, but betrayal can occur purely because the traitors do not have the value of loyalty in themselves. Therefore, no matter how perfect their partner is, traitors will never be satisfied.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-03-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/119982</dc:identifier>
	<dc:identifier>10.24036/ell.v12i1.119982</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 1 (2023); 121-125</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/119982/107425</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 NADA NYATA PASTI</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/9902</identifier>
				<datestamp>2018-03-12T09:02:24Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">ENGLISH WORD FORMATION PROCESS OF ADVERTISEMENT BOARDS IN PADANG CITY</dc:title>
	<dc:creator>Fauziyah, Fenny</dc:creator>
	<dc:creator>Saun, Saunir</dc:creator>
	<dc:subject xml:lang="en-US">word formation process, advertisement categories, blending,  compounding, borrowing, coinage, initialization, acronym, clipping, back formation inflection, derivation, onomatopoeia, cliticization.</dc:subject>
	<dc:description xml:lang="en-US">This research purposed to analyse the type of word formation process used in advertisement boards. Sources of data obtained from advertisement boards in Padang City. Based on analysis of the data the researcher found advertisement categories that have word formation process that are smartphone, name of shop/company, funiture, course/education institutional, cigarette, event, and job vacancy. From all these categories the researcher classify word formation process into twelve types. The researcher found blending (7%), compounding (15%), borrowing (9%), coinage (9%), initialization (11%), acronym (4%), clipping (15%), back formation (5%), inflection (11%), derivation (7%), onomatopoeia (2%), cliticization (5%). The result of this research indicate advertisement category that many found in advertisment boards in Padang city is name of shop/company. And the advertisement category that rarely found in advertisment boards in Padang city is job vacancy. In addition, based on analysis of the data show that compounding and inflection are types that many used in advertisment boards in Padang city. And type that rarely used in advetisement boards is onomatopoeia. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/9902</dc:identifier>
	<dc:identifier>10.24036/ell.v7i1.9902</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 1 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/9902/7372</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/130645</identifier>
				<datestamp>2024-12-17T09:32:19Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Disability as a Romantic Attraction in Jojo Moyes' Novel Me Before You</dc:title>
	<dc:creator>Suhermen, Retno</dc:creator>
	<dc:creator>Wahyuni, Delvi</dc:creator>
	<dc:subject xml:lang="en-US">disability; romantic attraction; feminist disability; me before you</dc:subject>
	<dc:description xml:lang="en-US">This study is an analysis of Jojo Moyes’ novel “Me Before You” (2012). The purpose of this study is to examine how disability is depicted as a romantic attraction in the novel. This study uses a descriptive-qualitative approach by utilizing feminist disability theory to analyze the novel, and is supported by feminist theory and patriarchal ideology. The results of the study show that the disability depicted in the novel actually becomes a romantic attraction, because physical limitations create a sense of dependence and strength in the relationship. This novel also illustrates that besides disability, there are other aspects that becomes romantic attractions, such as personality, emotional connections, feeling of being appreciated and needed, and sharing experiences. These findings indicate that disability is not a barrier for someone to feel romantic attraction in a relationship, even disability itself can be a source of attraction.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-11-21</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/130645</dc:identifier>
	<dc:identifier>10.24036/ell.v13i4.130645</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 4 (2024); 1128-1136</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/130645/109835</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Retno Suhermen, Delvi Wahyuni</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/115038</identifier>
				<datestamp>2022-04-11T23:09:22Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Visual Representation Analysis of Meaning in BJB Bank and HSBC Bank Advertisements</dc:title>
	<dc:creator>Sari, Vitcha</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Visual Grammar, Semiotics, Advertisement</dc:subject>
	<dc:description xml:lang="en-US"> This study aims to examine the difference of meaning in visual analysis in BJB Bank and HSBC Bank advertisements. The purpose of this research is to find the difference in meaning in the visual analysis of Kress and Leeuwen metafunction, namely representational, interactional, and compositional. The data were analyzed using the theory of grammar of visual design Kress and Leeuwen (1996). The data is the visual contained in the BJB bank and the HSBC bank advertisement videos. The method of this research uses descriptive qualitative research. The results showed some differences in BJB bank and HSBC bank advertisements in visuals which are a narrative reactional phenomenon and conceptual, symbolic attribute in representational, equality in interactional, and foregrounding and backgrounding in compositional.  </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2021-12-16</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/115038</dc:identifier>
	<dc:identifier>10.24036/ell.v10i4.115038</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 4 (2021); 407-418</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/115038/105874</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2021 Vitcha Sari</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/1800</identifier>
				<datestamp>2013-06-05T03:47:25Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE CURTAILMENT OF HUMAN RIGHTS IN AMITAV GHOSH’S NOVEL THE HUNGRY TIDE</dc:title>
	<dc:creator>Muhd.Al-Hafizh (p:1-11), Ade Amelya,</dc:creator>
	<dc:description xml:lang="en-US">Abstrak    Tujuan pembahasan ini adalah untuk mengetahui sejauh mana novel ini menunjukkan pembatasan hak asasi manusia yang dilakukan pemerintah terhadap kaum minoritas di suatu daerah. Teks novel ini dianalisis dengan menggunakan text-based dan context-based approach. Penganalisaan unsur-unsur sastra pada novel ini dikaitkan dengan konsep subaltern oleh Marxist Antonio Gramsci dan Ranajit Guha dan konsep hak asasi manusia yang dikemukakan oleh Mark Goodale-Sally Engle Marry dan Kristine Bellisle-Elizabeth Sullivan. Hasil analisis menunjukkan bahwa pembatasan hak asasi manusia itu terjadi dan dilakukan dalam tiga aspek kehidupan; pendidikan, pelayanan kesehatan, dan tempat tinggal.   Kata kunci:   pembatasan, hak asasi, karakter, konflik, seting</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-06-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/1800</dc:identifier>
	<dc:identifier>10.24036/ell.v1i3.1800</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 3 (2013): SERIE : A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/1800/1538</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/116227</identifier>
				<datestamp>2023-11-10T06:10:21Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Swear Words Used by Netizens Comments in Lutfi Agizal Instagram Account</dc:title>
	<dc:creator>Zonelia, Karmila</dc:creator>
	<dc:creator>Refnaldi, Refnaldi</dc:creator>
	<dc:subject xml:lang="en-US">swear word, category and function of swear word, Instagram</dc:subject>
	<dc:description xml:lang="en-US">In society, people communicate and show emotion in different ways. Currently, it is often found that people express their feeling and emotion in swearing. This study aims to find out the categories of swear word used by netizens comments in Lutfi Agizal’s Instagram account. This research used a theory by Hughes(1996). This study is descriptive research. The data were taken from 21 posts in Lutfi Agizal’s account from August up to October 2020. The result shows that from 90 data collected, there are six categories out of swear word that have been found from seven categories of Hughes’s theory. They are religion (15.58%), genitalia (10.66%), excretion (5.73%), stupidity (17.21%), animal term (33.61%), and general (17.21%), while anatomical insult is not found from the data. By the finding, it can be concluded that the most dominant used of swear word is animal term.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-09-27</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/116227</dc:identifier>
	<dc:identifier>10.24036/ell.v12i3.116227</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 3 (2023); 439-446</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/116227/108324</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Karmila Zonelia</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/101229</identifier>
				<datestamp>2018-09-27T05:59:27Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">WORD FORMATION PROCESS ON AVIATION TERMS IN ENGLISH FOR AVIATION BOOK</dc:title>
	<dc:creator>Azis, Zakri</dc:creator>
	<dc:creator>Rosa, Rusdi Noor</dc:creator>
	<dc:subject xml:lang="en-US">Word formation, Word formation processes, Aviation, English for Aviation.</dc:subject>
	<dc:description xml:lang="en-US">In today’s advanced technology, the needs of word formation increase because more and more terms to support such technology advancement were invented. This also happens to aviation terms that also introduces several new terms that might be still strange to the public. Therefore, it is necessary to conduct a study on word formation of aviation terms in order to facilitate the public understanding of aviation terms. The purpose of this study is to analyze the types of word formation of aviation terms in English for Aviation Book published by Oxford. This sudy used a descriptive qualitative method. The data were the words contained in the listening transcript of the book. The data were analyzed based on the theories of word formation proposed by Bryson (1990), O’Grady et al. (1997), Pena (2010), Plag (2002) and Yule (2010). Based on the data analysis, it was found that there are 12 out of 17 types of word formation proposed by aforementioned experts. They are (1) Derivation, (2) Inflection, (3) Coinage, (4) Conversion, (5) Acronym, (6) Initialism, (7) Compounding, (8) Back-formation, (9) Internal Change, (10) Suppletion, (11) Onomatopoeia, and (12) Multiple Processes. Among the 12 types of word formation found, the type of word formation most frequently used in aviation terms is inflection with the frequency of 112 data (31,20%). This finding shows that words used in aviation terms are sensitive to the grammatical needs of the words in the structure.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-09-27</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/101229</dc:identifier>
	<dc:identifier>10.24036/ell.v7i2.101229</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 2 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/101229/100481</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/127557</identifier>
				<datestamp>2024-09-23T01:02:25Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Analysis of Ambiguity Found in T.S. Eliot's Poems</dc:title>
	<dc:creator>Yuliani, Iya Mai</dc:creator>
	<dc:creator>Oktoviandry, Rifki</dc:creator>
	<dc:subject xml:lang="en-US">Ambiguity, Poems, Structural, Referential, Lexical</dc:subject>
	<dc:description xml:lang="en-US">This research aimed to analyze the ambiguity found in T.S. Eliot’s poetry. This research was focused on Eliot words such as “The Love Song of J.Alfred Prufrock,” “The Hollow Men,” “Ash Wednesday,” “The Waste Land,” and “Gerontion.” This research used qualitative descriptive methods to discuss the ambiguity of analysis contained in T.S. Eliot’s poetry. The data was analyzed used Katz’s (1971) theory of ambiguity. The result found ambiguity divided into three types, namely structural, referential and lexical ambiguity. This research was identified types of ambiguity in the data, then explains how ambiguity occurs in the data. The research results show that lexical ambiguity frequently occurs in T.S. Eliot’s poetry rather than structural and referential ambiguity. In this study, phonetic ambiguity was not found in T.S. Eliot’s poems.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-02-29</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/127557</dc:identifier>
	<dc:identifier>10.24036/ell.v13i1.127557</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 1 (2024); 107-127</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/127557/108929</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Iya Mai yuliani</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/133124</identifier>
				<datestamp>2025-08-15T16:26:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Died Words of Minangkabaunese Found in Koto Gadang Guguk-Solok</dc:title>
	<dc:creator>Azzahra, Nabila</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">Dead word, language change, Minangkabaunese</dc:subject>
	<dc:description xml:lang="en-US">This article investigates the Minangkabau language, with a particular focus on dead words identified in Koto Gadang Guguk-Solok, West Sumatra. The primary objective is to uncover words that are no longer actively used by the local community. Employing a descriptive qualitative method, the researchers analyzed the data through detailed explanations. Data collection involved collaboration with informants who provided insight into words that have fallen out of usage in the region. The gathered information was then classified according to the types of language change and the factors contributing to the disappearance of these words. The findings revealed that, of 197 words suspected to be obsolete, 89 were confirmed as dead words. The results highlight lexical change as the most prevalent form of language change, with language contact identified as the main driving factor behind the loss of these words.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-06-02</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/133124</dc:identifier>
	<dc:identifier>10.24036/ell.v14i2.133124</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 2 (2025); 267-274</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/133124/110413</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Nabila Azzahra</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/106512</identifier>
				<datestamp>2022-04-10T05:48:59Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Fighting Disability Condition in Andrew Solomon’s Novel Far Away From Tree (2012)</dc:title>
	<dc:creator>Rahmat, Fikri</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">fighting, disability.</dc:subject>
	<dc:description xml:lang="en-US"> This article is about the analysis of a novel Far Away from Tree (2017) by Andrew Solomon. There are two keywords that need to be explained in this study: Fighting and disability condition. According to Merriam-Webster (2018) fight means to put effort as determined effort. While according to Merriam Webster Dictionary disability means a physical, mental, cognitive, or developmental condition that impairs, interferes with, or limits a person’s ability to engage in certain tasks or actions or participate in typical daily activities and interaction. According to Merriam Webster Dictionary condition means something essential to the appearance or occurrence of something else</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-04-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/106512</dc:identifier>
	<dc:identifier>10.24036/ell.v10i2.106512</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 2 (2021); 235-243</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/106512/106204</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/2400</identifier>
				<datestamp>2013-09-17T06:08:40Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">SEMANTIC CHANGE OF LOAN WORDS IN PADANG EKSPRES DAILY NEWSPAPER</dc:title>
	<dc:creator>Hermawati Syarif, Rusdi Noor Rosa (p: 112-120), Hadi Krisnanda,</dc:creator>
	<dc:description xml:lang="en-US">Penelitian ini bertujuan untuk menemukan kata pinjaman di Bahasa Indonesia, asal katanya dan juga perubahan makna pada kata pinjaman tersebut. Data pada penelitian ini adalah seluruh kata pinjaman yang terdapat pada harian Padang Ekspres edisi April 2013. Metode penelitian yang digunakan yaitu metode deskriptif kualitatif. Hasil penelitian menunjukkan bahwa kata pinjaman di Bahasa Indonesia berasal dari Bahasa Arab, Belanda, Cina, Inggris, Jepang, Portugis dan Sansekerta. Selain itu juga ditemukan beberapa perubahan makna pada kata pinjaman tersebut. Perubahan makna ini bisa dikelompokkan pada sifat alami perubahan maknanya, yaitu metaphor dan metonymy; atau berdasarkan akibatnya, yaitu extension of meaning, restriction of meaning, amelioration dan pejoration.   Kata Kunci: Semantics, Semantic Change, Loan Words, Newspaper</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-09-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/2400</dc:identifier>
	<dc:identifier>10.24036/ell.v2i1.2400</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 2, No 1 (2013): SERIE : B</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/2400/2012</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/103162</identifier>
				<datestamp>2019-03-17T02:34:44Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Coping with the Hardship of Life in Ruta Sepetys' Between Shades of Gray (2011)</dc:title>
	<dc:creator>Gayatri, Intan</dc:creator>
	<dc:creator>Ningsih, Kurnia</dc:creator>
	<dc:subject xml:lang="en-US">Coping, hardship, deportation, socializing, drawing</dc:subject>
	<dc:description xml:lang="en-US">The purpose of this analysis is to expose the issue of coping with the hardship of life which is done by the protagonist and to know the contribution of the plot, setting, and character in revealing how to cope with the hardship of life. This analysis is related to the concept of life instincts by Sigmund Freud that is supported by the text and context-based interpretation. The result of this analysis shows that the protagonist copes with the hardship of life through two things; socializing with others and drawing pictures.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-02-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/103162</dc:identifier>
	<dc:identifier>10.24036/ell.v8i1.103162</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 1 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/103162/101369</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/128783</identifier>
				<datestamp>2024-06-30T16:37:56Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Bahasa Tansi: The Language Loyalty of Its Speakers</dc:title>
	<dc:creator>Rahayu, Sabila</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">Bahasa Tansi, Language Attitude, Language Loyalty, Creole.</dc:subject>
	<dc:description xml:lang="en-US">The aim of this study was to determine the degree of language loyalty of bahasa Tansi speakers in Sawahlunto, West Sumatra, through a sociolinguistic analysis focusing on lexical differences, language loyalty, and language attitudes. This quantitative and descriptive qualitative research examined whether bahasa Tansi speakers are loyal in using the language or not. Data were collected using the 206 of Swadesh list words, questionnaires, interviews, and recorded conversations. The findings revealed that bahasa Tansi has 73.78% phonetic differences compared to Minangkabau, suggesting significant language divergence. Additionally, the study highlighted a strong sense of language loyalty and positive attitudes among speakers, indicating bahasa Tansi's robust sociolinguistic presence. Consequently, bahasa Tansi is classified as a creole with unique linguistic and cultural attributes, contributing to the linguistic diversity of West Sumatra.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-06-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/128783</dc:identifier>
	<dc:identifier>10.24036/ell.v13i2.128783</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 2 (2024); 401-407</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/128783/109254</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Sabila Rahayu</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/107803</identifier>
				<datestamp>2022-04-09T06:34:35Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Showing Identity and Proudness as Black Women in Three Poems I am a Black Woman (1970) by Mari Evans, A Woman Speaks (1997) by Audre Lorde, I am More Than That (2018) by Lindiwe Princess Maseko.</dc:title>
	<dc:creator>Husna, Fadilah</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">Black feminist, power and knowledge, Race, Gender, Stereotype.</dc:subject>
	<dc:description xml:lang="en-US">This analysis of the three poems I am a Black Woman (1970) by Mari Evans, A Woman Speaks (1997) by Audre Lorde, I am More Than That (2018) by Lindiwe Princess Maseko are expose the issues about showing identity and proudness as Black women. It is also expose the contribution of poetic elements (speaker, repetition, and tone) in revealing the issues about showing identity and proudness of Black women. This analysis is done by through text-based and context-based interpretation that is related to the concept of power and knowledge by Michel Foucault. The result of this analysis is exposing about the pronouncement of Black women about their identity and their proudness. Showing identity as Black women is live with culture of Black. Showing proudness of being Black women is respecting their original identity as Black.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-02-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/107803</dc:identifier>
	<dc:identifier>10.24036/ell.v9i1.107803</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 1 (2020); 22-31</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/107803/103137</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/105696</identifier>
				<datestamp>2022-03-25T03:12:28Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">STATE DOMINATION ENFORCEMENT IN TENNIS IN NABLUS (2015) BY ISMAIL KHALIDI</dc:title>
	<dc:creator>Sutama, Herry</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">British; Law; Media</dc:subject>
	<dc:description xml:lang="en-US">The purpose of this analysis is to expose the issue of State domination enforcement. It is also intended to find out how the characters, setting, plot or conflict to contribute in revealing the issue of State domination enforcement. This analysis is related to the concept of Power/Knowledge by Michel Foucault and Orientalism by Edward Said that is supported by the text and context based interpretation. The result of this analysis shows that the State that is represented by British enforces the domination through law enforcement and media restriction.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-08-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/105696</dc:identifier>
	<dc:identifier>10.24036/ell.v8i3.105696</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 2 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/105696/102246</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/105696/2115</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/125451</identifier>
				<datestamp>2024-06-30T16:37:56Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Symbolism Contained in The Secret Garden by Frances Hodgson Burnett</dc:title>
	<dc:creator>Aryunianto, Andreas Fernando</dc:creator>
	<dc:subject xml:lang="en-US">Literature, Symbols, Novel, The Secret Garden</dc:subject>
	<dc:description xml:lang="en-US">This study aims at indentifying the kinds of Symbols and finding the dominant of the Symbols that are found in The Secret Garden novel. What type of symbols in The Secret Garden by Frances Hodgson Burnett and the meaning of symbols found. This research uses descriptive qualitative method by taking sources from a book by Frances Hodgson Burnett entitled The Secret Garden, looking for and describing in detail the symbols that exist. Data in the novel is analyzed using the theory of Symbols. The results of this study show that there 9 kinds of symbols; green, black, earth, water, sun, bird, seeds, rose, and garden which has different meaning. The symbols that appear are Frances' views in interpreting an object, so that it can be understood in her literary works. The dominant Symbols found in The Secret Garden novel are Garden. The garden is the main theme in the novel which has a symbol as affection. In analyzing it, the first thing to do is to read the entire novel and understand which ones have symbols in them. The advice from future researchers is to understand the symbols contained in several classifications to distinguish, so be careful in concluding the meaning of symbols in the novel with same interpretation. This study is important to know the message or meaning that the author wants to convey in Frances work. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-06-19</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/125451</dc:identifier>
	<dc:identifier>10.24036/ell.v13i2.125451</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 2 (2024); 668-676</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/125451/109312</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Andreas Fernando aryunianto</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/109418</identifier>
				<datestamp>2022-04-08T07:21:10Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Racial Stereotyping in Bruce Norris Play Script Clybourne Park (2010)</dc:title>
	<dc:creator>Sofiani, Sofiani</dc:creator>
	<dc:creator>Al-Hafizh, Muhd.</dc:creator>
	<dc:subject xml:lang="en-US">Racial, Stereotyping, The White, The black</dc:subject>
	<dc:description xml:lang="en-US">This thesis is an analysis of a play written by Bruce Norris, entitled Clybourne Park (2010). This study is aimed to expose the issue about racial stereotyping which is done by the white people toward the Black and to know contribution dramatic elements; character, plot (conflict), setting, and stage direction in revealing the issue of racial stereotyping. This analysis is related to the concept of Orientalism by Edward Said in the post-colonial approach and also supported by the concepts of stereotype by Gamble. The result of this analysis is to expose the forms of stereotype toward black people. White sees blacks as poor people and black as a barbaric group.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-08-14</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/109418</dc:identifier>
	<dc:identifier>10.24036/ell.v9i3.109418</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 3 (2020); 272-287</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/109418/106154</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/136104</identifier>
				<datestamp>2025-11-07T14:09:00Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Metaphor as The Most Prominent Figurative Language in Selected Songs from Reincarnate Album by Motionless in White (2014)</dc:title>
	<dc:creator>Ramadhani, Khaira Fadhlika</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">Figurative Language, Metaphor, Song Lyrics, Reincarnate, Motionless in White.</dc:subject>
	<dc:description xml:lang="en-US">This study aims to identify and analyze the less prominent types of figurative language in three selected songs from Motionless in White’s Reincarnate (2014) album. Using a qualitative research design, the study explores how personification, hyperbole, simile, and onomatopoeia function to express emotion, intensity, and atmosphere in the lyrics. The data were collected from the songs Reincarnate, Puppets 3 (The Grand Finale), and Break the Cycle. The analysis applies theories from Abrams and Harpham (2015), Perrine (1982), and Leech (1981) to classify and interpret figurative expressions. The results show that while metaphor remains the dominant device in the album, other figures play crucial roles in enriching the lyrical meaning and enhancing emotional depth. Personification humanizes abstract concepts, hyperbole amplifies emotional power, simile clarifies abstract imagery, and onomatopoeia strengthens the auditory texture of the songs. The study concludes that these less prominent types serve as complementary linguistic tools that reinforce the album’s dark yet poetic tone.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-11-06</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/136104</dc:identifier>
	<dc:identifier>10.24036/ell.v14i4.136104</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 4 (2025); 885-894</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/136104/110867</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/136104/9589</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/136104/9590</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Khaira Fadhlika Ramadhani</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/119525</identifier>
				<datestamp>2023-02-16T04:30:40Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Resistance Discourse against Gender Discrimination in MS. Magazine: A Critical Discourse Analysis Study</dc:title>
	<dc:creator>Nurfitriani, Annisa</dc:creator>
	<dc:creator>Irawan, Andi Muhammad</dc:creator>
	<dc:subject xml:lang="en-US">CDA, Feminist media, Ideological Square, Discourse Topics, Discourse Strategies</dc:subject>
	<dc:description xml:lang="en-US">This research analyzed resistance against gender discrimination in a US-based feminist magazine, Ms., by using Critical Discourse Analysis (CDA). This research aimed to find the discourse topics and discourse strategies in selected news and opinion articles published by Ms. and to reveal how the feminist magazine resist gender discrimination and try to make a change in society based on their ideology through discourse. This study focused in examining how the writers of the articles and Ms. as a feminist media present themselves and other groups based on their ideology. This researcher used qualitative method and employed positive self and negative-other presentation in van Djik’s Ideological Square (2000) as the theoretical framework to analyze the data. From the selected articles, the researcher collected 188 data. Nine discourse topics and 22 discourse strategies were found in the data. The findings of this research reveal that the topics discussed in the selected articles were not only limited on gender issues but also included racism and democracy issues. Moreover, various discourse strategies were used the selected articles to convey negative presentation towards the out-groups (e.g. patriarchy, authoritarianism, corporate media) and positive self-presentation towards the in-groups (e.g. feminism, women, feminist media).</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-03-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/119525</dc:identifier>
	<dc:identifier>10.24036/ell.v12i1.119525</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 1 (2023); 24-39</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/119525/107412</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Annisa Nurfitriani</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/8889</identifier>
				<datestamp>2018-02-28T14:58:58Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">AN ANALYSIS OF CONVERSATIONAL MAXIM VIOLATION FOUND IN &quot;THE MONSTER HOUSE&quot; MOVIE SCRIPT</dc:title>
	<dc:creator>agusmita, cut merya</dc:creator>
	<dc:creator>MARLINA, LENI</dc:creator>
	<dc:subject xml:lang="en-US"></dc:subject>
	<dc:description xml:lang="en-US">ABSTRACT  Agusmita, Cut Merya. 2018. An Analysis of Conversational Maxim found in “The Monster House” movie script. Paper. Padang. English Department. Faculty of Language and Art. UNP. Conversational maxim is a set of rule or guideline in conversation which was originally proposed by HP Grice in 1975. He categorizes the maxim into four types which consist of maxim of quantity, maxim of quality, maxim of relation and maxim of manner. These rules are indeed useful for the speakers and interlocutors to make conversation run well. In this paper, the conversation or dialogue in the movie script became the source of data, and the script of the Monster House movie was chosen. Furthermore, the aim of this paper was to find out the type of maxim which is mostly violated in the script. The data were analyzed based on theory proposed by Grice. The results of the analysis revealed that almost all the main characters in the script violated the conversational maxim. Moreover, from all the utterances uttered by the characters, it was found that there were 54 utterances which violated the conversational maxim. From the 54 violated utterances, it was found that the percentages for each type of violation were 23.1% for maxim of quantity, 44,4% for maxim of relation, 9.3% for maxim of quality, 16,7% for maxim of manner, and 7,4% for combination of maxim quantity and relation.  From these results, it can be concluded that the type of maxim that was mostly violated in the script of The Monster House movie was maxim of relation. Keywords:    Conversational maxim, Maxim violation, The Monster House movie script</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/8889</dc:identifier>
	<dc:identifier>10.24036/ell.v7i1.8889</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 1 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/8889/7242</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/131401</identifier>
				<datestamp>2024-12-17T09:32:19Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Comparative Study of Figurative Language Used in Adventure Video Game and MOBA Video Game</dc:title>
	<dc:creator>Rahimi, Rahmat Randi</dc:creator>
	<dc:creator>Fitrawati, Fitrawati</dc:creator>
	<dc:subject xml:lang="en-US">Semantic, Figurative Language, Cultural Ambiguity, Video Games</dc:subject>
	<dc:description xml:lang="en-US">Figurative language is a way of uttering or writing words by setting aside their literal form and replacing them with other words that describe the intended meaning. In this research, the researcher aimed to analyze the types of figurative language and cultural ambiguities used in Genshin Impact, Ghost of Tsushima, Arena of Valor, and Honor of Kings. This study used a descriptive qualitative method to collect the data. The researcher analyzed the utterances containing figurative language and examined any instances of cultural ambiguity. The researcher identified all the utterances that demonstrated types of figurative language and cultural ambiguity. The study determined the types of figurative language and cultural ambiguity employed in those video games. As a result, the researcher found 36 data of types of figurative language. There are 19 data of personification utterances, 5 data of metaphor occurrences, 3 data of simile sentences, 3 examples of hyperbole, 3 sentences containing paradox, 1 data of synecdoche utterance, 1 example of understatement, and 1 instance of antithesis. Additionally, the researcher found 21 data of types of cultural ambiguity. There are 11 instances of semantic ambiguity, 7 data of referential ambiguity sentences, and 3 data of pragmatic ambiguity utterances. Genshin Impact and Ghost of Tsushima were categorized as adventure games, while Arena of Valor and Honor of Kings were classified as MOBA video games. The study found that adventure video games used hyperbole, synecdoche, and understatement. Meanwhile, MOBA video games preferred personification, metaphor, simile, paradox, and antithesis.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-11-19</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/131401</dc:identifier>
	<dc:identifier>10.24036/ell.v13i4.131401</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 4 (2024); 1036-1045</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/131401/109824</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Rahmat Randi Rahimi</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/113894</identifier>
				<datestamp>2022-04-11T00:13:08Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Visual Representational Analysis of Meaning in Pond's Men and Garnier Men TV Commercials</dc:title>
	<dc:creator>Riza, Resty Septia</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Visual Grammar, Semiotics, Advertisement</dc:subject>
	<dc:description xml:lang="en-US">AbstractThis research aims to examine the difference of meaning in visual analysis in Pond's Men and Garnier Men advertisements. The purpose of this research is to find the difference in meaning in the visual analysis of Kress and Leeuwen metafunction which included representational, interactional, and compositional. The data were analyzed using the theory of The grammar of visual design Kress and Leeuwen (1996). The data is the visual contained in the Pond's Men and Garnier Men advertisement videos. The method of this research uses descriptive qualitative research. The results showed that there were some differences in Pond's Men and Garnier Men advertisements in visuals which are narrative actional transactional and narrative reactional transactional in representation, social, detachment, viewer power, and representation in interactional, and foregrounding and backgrounding in compositional.   </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2021-11-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/113894</dc:identifier>
	<dc:identifier>10.24036/ell.v10i3.113894</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 3 (2021); 330-337</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/113894/105630</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2021 Resty Septia Riza</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/904</identifier>
				<datestamp>2013-05-01T02:55:30Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">FACING PHYSICAL DISABILITY IN SLOW MAN (2005) BY J. M. COETZEE</dc:title>
	<dc:creator>Delvi Wahyuni (p: 110-117), Rianda Hardi Dewanta, Kurnia Ningsih,</dc:creator>
	<dc:description xml:lang="en-US">AbstrakTujuan dari penelitian ini adalah: (1) mengetahui sejauh manacara protagonis dalam novel ini menerima kecacatannya, dan (2)menginvestigasi seberapa jauh karakter, plot (konflik) dan setingdalam novel ini membantu dalam membuktikan usaha protagonisuntuk menerima kondisi tubuhnya yang baru dan bertahan dalamhidup. Kutipan teks dalam novel ini dianalisa menggunakan teoriself – efficacy dari Albert Bandura secara interpretasi teks ataupunkonteks. Hasil analisa menunjukkan bahwa protagonis dapatbertahan dan menerima kondisi tubuhnya yang baru dengan carabertahan dalam zona amannya dan peduli pada orang lain.Kata Kunci: facing, physical disability, self – efficacy, comfortzone</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-05-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/904</dc:identifier>
	<dc:identifier>10.24036/ell.v1i2.904</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 2 (2013): SERIE: B</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/904/758</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/121929</identifier>
				<datestamp>2023-06-13T05:09:08Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Ambivalence of Identity in Tope Folarin's A Particular Kind of Black Man (2019)</dc:title>
	<dc:creator>Windari, Tiara Agnesi</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">Ambivalence, Identity, Cultures, Postcolonial, Black Man</dc:subject>
	<dc:description xml:lang="en-US">This study examined how the novel A Particular Kind of Black Man (2019) by Tope Folarin portrayed the issue of ambivalent identity. The main character named Tunde Akinola is a second-generation immigrant who experiences ambivalence of identity. This analysis is related to the concept of ambivalence and mimicry by Homi K. Bhaba. Researchers use those theories to interpret the hidden meaning of the novel. The data collection is in the form of sentences, and paragraphs from the novel. For this study, the researcher use the qualitative method by connecting the sentence and paragraph to many journals, books,s and also podcasts. The result is the factor's ambivalent identity of the main character is caused by the parent’s broken American dream and also the racism he gets because he is Black. Because of the racism, the main character concludes that he is not American because he is not White, and determined to be the perfect Black Man by mimicking many successful Black Men. The main character becomes sick of faking to be something he is not and finally embraces his identity as a hybrid.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-06-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/121929</dc:identifier>
	<dc:identifier>10.24036/ell.v12i2.121929</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 2 (2023); 341-353</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/121929/107988</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Tiara Agnesi Windari</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/101188</identifier>
				<datestamp>2018-09-27T03:31:02Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">A CRITICAL DISCOURSE ANALYSIS OF INDONESIA PRESIDENTIAL ELECTION IN 2014 GIVING SPEECHES IN CAMPAIGN DEBATE</dc:title>
	<dc:creator>Persada, Ikhwan</dc:creator>
	<dc:creator>Syahrudin, Jufri</dc:creator>
	<dc:subject xml:lang="en-US">Critical Discourse Analysis, Political Discourse, Discursive Strategies.</dc:subject>
	<dc:description xml:lang="en-US">This Paper is intended to show how one a single reality, that is International Politics and National Resilience, is presented and viewed by the two major of presidential candidates in 2014. In this paper, van Dijk’s (2004) framework adopted form Politics, ideology and discourse is used identify the discursive structures within the transcription of political campaign debate and to find out the ideology underlying them. The macro strategies of ‘positive self-representation’ and ‘negative other-representation’ (which are intimately tied up with ‘Polarization’ of in group vs. out group ideologies or US-THEM) and more strategies become very accurate criteria for the evaluation of attitudes, and opinions. The findings of this study can conducive to expanding readers’ critical thinking abilities in comprehension and production of language.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-09-24</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/101188</dc:identifier>
	<dc:identifier>10.24036/ell.v7i3.101188</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 3 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/101188/100472</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/125942</identifier>
				<datestamp>2024-11-02T02:32:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Figurative Language on Digital Children’s Literature in Website Poems of Poets.Org with Nature and Environment Theme</dc:title>
	<dc:creator>Putri, Nurul Aulia</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">Figurative language, digital children poetry, nature and environment.</dc:subject>
	<dc:description xml:lang="en-US">Figurative language is defined as a means of expressing something other than the usual language in a way that is both meaningful and deeper. This implies understanding the relationship between meaning and sentence, as well as which sentences contain meaning and which do not. This research provides information about figurative language that are found in Poets.org. This research focused only for hyperbole type because researchers want to see how important hyperbole is in children's poetry. The aim of this research is to find how many poems in Nature and Environment themes in the website Poets.org. Additionally to find how many hyperboles that are found and classify the type of meaning that appeared. The data in this research were taken from the hyperbole sentences on 11 poems in Nature theme and 6 poems in environment theme. This research used  the descriptive qualitative research method. To conduct this research, the theory of figurative language from Abram (1999 : 120-311) was used. The result shows that there are 14(56%) line of hyperbole found in Nature theme and 11(44%)  line of hyperbole found in Environment theme. After obtaining the results of hyperbole, the researcher also found that there are 4 types of meaning found from each hyperbole line, there are affective meaning with 2 occurrence (8%), conceptual meaning with 16 occurrence (68%), connotation meaning with 5 occurrence (20%), and social meaning with 1 occurence (4%). Hyperbole often found in children's poetry on the poets.org with Nature theme and the conceptual meaning is the most common found. Hyperbole is often found in children's poetry on the poets.org website. This research shows that digital children's literature on poetry has a significant impact in knowing the type of figurative language especially hyperbole and the meaning on the poetry website Poets.org with nature and enviroment theme .</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-11-11</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/125942</dc:identifier>
	<dc:identifier>10.24036/ell.v12i4.125942</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 4 (2023); 796-809</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/125942/108483</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Nurul Aulia Putri</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/132957</identifier>
				<datestamp>2025-04-24T03:54:09Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Paradoxical Claim on Zionism in Mahmoud Darwish's Novel &quot;In the Presence of Absence&quot; (2011)</dc:title>
	<dc:creator>Fajriansyah, Raihan</dc:creator>
	<dc:creator>Alamsyah, Devy Kurnia</dc:creator>
	<dc:subject xml:lang="en-US">Zionism, Palestine, Paradox, Critical Discourse Analysis.</dc:subject>
	<dc:description xml:lang="en-US">This study examines the paradoxical claims within Zionist discourse as portrayed in Mahmoud Darwish’s “In the Presence of Absence” (2011). Using Critical Discourse Analysis (CDA), the research highlights the paradox as contradictions between Zionist narratives and the realities experienced by Palestinians. Zionism presents itself as a movement of national liberation, democracy, and victimhood yet its practices have led to Palestinian Exile and displacement, Palestinian loss of homeland, and Palestinian human rights violations. The study reveals how language and ideology shape perceptions of historical events, reinforcing dominant narratives while silencing opposing voices. By critically analyzing these paradoxes, the research aims to provide a deeper understanding of the Israeli-Palestinian conflict and its provoked narratives.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-02-18</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/132957</dc:identifier>
	<dc:identifier>10.24036/ell.v14i1.132957</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 1 (2025); 155-166</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/132957/110150</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Raihan Fajriansyah</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/113394</identifier>
				<datestamp>2022-04-09T17:15:34Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Comparative Analysis of Language Style Between   Songs Lyrics of English and Indonesian Pop Singer</dc:title>
	<dc:creator>Putra, Emora Emda</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">language style, song, lyric, three levels of metafunction, Ardhito Pramono, Lewis Capaldi</dc:subject>
	<dc:description xml:lang="en-US">This study aims to compare the differences and the similarities between Indonesia and English pop song lyrics in the level of ideational metafunction, The systemic functional linguistics theory by Halliday was applied to analyze this research. The method used in this research was a descriptive research method. The results of the study show that they share two similarities and six differences in the level of ideational metafunction. The conclusion obtained from the findings is that they are more different rather than similar and the differences in how they produces the song lyric affected by the differences in cultural background of the song which are represented through song lyrics to the different ways of producing structure of clauses and selection of words in the ideational level of metafunction.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-04-09</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/113394</dc:identifier>
	<dc:identifier>10.24036/ell.v9i3.113394</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 1 (2021); 62-68</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/113394/106186</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Emora Emda Putra</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/2391</identifier>
				<datestamp>2013-09-17T05:25:26Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE WHITE CLAIM IN ANDREW McGAHAN’S NOVEL THE WHITE EARTH (2004)</dc:title>
	<dc:creator>An fauzia Rozani Syafei (p: 34-43), Desi Karlina,</dc:creator>
	<dc:description xml:lang="en-US">Makalah ini adalah hasil penganalisaan novel Andrew McGahan yang berjudul The White Earth (2004). Permasalahan yang dibahas adalah bagaimana orang-orang pendatang (settler) menuntut hak mereka terhadap tanah dari tuntutan Native Title yang menyatakan bahwa pemerintah mengakui hukum dan undang-undang tentang aborigines. Tanah yang ditutntut merupakan hak aborigine karena itu adalah tanah budaya. Orang-orang white (settler) sangat rakus dengan kekuasaan khususnya tanah. Mereka menuntut hak mereka terhadap tanah tersebut karea menurut mereka tanah itu menjadi miliknya sebab mereka telah lama berkuasa dan bercocok tanam. Penelitian ini menggunakann konsep ideology dari Allhuthsser dan white supremacy. Selain itu, penelitian ini juga menggunakan fictional devices seperti plot, setting dan karakter untuk mengemukan cara dan usaha yang dilakukan untuk mempertahankan harta dan tanah. Hasil dari penganalisaan ditemukan bahwa karakter menuntut property dari dua aspek, yaitu dari pemerintahan dan keluarga. Dari sisi permerintahan, menuntut property dengan cara melawan hukum dan undang-undang. Menyuarakan pendapatnya kepada pemerintah dengan tulisan-tulisan. Dia juga berusaha menyembunyikan fakta-fakta tentang aborigine seperti waterholes, bora rings, yang merupakan tempat aborigine menghabiskan waktunya.  Dari sisi keluarga, dia mengusir anaknya karena dia melawan dan menolak sifat-sifat ayahnya yang rakus akan harta. Selain itu, dia juga memanfaatkan keadaan temannya yang lagi sakit demi kepentingan harta. Mewarisi harta kepada keponakannya juga dia lakukan untuk menjaga supaya harta dia tetap hidup dan dijaga.  </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-09-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/2391</dc:identifier>
	<dc:identifier>10.24036/ell.v2i1.2391</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 2, No 1 (2013): SERIE : A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/2391/2003</dc:relation>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/103136</identifier>
				<datestamp>2021-10-09T22:10:10Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE ANALYSIS OF IDEOLOGIES IN DONALD TRUMP’S POLITICAL SPEECHES ON NATIONAL SECURITY : A CRITICAL DISCOURSE ANALYSIS</dc:title>
	<dc:creator>Rahmi, Rize</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:creator>Fitrawati, Fitrawati</dc:creator>
	<dc:subject xml:lang="en-US">Critical discourse analysis, Ideologies, Donald Trump’s speeches, National Security.</dc:subject>
	<dc:description xml:lang="en-US">Although there were many studies of Political Discourse had been done in CDA approach, but still few studies concern withrelation of ideology and language in the discourse. This study aims to, 1) find the ideological discourse structureswhich are used to enhance ideology in political speeches delivered by Donald Trump and 2) reveal the ideologies found in the speeches of Donald Trump about National Security. The analysis in this study is based on Fairclough’s(1992 )framework of Critical Discourse Analysis which consists of three levels of analysis; textual, discursive practice and socio-cultural practice. Then, for textual analysis, the writer used one analytical tool that is the theory of Ideological Discourse Structure of the discourse by Van Dijk (2000). The results showed that Donald Trump used language tactfully to achieve his goal on politics. The conclusion obtained is that Donald Trump enhances fascist ideology in his speeches which can be seen through the ideological structure of discourse which is found in his political speech on National Security.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US">Rize Rahmi , Hamzah Hamzah  , Fitrawati Fitrawati</dc:contributor>
	<dc:contributor xml:lang="en-US">State University of Padang, English Department Faculty of Languages and Arts</dc:contributor>
	<dc:date>2019-02-07</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/103136</dc:identifier>
	<dc:identifier>10.24036/ell.v8i1.103136</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 1 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/103136/105547</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/127742</identifier>
				<datestamp>2024-09-23T01:02:25Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Phonetic-phonological and Lexical comparison of Lubuk Basung Sub-dialect with the Standard Minangkabaunese</dc:title>
	<dc:creator>Suksio, Adrian</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US"></dc:subject>
	<dc:description xml:lang="en-US">Suksio, Adrian.2024. Phonetic-phonological and Lexical Comparison Between the Standard Minangkabau With Lubuk Basung Sub-dialect. Article. Padang. Department of English Language and Literature. The Faculty of Language and Arts. Universitas Negeri Padang. The study aims to determine the differences between the Lubuk Basung sub-dialect located in Agam district, West Sumatera and the Minangkabau language as a standard dialect in West Sumatera province. In this study, find many things that will enrich our knowledge in the fields of grammar and linguistics and their relationship with dialectology.This research uses descriptive qualitative method. In this case, it is possible to compare two languages so that the differences, similarities, and uniqueness are found and to know how close the relationship between the languages is to be studied. Studies were conducted directly in Lubuk Basung, Agam District, West Sumatra Province, and then compared to Minangkabau as the standard language of West Sumatra, which was studied in Belimbing District, Padang City, West Sumatra Province.Lubuk Basung sub-dialect which is located in Lubuk Basung in Agam District of West Sumatra Province, do not recognize phoneme /r/ and phoneme /a/ in the end of the word is omitted and the phoneme /a/ change into phonem /u/ at the end of the word.  KEYWORDS : PHONETIC-PHONOLOGICAL, LEXICAL , SUBDIAECT OF MINANGKABAU LANGUAGE</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-03-04</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/127742</dc:identifier>
	<dc:identifier>10.24036/ell.v13i1.127742</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 1 (2024); 309-318</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/127742/108967</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Adrian Suksio</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/105456</identifier>
				<datestamp>2019-08-16T06:18:53Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Language Function in the Discourse Produced by Traditional Medicine Sellers</dc:title>
	<dc:creator>Ananda, Rahmatika</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Traditional medicine seller, informative, directive, expressive, aesthetic, phatic.</dc:subject>
	<dc:description xml:lang="en-US">AbstractThe purpose of this research is to investigate the language function from the discourse produced by traditional medicine sellers. The method used in this research is descriptive method. The data of this research were obtained from the discourse produced by five medicine sellers in different area. The data were analyzed by using Geoffery Leech (1974) theory. The finding divided into three types, they were informative, directive, and phatic function. In informative function also found four type of informative, they were giving opinion, advice, making announcement, and admonish. In directive function was found two types, they were command and request. Last was phatic function. Most of conversations had similar types of language function. However, findings showed that there were some types of language function were not found in each section of conversation produced by traditional medicine sellers. The language functions used by traditional medicine sellers were in line with the purpose of marketing, they were to inform, persuade, and remind the costumer about the product that sold. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-08-16</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/105456</dc:identifier>
	<dc:identifier>10.24036/ell.v8i3.105456</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 3 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/105456/102280</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/105456/2057</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/135221</identifier>
				<datestamp>2025-08-28T14:42:35Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Subtitling Strategies of Deixis in &quot;Before Sunset (2004)&quot; Movie Subtitles</dc:title>
	<dc:creator>Yuhasiah, Delifa</dc:creator>
	<dc:creator>Ardi, Havid</dc:creator>
	<dc:subject xml:lang="en-US">Deixis, Subtitling Strategies, Deixis Translation, Before Sunset</dc:subject>
	<dc:description xml:lang="en-US">Translating deixis in subtitles presents significant challenges due to cultural and linguistic differences between the source language (SL) and the target language (TL), especially between English and Bahasa Indonesia. This research aims to analyze how the translator translates person deixis, place deixis, time deixis, social deixis, and discourse deixis uttered by the main characters in Before Sunset (2004). This research employed a descriptive qualitative research design to analyze what subtitling strategies are used by the translator to translate deixis in the subtitles of Before Sunset movie. This research used theory from Levinson (1983) and Gottlieb (1992) to find the answer. The finding showed that 2.395 deixis were found in Before Sunset. Of the 2.395 deixis found, the 2.395 subtitling strategies used to translate deixis consist of 2 expansion, 5 paraphrase, 1510 transfer, 2 imitation, 174 condensation, and 44 deletion. The researcher then found some strategies that Gottlieb (1992) does not propose in other translation strategies, such as 72 modulation, 511 transcription, and 75 variations with transfer strategy as the dominant strategy used by the translator (63.05%). Based on the finding, it turned out that the translator used various strategies for the same deictic word (i.e., “I” translated into “aku,” “ku-,” and “-ku”). Furthermore, the researcher found that the translator did not use transcription, dislocation, decimation, and resignation strategies in translating deixis in Before Sunset (2004) movie because all deixis in the data were common words that could be directly translated because they did not involve song lyrics or culture-specific humortranslation, did not require drastic reduction, and could be rendered without any loss of meaning.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-08-17</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/135221</dc:identifier>
	<dc:identifier>10.24036/ell.v14i3.135221</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 3 (2025); 516-528</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/135221/110670</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Delifa Yuhasiah, Havid Ardi</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/117646</identifier>
				<datestamp>2022-11-22T03:17:56Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Phonological Error of English Vowel by Korean Speaker in Korean Drama</dc:title>
	<dc:creator>Kania, Annisa Nurhijatul</dc:creator>
	<dc:creator>Ardi, Havid</dc:creator>
	<dc:subject xml:lang="en-US">vowel, phonological error, Korean speaker</dc:subject>
	<dc:description xml:lang="en-US">English is used by many non-native English speakers from all around the world. Because of that, the mother tongue influences when they speak foreign language or their second language. Thus, this research analysed the error of English vowels pronounced by Korean Speaker based on phonetic and phonology. This research used descriptive method which according to this research means collecting language symptoms in the form of words. The data were collected from a Korean Drama entitled Descendant of the Sun in several episodes in a form of words. To obtain data, this research used listening method which listened directly by the researcher and then validated by a native speaker. The finding shows that there are six monophthongs and three diphthongs of English vowel which are incorrectly pronounced by the Korean Speakers. Those errors are /ə/, /e/, /eɪ/, /æ/, /ɑ/, /ʊ/, /ɪ/, /iə/, and /oʊ/ which are substituted by /ɛ/, /o/, /ɪ/, /ɔ/, /ʌ/, /u/, /ɪə/, /ɪ/, /ɛʌ/, /ɑ/.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-10-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/117646</dc:identifier>
	<dc:identifier>10.24036/ell.v11i3.117646</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 3 (2022); 238-250</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/117646/106920</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Annisa Nurhijatul Kania</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/2424</identifier>
				<datestamp>2013-09-17T08:01:17Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE ANALYSIS OF FIGURATIVE LANGUAGE IN JAKARTA POST</dc:title>
	<dc:creator>Havid Ardi (p: 337-347), Nurdiana Perbuana,</dc:creator>
	<dc:description xml:lang="en-US">Tujuan penelitian ini adalah (1) menganalisa sejauh mana novel ini merefleksikan aberrasi (2) menunjukkan kontribusi elemen fiksi (karakter dan seting) dalam mengungkap aberasi dalam novel ini. Data penelitian ini adalah teks tertulis yang dikutip dari novel dan yang konteks yang terjadi pada novel ini. Kutipan teks tersebut kemudian diinterpretasi dan dianalisa berdasarkan teori simulacra yang dikemukakan oleh Jean Baudrilard, teori Self Deception oleh Brian McLaughlin dan representasi oleh Ladesma. Hasil analisis menunjukkan bahwa tindakan dari jurnalis dan masyarakat telah menyimpang dari kebenaran yang semata-mata hanya untuk mendapatkan keuntungan secara materi.   Kata kunci: aberration, truth, code ethic, journalism</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-09-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/2424</dc:identifier>
	<dc:identifier>10.24036/ell.v2i1.2424</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 2, No 1 (2013): SERIE : D</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/2424/2036</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/108045</identifier>
				<datestamp>2022-04-09T06:34:35Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Word Formation of English Slang Used in Straight Outta Compton Movie</dc:title>
	<dc:creator>Hafiza, Muhammad</dc:creator>
	<dc:creator>Rosa, Rusdi Noor</dc:creator>
	<dc:subject xml:lang="en-US"></dc:subject>
	<dc:description xml:lang="en-US">AbstractThe aim of this study was to find out the tendency of slang words used in Straight Outta Compton movie and word formation processes of slang words. The type of this study was descriptive qualitative. This research used the theory of word formation processes by George Yule (2010). The researcher found 6 types of word formation in slang words in the Straight Outta Compton movie script namely coinage, blending, clipping, compounding, acronym, and multiple-process. The data of slang words collected from the movie script. This study found that the most dominant type of word formation was blending with the percentage of 29.24%. It was followed by coinage and clipping with a proportion of 26.16% and 24.65% respectively. Then, it was followed by compounding with a percentage of 13.84%. Acronym and multiple-process were the least dominant ones with a percentage of only 3.07%. Keywords: Language Style, Slang word, Word Formation</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-02-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/108045</dc:identifier>
	<dc:identifier>10.24036/ell.v9i1.108045</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 1 (2020); 38-48</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/108045/103139</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/108045/2727</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/124800</identifier>
				<datestamp>2024-06-30T16:37:56Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Translation of Onomatopoeia in Ariel Duyung’s Comic (Good/Bad Fortune)</dc:title>
	<dc:creator>Yuria, Hersa</dc:creator>
	<dc:creator>Ardi, Havid</dc:creator>
	<dc:subject xml:lang="en-US">Comic, Translation technique, Onomatopoeia,</dc:subject>
	<dc:description xml:lang="en-US">Several aims have been established, including the examination of onomatopoeia types and the technique employed for translating onomatopoeia in the webtoon comic titled &quot;Good/Bad Fortune&quot; by Ariel Duyung.The research employs a descriptive qualitative method, and the data for this study is divided into two parts. The first set of data comprises onomatopoeic words found in the original version of the comic &quot;Good/Bad Fortune,&quot; while the second set consists of the English translation version. In total, there are 62 instances of data. Moreover, six translation techniques are employed for translating onomatopoeia, with the following distribution: 27 (43.5%) cases of establishing equivalents, 27 (43.5%) cases of borrowing, 3 (4.8%) cases of adaptation, 1 (1.6%) case of modulation, 3 (4.8%) cases of discursive creation, and 1 (1.6%) case of substitution. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-06-19</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/124800</dc:identifier>
	<dc:identifier>10.24036/ell.v13i2.124800</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 2 (2024); 568-581</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/124800/109300</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/124800/109301</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Hersa Yuria</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/108064</identifier>
				<datestamp>2022-04-09T06:34:35Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Archaic words of Minangkabaunese found in Padang Lua</dc:title>
	<dc:creator>Azim, Fauzan</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">archaic words, lexical word classes</dc:subject>
	<dc:description xml:lang="en-US">The aim of this study is to figure out what are the archaic words of Minangkabaunese language found in Padang_Lua sub-dialect. Type of this research is descriptive qualitative in order to describe what are the causes of the extinction in certain words. This research successfully figured out that there are thirty one percents of archaic words found in Padang Lua sub-dialect by using a hundred words of Minangkabaunese language which are potentially become the archaic words. The factors of archaic words in Padang Lua sub-dialect caused by migration, bilingualism, intervention of Indonesian language, decreasing number of old generations, inter marriage, and technological developments. The main factor that contributes dominantly, the first is intervention of Indonesian language and the second is migration. Thus, it can be concluded that intervention of Indonesian language take an important role in causing words into archaic words.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-02-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/108064</dc:identifier>
	<dc:identifier>10.24036/ell.v9i1.108064</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 1 (2020); 32-37</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/108064/103138</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/134642</identifier>
				<datestamp>2025-08-28T14:42:36Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Impoliteness Strategies Used by The Main Character in The Boss Baby Movie (2017)</dc:title>
	<dc:creator>Marlina, Aurelia Putri</dc:creator>
	<dc:creator>Nurjanah, Anisa</dc:creator>
	<dc:subject xml:lang="en-US"></dc:subject>
	<dc:description xml:lang="en-US">This study analyzes the impoliteness strategies used by the main character Boss Baby in The Boss Baby movie (2017) based on Culpeper’s theory. Using a descriptive quantitative method, the researcher identified 40 impolite utterances in the movie and classified them into five types: Bald On Record (22.5%), Positive Impoliteness (27.5%), Negative Impoliteness (20%), Off-Record Impoliteness (20%), and Withhold Politeness (10%). The most frequently used strategy is Positive Impoliteness (27.5%), while Withhold Politeness is the least (10%). The functions of impoliteness are also categorized into three: Affective (37.5%), Coercive (40%), and Entertaining (22.5%), with Coercive being the most dominant (40%). These strategies reflect Boss Baby’s dominant, emotional, and humorous traits. Overall, impoliteness in the movie is used not only to create conflict but also to build character and support the story’s humor and message.Keywords: Pragmatics, Impoliteness, Animated Movie.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-08-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/134642</dc:identifier>
	<dc:identifier>10.24036/ell.v14i3.134642</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 3 (2025); 779-791</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/134642/110732</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/134642/9412</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Aurelia Putri Marlina</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/119294</identifier>
				<datestamp>2023-05-15T10:29:19Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Types of Masculinity in &quot;Me Before You&quot; (2012) by Jojo Moyes</dc:title>
	<dc:creator>Yesa, Rialdo Dwi</dc:creator>
	<dc:creator>Wahyuni, Delvy</dc:creator>
	<dc:subject xml:lang="en-US">Masculinity, Forms of Masculinity, Disability</dc:subject>
	<dc:description xml:lang="en-US">This research is an analysis of the novel by Jojo Moyes entitled Me Before You (2012). The objective of this research is to find out the forms of masculinity depicted in this novel. This study employs masculinity theory to analyzed the novel and supported by feminist theory and patriarchy theory. This a qualitave descritipve by using masculinity theory which supported by feminist literary theory and patriarchy ideologies. The results of this study shows there are several forms of masculinity depicted in this novel which are; strength, power, stoicism, action, control, independence and self-sufficiency. The result of this research shows that disability is the opposite of what is called masculine. A masculine man must have strength, power, stoicism, action, control, independence, self-sufficiency, male companionship, mateship and work.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-12-12</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/119294</dc:identifier>
	<dc:identifier>10.24036/ell.v11i4.119294</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 4 (2022); 476-487</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/119294/107171</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Rialdo Dwi Yesa</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/9805</identifier>
				<datestamp>2018-02-28T04:05:59Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">TYPES OF ABBREVIATION USED IN INSTAGRAM</dc:title>
	<dc:creator>Paramitha, Anggarda</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">Singkatan kata, sosial rubrik, susunan kata, sumber bahasa Inggris</dc:subject>
	<dc:description xml:lang="en-US">Abbreviation adalah memendekkan kata atau frasa tertentu. Tujuan dari penelitian ini untuk mengelompokkan singkatan ke dalam beberapa tipe singkatan  yang dikemukakan oleh Weakly (2006) dan Schendl (2001:28-29) yang dikenal dengan Types of Abbreviation. Penelitian ini termasuk dalam penelitian deskriptif berdasarkan fakta atau yang sebenarnya mengenai singkatan tersebut. Dalam hasil penelitian penulis menemukan kelima tipe abbreviation tersebut. Lima tipe tersebut ialah: tempel kata, akronim, inisial, kontraksi dan campuran. Tipe yang paling banyak di ditemukan ialah Initialism dengan persentase (41%). Penulis juga menemukan pergeseran singkatan yang lazim digunakan dalam rubrik politik di koran Kompas yakninya bentuk pergeseran pada dua tipe. Dua tipe tesebut adalah: initialism dan blends. Yang paling bannyak digunakan pada pergeseran singkatan ini ialah initialism (71.4%). </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2017-09-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/9805</dc:identifier>
	<dc:identifier>10.24036/ell.v6i2.9805</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 6, No 2 (2017): Serie A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/9805/7233</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/130626</identifier>
				<datestamp>2024-11-02T02:20:32Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Racial Prejudice Through the Lens of Institutional Racism in Therese Anne Fowler's Novel A Good Neighborhood (2020)</dc:title>
	<dc:creator>Sibarani, Indra Prayuda</dc:creator>
	<dc:creator>Al-Hafizh, Muhd</dc:creator>
	<dc:subject xml:lang="en-US">racial prejudice; institutional racism; African-American; discrimination; A Good Neighborhood</dc:subject>
	<dc:description xml:lang="en-US">This research analyses the novel A Good Neighborhood (2020) by Therese Anne Fowler. It explores the various causes, forms and impacts of racial prejudice experienced by the characters who are African-American. This research uses Critical Race Theory (CRT) especially Institutional Racism as the theoretical framework, and employs a descriptive qualitative method, with data derived from specific words, phrases, and sentences in the novel. The findings reveal that racial prejudice that is done by society and Institutions like Law Enforcement which includes Police Department, Judicial System and Correctional System, then Healthcare Department, and Media News Outlet manifests through generalisations and stereotypes, leading to verbal antagonism, avoidance, discrimination, and physical attack. The impacts of such prejudice include discrimination and oppression. The study underscores the pervasive and detrimental effects of racial prejudice on individuals and communities, highlighting the importance of addressing and eliminating such prejudices to achieve social justice and equity.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-09-14</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/130626</dc:identifier>
	<dc:identifier>10.24036/ell.v13i3.130626</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 3 (2024); 928-940</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/130626/109693</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Indra Prayuda Sibarani, Muhammad Al-Hafizh</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/112363</identifier>
				<datestamp>2022-04-10T05:48:59Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Instilling Negative Stereotypes in Jackie Sibblies Drury’s Play Fairview (2018)</dc:title>
	<dc:creator>Anggraini, Yola</dc:creator>
	<dc:creator>Syafei, An Fauzia Rozani</dc:creator>
	<dc:subject xml:lang="en-US">Instill, white, subordination, black, inferior</dc:subject>
	<dc:description xml:lang="en-US">This thesis is an analysis of the Play Fairview (2018) by Jackie Siblies Drury. The purpose of this analysis is to expose the issue of instilling negative stereotypes. It is also intended to expose how the contribution of fictional elements (character, setting, plot/conflict, and stage direction) in revealing the issue of instilling negative stereotypes. This analysis is done through text-based and context-based interpretation which are related to the concept of The Fact of Blackness by Frantz Fanon in his book Black Skin, White mask. The result of this analysis shows white has instilled the negative stereotypes toward black by circulating and perpetuating through the media that black is forever inferior. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2021-11-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/112363</dc:identifier>
	<dc:identifier>10.24036/ell.v10i2.112363</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 2 (2021); 115-126</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/112363/106193</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2021 Yola Anggraini</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/895</identifier>
				<datestamp>2013-03-05T12:46:04Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE SYNTACTIC FUNCTIONS OF PREPOSITIONAL PHRASES IN SENTENCES USED IN SHORT STORIES IN STORYSTAR.COM</dc:title>
	<dc:creator>Rusdi Noor Rosa (p: 22-30), Deny Setiawan,</dc:creator>
	<dc:description xml:lang="en-US">AbstrakTujuan penelitian ini adalah membandingkan fungsi sintaksis darifrasa preposisi dalam kalimat pada cerita pendek di situsstorystar.com berdasarkan tema fiksi pengetahuan dan cinta. Datapenelitian adalah 101 data dari dua tema cerita pendek yaitu fiksipengetahuan sebanyak 52 data dan cinta sebanyak 49 data. Sumberdata yaitu cerita pendek dalam situs storystar.com. Temuanpenelitian yaitu adjunct, conjunct, complementation of verb adalahfungsi sintaksis dari frasa preposisi yang terdapat pada kalimatdalam cerita pendek yang bertema fiksi pengetahuan. Adjunct,postmodifier, complementation of verb, complementation ofadjective adalah fungsi sintaksis dari frasa preposisi pada kalimatdalam cerita pendek yang bertema cinta.Kata Kunci: syntactic function, prepositional phrase, short story,science fiction, love/romance</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-03-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/895</dc:identifier>
	<dc:identifier>10.24036/ell.v1i2.895</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 2 (2013): SERIE: A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/895/749</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/120869</identifier>
				<datestamp>2023-06-13T05:09:08Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Figurative Language in Karla Kukin’s Children Poems (1980) with Surrounding and Animals Theme</dc:title>
	<dc:creator>Sitohang, Marta Rotua</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">Figurative language, children’s poem, surrounding and animals</dc:subject>
	<dc:description xml:lang="en-US">Figurative language is a way of conveying a message using the beauty of language. The use of figurative language is usually found in casual conversation, novels, poems, song lyrics, speech, and poems. This study aims to investigate the types of figurative language in selected children’s poetry compiled by Sylvia M. Vardell (2020). This research focused on the types of figurative language and the meaning of those figurative lines. The method of this research is the descriptive qualitative method.  The object of this research is the figurative lines from selected 5 poems with Family and Friends theme. The researcher also made a conclusion about the most frequent types at the end. To achieve the goal of this research, the researcher employed the theory from Laurence E. Rozakis (1995) about the types of figurative language. Thus, from 43 data, the findings show that there are 12 occurrences of hyperbole, 18 occurrences of metaphor, 1 occurrence of simile, 2 occurrences of ambiguity, 5 occurrences of personification, three occurrences of synecdoche, and 2 occurrences of allegory. The researcher finds a conclusion about the most dominant type in this research, which is metaphor. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-06-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/120869</dc:identifier>
	<dc:identifier>10.24036/ell.v12i2.120869</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 2 (2023); 266-272</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/120869/107979</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Marta Rotua Sitohang</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/9916</identifier>
				<datestamp>2018-03-12T10:42:51Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">COMING INTO PUBLIC AREA IN THE SECRET LIVES OF BABA SEGI’S WIVES (2010) BY LOLA SHONEYIN</dc:title>
	<dc:creator>Astuti Nst, Wanda Rifani</dc:creator>
	<dc:creator>Ningsih, Kurnia</dc:creator>
	<dc:creator>Syafei, An Fauzia Rozani</dc:creator>
	<dc:subject xml:lang="en-US">Public area, independent, women.</dc:subject>
	<dc:description xml:lang="en-US"> This study analyses the issue of coming into public area done by women characters. The aims of this study are to find out how far the two women characters exposed the topic of coming into public area. Fictional devices such as character, plot (conflict), and setting are used to analyse this novel. The analysis is done through text and context-based interpretation. Those elements are analysed based on how characters are going out from domestic area and coming into public area. This study relates to the concept of Marxist-feminis by Holmstorm, C. Delphy, and Booth. The result of this study shows that the women characters success in leaving domestic and coming into public area. Though cultural condition limit them, they struggle to fight to be independent.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/9916</dc:identifier>
	<dc:identifier>10.24036/ell.v7i1.9916</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 1 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/9916/7386</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/125748</identifier>
				<datestamp>2024-11-02T02:32:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">“The Gilded Cage”: Oppression Experienced by Upper-Class Women in Novel The Widows of Malabar Hill (2018) by Sujata Massey</dc:title>
	<dc:creator>Anastasya, Citra</dc:creator>
	<dc:creator>Wahyuni, Delvi</dc:creator>
	<dc:subject xml:lang="en-US">Oppression towards women, upper-class women, gender oppression, patriarchy</dc:subject>
	<dc:description xml:lang="en-US">This analysis explores the issue of oppression towards women as a result of patriarchal practices, traditional traditions, gender roles, and social expectations in the novel The Widows of Malabar Hill (2018) by Sujata Massey. This is qualitative research that relies on text and applies feminist literary criticism to analyze the issue in the novel. This analysis aims to find out the forms of oppression experienced by the upper-class women in the novel. This research found that upper-class women experienced several forms of oppression including gender-based discrimination, gender-based marginalization, powerlessness, restricted access to formal education, restriction on property sales rights, being forbidden to work in public, limitation in freedom of mobility, cultural and religious practices, gender-based violence, and lack of legal rights. This research also indicates that even in the upper social classes, gender and patriarchal culture are the main causes of women's oppression. This oppression limits the opportunities that upper-class women have to develop their true potential. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-11-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/125748</dc:identifier>
	<dc:identifier>10.24036/ell.v12i4.125748</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 4 (2023); 700-713</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/125748/108461</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Citra Anastasya</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/132965</identifier>
				<datestamp>2025-04-24T03:54:09Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Hate Speech Against Benjamin Netanyahu on Social Media X</dc:title>
	<dc:creator>Mayeni, Indah Sri</dc:creator>
	<dc:creator>Zaim, M.</dc:creator>
	<dc:subject xml:lang="en-US">Hate Speech, Benjamin Netanyahu, Social Media X</dc:subject>
	<dc:description xml:lang="en-US">This research aims to analyze types of hate speech and strategies of hate speech against Benjamin Netanyahu on social media X. The method of this research was descriptive research method. This research used the theory of Mondal et al (2017) to analyze types of hate speech and the theory of Culpeper (2016) to analyze strategies of hate speech. The data were collected from the comment section of a tweet posted by Benjamin Netanyahu on the platform X on May 23, 2024. The findings reveal five types of hate speech against Benjamin Netanyahu on social media X including behavior, ethnicity, disability, religion, and others, with behavior being the common prevalent. Additionally, five strategies of hate speech were also identified, including bald on-record impoliteness, positive impoliteness, negative impoliteness, off-record impoliteness, and sarcasm or mock politeness, with bald on-record impoliteness emerging as the most dominant strategy.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-02-18</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/132965</dc:identifier>
	<dc:identifier>10.24036/ell.v14i1.132965</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 1 (2025); 60-70</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/132965/110118</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Indah Sri Mayeni</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/7808</identifier>
				<datestamp>2022-04-06T15:19:34Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Conversational Structure in Physiotherapist's Medical Consultation at YARSI Padang Panjang</dc:title>
	<dc:creator>Mukhlisah, Nur</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:creator>Fitrawati, Fitrawati</dc:creator>
	<dc:subject xml:lang="en-US">Conversational Structure, Physiotherapist, Medical Consultation</dc:subject>
	<dc:description xml:lang="en-US">This research aims to find elements of conversational structures that happen between physiotherapist and his patients at YARSI Padang Panjang when doing medical consultation. This research uses descriptive method to conduct the research. Data of this research are the transcription of recorded conversation that happens during therapy process. The participants who act as the subject of the study and became the source of the data are physiotherapist and his patients at YARSI Padang Panjang.Total patients who do therapy treatment with therapist are 20 patients. From 20 patients, seven of them are new patients, and thirteen of them are regular patients. This research uses Goutsos (2005) theory to analyze elements in global structure of conversation. Meanwhile, Stenstrom (1994) theory uses to analyze the elements of turn-taking systems in local structure of conversation. Result of this research shows that the conversation that happens between physiotherapist and his patients is structured and organized. In global structure section, it is found that every conversation has the elements of opening, body, and closing even though not all elements found in each section. Then, in turn-taking systems case, it is found that three strategies in turn-taking systems found in the research. They are turn-yielding strategy, taking the turn strategy, and turn-holding strategy.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US">Hamzah, Fitrawati</dc:contributor>
	<dc:date>2020-08-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/7808</dc:identifier>
	<dc:identifier>10.24036/ell.v9i2.7808</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 2 (2020); 221-228</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/7808/106146</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
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		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/1828</identifier>
				<datestamp>2013-06-05T05:02:00Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">SWEARWORDS FOUND IN CHAT ROOM YAHOO MESSENGER</dc:title>
	<dc:creator>Rusdi Noor Rosa, Ririn Febrima Nasution,</dc:creator>
	<dc:description xml:lang="en-US">AbstrakTujuan penelitian ini adalah mendeskripsikan jenis-jenis katasumpah-serapah yang digunakan oleh orang-orang dalam ruangperakapan India di Yahoo Messenger, dan apa saja fungsi yangditemukan dari setiap jenis kata sumpah-serapah tersebut.Sumber data penelitian ini adalah skrip percakapan orang-orangdalam ruang percakapan India di Yahoo Messenger. Data yangdikumpulkan berupa kata-kata yang mengandung maknasumpah-serapah mulai dari tanggal 1 sampai 30 April 2012yang hanya terfokus pada ruang perakapan India di YahooMessenger. Penulis mengumpulkan data sebanyak 40 danditampilkan hanya 20 kata atau prase. Dari hasil analisis,penulis menemukan bahwa pengguna Yahoo Messengermenggunakan 6 jenis kata sumpah-serapah. Setiap jenis katasumpah-serapah memiliki fungsi yang berbeda dengan tipeyang lainnya. Penulis juga menemukan bahwa pengguna YahooMessenger menggunakan7 fungsi kata sumpah-serapah.Kata Kunci: pragmatics, swearword, yahoo messenger, typeof swearword, function of swearword</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2012-09-26</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/1828</dc:identifier>
	<dc:identifier>10.24036/ell.v1i1.1828</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 1 (2012): SERIE: B</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/1828/1565</dc:relation>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/124721</identifier>
				<datestamp>2023-11-10T06:10:21Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Characterization Adaptation in and “Then There Were None”</dc:title>
	<dc:creator>Ramdani, Paisal</dc:creator>
	<dc:creator>Saehu, Andang</dc:creator>
	<dc:creator>Pramita, Agry</dc:creator>
	<dc:subject xml:lang="en-US">And Then There Were None, Characterization, Comparative Literature, Literary Adaptation.</dc:subject>
	<dc:description xml:lang="en-US">This study analyzes the adaptation process of literary element in the novel and the film “And Then There Were None” by Agatha Christie. The researcher uses a qualitative descriptive method combined with Huctheon theory because the research results and the content of this study are in the form of words and pictures that must be explained and referred to as content analysis. Theory of Literary Adaptation by Hutcheon uses to review the data where the discussion focuses on character &amp; characterization as a literary element in the novel and the film And Then There Were None by Agatha Christie. This study provides new results regarding the changes in character &amp; characterizations in the novel to the film. One adaptation process found in this research is subtraction, which relates to the omission of the novel’s character in the film form. In this case, the adaptation process refers to the character's peripheral roles. The peripheral role of the character is a type of character that is unimportant or unnecessary to the core of the story. This research also provides another type of adaptation process, namely modification related to the character's characterization in the film form.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-09-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/124721</dc:identifier>
	<dc:identifier>10.24036/ell.v12i3.124721</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 3 (2023); 582-609</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/124721/108380</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Paisal Ramdani</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/101893</identifier>
				<datestamp>2018-12-20T07:19:39Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">ECOLOGICAL DESTRUCTION IN THE POEMS TIGER-TIGER REVISITED (2009), FOR A COMING EXTINCTION (1967), EXTINCTION OF MAN: NUCLEAR WINTER (2009)</dc:title>
	<dc:creator>Tanamal, Rangga Fajriya</dc:creator>
	<dc:creator>Ningsih, Kurnia</dc:creator>
	<dc:creator>Syafei, An Fauzia Rozani</dc:creator>
	<dc:subject xml:lang="en-US">Destruction, Nature, People, Exploit.</dc:subject>
	<dc:description xml:lang="en-US">This study is aimed to expose the issue about the ecological destruction which is done by people toward the nature and to know the contribution of poetic elements; irony, tone, and speaker in revealing the issue of ecological destruction. This analysis is related to the concept of eco-criticism by Garrard, Glotfelty, Michael P Cohen, and John Evelyn. The result of this analysis shows that the ecological destruction is done in two ways; exploitation and technological abuse.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-11-14</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/101893</dc:identifier>
	<dc:identifier>10.24036/ell.v7i4.101893</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 4 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/101893/100746</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/127350</identifier>
				<datestamp>2024-09-23T01:02:25Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Agency in the Novel “Wanting Mor” by Rukhsana Khan (2009)</dc:title>
	<dc:creator>Syahrin, Nada Alfi</dc:creator>
	<dc:creator>Wahyuni, Delvi</dc:creator>
	<dc:subject xml:lang="en-US">Agency; Oppression; Afghanistan Women; Feminism</dc:subject>
	<dc:description xml:lang="en-US">This research is an analysis of the novel Wanting Mor by Rukhsana Khan (2009). The research aims to analyze the agency shown by Afghan women in facing various oppressions in Afghanistan such as the patriarchal system, traditional social relation, foreign country intervention, and women with disabilities. The research used women's agency theory by Naila Kabeer within feminist literary theory. The form of this research is descriptive qualitative analysis. The data in this research was obtained from the novel Wanting Mor by Rukhsana Khan (2009). The results show that there are three factors lead to the emergence of Agency in Afghan women namely education, personal values, and support. This research also shows that there are three manifestations of women's agency in Afghanistan namely Decision-making, Self-determination, and Self-resilience.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-03-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/127350</dc:identifier>
	<dc:identifier>10.24036/ell.v13i1.127350</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 1 (2024); 204-215</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/127350/108944</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Nada Alfi Syahrin, Delvi Wahyuni</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/135119</identifier>
				<datestamp>2025-08-15T16:26:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">In-Between Space: Hybridity as Intersection of Identities in Jessica George's Novel Maame (2023)</dc:title>
	<dc:creator>Alfurqan, Ara Haita</dc:creator>
	<dc:creator>Al Hafizh, Muhammad</dc:creator>
	<dc:subject xml:lang="en-US">hybridity, intersectionality, identity, diaspora, Maame, multicultural, postcolonial</dc:subject>
	<dc:description xml:lang="en-US">This study aims to analyse the form and impact of cultural hybridity on the personal identity of characters, particularly the main character Maddie in Jessica George's novel Maame (2023). This study uses a postcolonial approach and Homi K. Bhabha's theory of hybridity and ‘in-between space’. This study examines the interaction between two different cultures, namely Ghanaian and British cultures, and their influence on the formation of Maddie's identity as a female diaspora character. Using qualitative method with post-colonial theoretical framework, this research uses in-depth reading and note-taking to collect and classify data from the narratives and events in the novel. The results of this study show that Maddie forms a hybrid, diaspora, multicultural, and digital cultural identity that intersect with one another. This process gives rise to various impacts such as identity crisis, feelings of alienation, self-negotiation, and the search for freedom and self-emancipation. This study demonstrates how hybridity offers space for individuals to create and re-navigate conflicting identities that generate internal conflict and social pressure. Maame's novel offers a representation of the complexity of the diaspora woman's experience and the importance of hybrid space as a site of identity formation. Keywords: hybridity, intersectionality, identity, diaspora, Maame, multicultural, postcolonial</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-06-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/135119</dc:identifier>
	<dc:identifier>10.24036/ell.v14i2.135119</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 2 (2025); 418-430</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/135119/110654</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/135119/9215</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Ara Haita Alfurqan</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/115897</identifier>
				<datestamp>2022-10-07T00:51:04Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Multimodality Analysis: Verbal Representation in Mie Sedaap and Indomie Intant Noodles Video Advertisement</dc:title>
	<dc:creator>Hendra, Karina May</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">systemic functional linguistics, semiotics, advertising</dc:subject>
	<dc:description xml:lang="en-US">This study aims to examine the difference in meaning in the verbal analysis of Mie Sedaap and Indomie instant noodles advertisements. This study aims to determine the difference in meaning in verbal analysis at the level of Systemic Functional Linguistics, namely ideational, interpersonal, and textual metafunctions. The data were analyzed using Halliday's (2006) theory of Systemic Functional Linguistics. The data is the words contained in the Mie Sedaap and Indomie ad videos. This research method uses descriptive qualitative research. The results showed that there were some differences in the two advertisements in using Systemic Functional Linguistics, namely the analysis of mood, attitude, modality, graduation, and theme. The five differences are dominated by Mie Sedaap advertisements.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-06-17</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/115897</dc:identifier>
	<dc:identifier>10.24036/ell.v11i2.115897</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 2 (2022); 132-141</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/115897/106447</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/115897/4727</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Karina May Hendra</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/2415</identifier>
				<datestamp>2013-09-17T07:34:54Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">PHONOLOGICAL CHANGES OF MINANGKABAUNESE LANGUAGE FOUND IN PADANG AREA DIALECT USED IN KURANJI</dc:title>
	<dc:creator>Refnaldi, Rusdi Noor Rosa (p: 245-255), Sauqi Hadi Amri,</dc:creator>
	<dc:description xml:lang="en-US">Penelitian ini bertujuan untuk membandingkan perubahan secara fonologi yang terjadi di dialek standar Minangkabau dengan dialek Padang area Kuranji dengan menitik beratkan pada perubahan bunyi pada sebuah kata. Perubahan bunyi tersebut akan diklasifikasikan berdasarkan tipe perubahan yang ada. Penelitian ini juga menentukan aturan perubahan bunyi pada kedua dialek tersebut Penelitian ini menggunakan metode perbandingan yang membandingkan perubahan bunyi sebuah kata yang ada pada dialek standar Minangkabau dengan dialek Padang area Kuranji, sehingga dapat diketahui tipe perubahan bunyi apa saja yang di temukan pada dialek standar Minangkabau dengan dialek Padang area Kuranji. Tipe perubahan bunyi yang ditemukan setelah membandingkan dialek standar Minangkabau dengan dialek Padang area Kuranji dua tipe, yaitu loss/deletion, dan epenthesis. Dari kedua tipe perubahan bunyi yang ditemukan, loss/deletion lebih mendominasi yang lainnya. Sedangkan untuk aturan perubahan bunyi, terdapat enam  aturan. Aturan tersebut juga diklasifikasikan berdasarkan dua tipe perubahan bunyi. Lima aturan perubahan terdapat pada loss/deletion dan satu aturan perubahan pada epenthesis.   Kata Kunci : Comparison, Sound changes, Loss/deletion, Epenthesis</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-09-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/2415</dc:identifier>
	<dc:identifier>10.24036/ell.v2i1.2415</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 2, No 1 (2013): SERIE : C</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/2415/2027</dc:relation>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/106348</identifier>
				<datestamp>2019-11-14T07:38:44Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">AN ANALYSIS OF FLOUTING OF MAXIM PERFORMED BY POLITICIAN GUESTS IN MATA NAJWA TALK SHOW IN THE EPISODE OF ADU LANTANG JELANG PENENTUAN AND BABAK AKHIR PILPRES</dc:title>
	<dc:creator>Aisya, Norin</dc:creator>
	<dc:creator>Fitrawati, Fitrawati</dc:creator>
	<dc:subject xml:lang="en-US">Flouting of Maxim, Indirectness, Politician guests, Mata Najwa Talk Show.</dc:subject>
	<dc:description xml:lang="en-US">In the process of communication, speakers are expected to obey the maxim of cooperative principles to convey messages effectively. However, many speakers disobey it for some reasons. Flouting of maxim is one of cases when speakers fail to observe the maxim to generate an implicature. This research aimed to find the types of flouting of maxim and the reasons of indirectness in flouting the maxim done by Politician guests in two episode of Mata Najwa Talk Show named Adu Lantang Jelang Penentuan and Babak Akhir Pilpres. The method of this research is descriptive research . The data of this research were the utterances of guests that flout the maxim of cooperative principles. It is found that there were total of 55 utterances that flout the maxim of cooperative principles that were analyzed. The results show that the Politician guests flout maxim of quantity and manner the most with frequency of 53.96% and 36.50%. Flouting of maxim of quality and relation rarely appeared with the same frequency, 4.76%. It is also found that the reasons of indirectness in flouting the maxim were vary such as interestingness, increasing the force’s of messages, competing goals, and politeness. However, increasing the force of the messages and politeness are two reasons that occurred more frequent in comparison with interestingness and competing goals. This research implicated that politician guests convey messages by flouting maxim for many reasons in order to gain support from masses. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-11-14</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/106348</dc:identifier>
	<dc:identifier>10.24036/ell.v8i4.106348</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 4 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/106348/102565</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/135302</identifier>
				<datestamp>2025-08-28T14:42:36Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">A Critical Discourse Analysis of Ideological Positions in Benjamin Netanyahu and Hossein Amirabdollahian’s Speeches</dc:title>
	<dc:creator>Amanda, Atika Lufti</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Political Discourse, Ideology, Ideological Square, Systemic Fucntional Linguistics, Palestinian-Israeli Conflicts</dc:subject>
	<dc:description xml:lang="en-US">This research investigated the ideological representation in selected political speeches by Benjamin Netanyahu and Hossein Amirabdollahian. The study focused solely on the Palestinian-Israeli conflict. It aimed to explore how Netanyahu and Amirabdollahian portrayed their stance on the conflict and constructed their ideological positions as either victims or aggressors. The data consisted of ten political speeches taken from official government websites. The analysis was conducted using two frameworks: Systemic Functional Linguistics and Van Dijk’s Ideological Square. The study examined only clauses relevant to the Palestinian-Israeli conflict. The findings showed that Netanyahu frequently used material and verbal processes to justify Israeli actions and highlight the threats posed by the opposing side, while Amirabdollahian often utilized relational and mental processes to portray Palestinians as victims and frame Israel as the aggressor. These differences reflected each figure’s ideological positioning in the conflict.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-08-18</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/135302</dc:identifier>
	<dc:identifier>10.24036/ell.v14i3.135302</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 3 (2025); 681-691</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/135302/110701</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Atika Lufti Amanda</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/119250</identifier>
				<datestamp>2022-10-07T00:51:04Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Logical Function Analysis on the Thread about Vaccines in Social Media Twitter</dc:title>
	<dc:creator>Hasrimarta, Nicky</dc:creator>
	<dc:creator>Tiarina, Yuli</dc:creator>
	<dc:subject xml:lang="en-US">logical function, social media, Twitter thread, Vaccines</dc:subject>
	<dc:description xml:lang="en-US">In logical function analysis, the analysis deals with clause complexes form which is the meaning relation of each clause in the clause complex. This thesis is about the logical function analysis used in the thread about vaccines in social media twitter. The objective of this research is to find out the types of logical function analysis in the threads about vaccines which is in clause complexes form. This research is conducted by qualitative descriptive approach which means this research makes the description of the situation. The data of this research is from the thread 1 about vaccine by Prof. Christine Pagel on her twitter account. The thread consists of 10 tweets that are 35 clause complexes. And the other data is from the thread 2 by Nida Qadir, MD on her twitter account. The thread consists of 5 tweets that are 21 clause complexes. The finding of this research is indicated that there are 2 main types of logical function; expansion and projection. In analyzing thread 1, there were 19 elaboration, 3 extension, 12 enhancement, and 1 types of idea. There is no locution type in thread 1. In analyzing the thread 2, there are 9 elaboration, 3 extension, 7, enhancement, 1 locution, and 1 idea. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-09-14</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/119250</dc:identifier>
	<dc:identifier>10.24036/ell.v11i2.119250</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 2 (2022); 226-237</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/119250/106830</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Nicky Hasrimarta</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/8554</identifier>
				<datestamp>2018-02-26T07:24:46Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">ADJUSTING WITH A NEW PLACE IN THE LOWLAND (2013) BY JUMPHA LAHIRI</dc:title>
	<dc:creator>Tesalonika, Tesalonika</dc:creator>
	<dc:creator>Ningsih, Kurnia</dc:creator>
	<dc:creator>Syafei, An Fauzia Rozani</dc:creator>
	<dc:subject xml:lang="en-US">adjusting, new place, The Lowland, sikap, perilaku.</dc:subject>
	<dc:description xml:lang="en-US">Skripsi ini merupakan analisa dari novel The Lowland (2013) karya Jumpha Lahiri. Permasalahan yang dibahas didalam kajian ini adalah bagaimana cara pendatang melakukan penyesuaian diri dengan lingkungan baru yang memiliki nuansa yang sangat berbeda dengan lingkungan yang mereka tinggali sebelumnya. Permasalahan dari analisa ini adalah sejauh mana karakter dalam novel ini merefleksikan cara-cara yang dilakukan untuk menyesuaian diri dengan lingkungan baru, serta seberapa besar fungsi elemen-elemen fiksi seperti karakter, setting, dan konflik berpengaruh untuk memperlihatkan cara tersebut. Tujuan dari analisa ini adalah untuk mengungkapkan cara-cara yang dilakukan pendatang dalam menyesuaikan diri terhadap lingkungan baru, dan untuk mengetahui peran karakter, setting, dan konflik dalam membantu untuk mengetahui cara-cara dalam penyesuaian diri. Metode yang dipakai adalah text-based dan context-based interpretation  yang dikaitkan dengan konsep life instinct dari Sigmund Freud. Hasil dari kajian ini menunjukkan bagaimana cara pendatang menghadapi masalah yang mereka dapati selama proses penyesuaian diri melalui sikap dan perilaku dengan mengendalikan masalah, menghadapi tekanan, membangun hubungan sosial dan memperoleh tujuan. Konflik yang terjadi dari luar dan dalam diri mereka mendorong mereka untuk mencari cara agar tidak terus terjebak dalam hal tersebut.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2017-03-24</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/8554</dc:identifier>
	<dc:identifier>10.24036/ell.v6i1.8554</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 6, No 1 (2017): Serie A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/8554/6570</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2017 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/130587</identifier>
				<datestamp>2024-11-02T02:20:32Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Mary Lennox Impoliteness Strategy in movie “The Secret Garden 2020”</dc:title>
	<dc:creator>Suhenda, Ledise</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">Impoliteness strategy; face</dc:subject>
	<dc:description xml:lang="en-US">This study was motivated by the phenomenon of rude and cold speech patterns carried out by the main character of the children's story in the film The Secret Garden 2020. This study aims to analyse the types and triggers of Impoliteness Strategies carried out by the main character. In children's stories, there tend to be main characters who are friendly and kind so that they can be examples for their readers. However, unlike the story from the novel &quot;The Secret Garden&quot; by F.H. Burnett, the main character of this story is an unfriendly child, therefore the researcher wants to know what triggers the unfriendly attitude of the main character, as well as what forms of impoliteness are carried out by the main character. The researcher chose the 2020 film adaptation as the data source for this study. The story adaptation of the novel &quot;The Secret Garden&quot; version of 2020 presents a story through audio-visuals that can be observed carefully. Data collection was carried out by analysing the script of the film The Secret Garden 2020. The researcher collected utterances that were estimated to contain types of impoliteness strategies according to the theory of &quot;Impoliteness Strategy&quot; introduced by Culpeper (1996). The results of the study showed that there was the use of three of the five types of impoliteness strategies found, namely as well as several triggers for impoliteness strategy actions.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-08-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/130587</dc:identifier>
	<dc:identifier>10.24036/ell.v13i3.130587</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 3 (2024); 810-816</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/130587/109616</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Ledise Suhenda</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/111249</identifier>
				<datestamp>2022-04-09T17:15:34Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Institutional Racism in American Post-Civil Rights Movement in Dear Martin by Nic Stone (2017)</dc:title>
	<dc:creator>Indriani, Afifah</dc:creator>
	<dc:creator>Wahyuni, Delvi</dc:creator>
	<dc:subject xml:lang="en-US">institutional racism, systemic racism, the white, the black</dc:subject>
	<dc:description xml:lang="en-US">This thesis is an analysis of a novel written by Nic Stone entitled Dear Martin (2017). It explores the issue of institutional racism in the post-civil rights era. The concept of systemic racism by Joe R.Feagin is employed to analyze this novel. This analysis focuses on four issues of systemic racism as seen through several African-American characters. This analysis also depends on the narrator to determine which parts of the novel are used as the data. The result of the study shows that African-American characters experience four forms of institutional racism which are The White Racial Frame and Its Embedded Racist Ideology, Alienated Social Relations, Racial Hierarchy with Divergent Group Interest, and Related Racial Domination: Discrimination in Many Aspects. In conclusion, in this post-civil rights movement era, African-Americans still face institutional racism.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2021-05-07</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/111249</dc:identifier>
	<dc:identifier>10.24036/ell.v10i1.111249</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 1 (2021); 1-7</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/111249/104982</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2021 Afifah Indriani</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/1823</identifier>
				<datestamp>2013-06-05T05:01:59Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">EMOTIONAL DEFICIT IN PAUL HARDING’S TINKERS</dc:title>
	<dc:creator>An Fauzia Rozani, Muhd.Al-Hafizh, Novarianti,</dc:creator>
	<dc:description xml:lang="en-US">AbstrakTujuan penganalisaan ini adalah untuk mengetahui (1) sejauh mananovel tinkers karangan Paul Harding memperlihatkan bentukbentukdefisiensi emosional yang dialami oleh karakter, (2) sejauhmana tokoh, konflik, dan latar mendukung penafsiran tersebut,dengan menggunakan perspektif depersonalization dari Stein danSimeon. Hasil analisis menunjukan bahwa tokoh utama dalamnovel tersebut mengalami defisiensi emosional yang dapat dilihatdari ketidak mampuannya mengenali emosi. Hal tersebut dapatdilihat dari kesulitan tokoh dalam mengenali dirinya, ceritanya, danorang tuanya. Selanjutnya, tokoh mengalami kesulitan dalammengidentifikasi memori emosional dengan tidak bisa mengontrolingatannya dan tidak bisa membedakan antara kenyataan denganimajinasi.Kata Kunci: defisiensi, depers</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2012-09-26</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/1823</dc:identifier>
	<dc:identifier>10.24036/ell.v1i1.1823</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 1 (2012): SERIE: B</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/1823/1561</dc:relation>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/120348</identifier>
				<datestamp>2023-02-16T04:30:40Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Code Switching Used by Judges and Models in Indonesia's Next Top Model in NET TV</dc:title>
	<dc:creator>Surani, Hari Kri</dc:creator>
	<dc:creator>Rosita, Nur</dc:creator>
	<dc:subject xml:lang="en-US">Code switching, Judges, Model, Indonesia’s Next Top Model</dc:subject>
	<dc:description xml:lang="en-US">This study aimed to analyze the types, social function, and the construction of speaker’s identity in code switching. This research used mixed (qualitative and quantitative) method by transcribing and analysing the videos to find out the types, social functions, and identity in code switching. The data were utterances uttered by participants in Indonesia’s Next Top Model cycle 2. The result of the study showed there were three types of code switching, intra-sentential switching, inter-sentential switching, and tag switching. The most dominant type was intra-sentential switching with 192 utterances, 41 utterances are inter-sentential switching, and 19 utterances for tag switching. Then five function of code switching found in this research, referential function with 3 utterances, directive function with 15 utterances, expressive function with 37 utterances, phatic function with 13 utterances, and metalinguistic function which most dominant function used by the speaker with 184 utterances. The construction of identity were divided into four categories, classification with 4 occurrences, relational identification with 15 occurrences, physical identification with 8 occurrences, and functionalization with 34 occurrences.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-03-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/120348</dc:identifier>
	<dc:identifier>10.24036/ell.v12i1.120348</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 1 (2023); 178-183</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/120348/107430</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/120348/5602</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Hari Kri Surani</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/9907</identifier>
				<datestamp>2018-03-12T09:23:57Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">AN ANALYSIS OF ENGLISH SLANG WORDS USED IN EMINEM’S RAP MUSIC</dc:title>
	<dc:creator>Evadewi, Rani</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">slang, characteristic of slang, semantic, Eminem.</dc:subject>
	<dc:description xml:lang="en-US"> Slang is the informal language which is used in a particular group of people especially used by teenagers in their activities to communicate each other. This research paper aimed to identify the characteristics of slang and the dominance slang used in Eminem songs. This research paper used Abadi’s (2009, p.17) theory about the characteristics of slang. This study used qualitative approach with descriptive method. The writer found that the total data of slangs in Eminem songs were 47 slangs. There were 13 data of creativity,27 data of flippant, 5 data of fresh, and 2 data of onomatopoeic. The most dominance slang used in Eminem songs is Flippant.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/9907</dc:identifier>
	<dc:identifier>10.24036/ell.v7i1.9907</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 1 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/9907/7377</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/130615</identifier>
				<datestamp>2024-12-17T09:32:19Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Deixis in Snow White and The Huntsman Movie Script</dc:title>
	<dc:creator>Alfathmy, Alfathmy</dc:creator>
	<dc:creator>Nurjanah, Anisa</dc:creator>
	<dc:subject xml:lang="en-US">Deixis; Reference; Snow White and The Huntsman.</dc:subject>
	<dc:description xml:lang="en-US">This study aims to find the types of deixis and deixis references in the Snow White and the Huntsman movie. This study was conducted using a descriptive qualitative method. The data were taken from conversations based on the main characters and minor characters in the Snow White and the Huntsman movie and the data source was the Snow White and the Huntsman movie script. This study used Levinson's theory (1983) to classify the types of deixis and Yule’s theory (1996) to find deixis referents. The data revealed 170 conversations based on the Types of Deixis . Then, the types of deixis that dominant occurred were Personal Deixis as much as 90 times (52.94%). Then, the lowest frequency occurred in Time Deixis. It occurred 9 times (5.30%). In addition, 55 conversations based on Referents of Deixis occurred in Snow White and The Huntsman movie. The dominant frequency was Referential Use. It occurred 19 times (34.54%) and the least occurrence was Attributive Use. The frequency is 5 times (9.09%). </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-12-17</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/130615</dc:identifier>
	<dc:identifier>10.24036/ell.v13i4.130615</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 4 (2024); 1179-1191</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/130615/109989</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/130615/7977</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Alfathmy Alfathmy, Anisa Nurjanah</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/107967</identifier>
				<datestamp>2022-04-06T15:19:34Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Multimodal Analysis of Action Movie Poster</dc:title>
	<dc:creator>Saputra, Muhammad Azis</dc:creator>
	<dc:creator>Rosa, Rusdi Noor</dc:creator>
	<dc:subject xml:lang="en-US">Multimodal, Advertisement, Action movie poster.</dc:subject>
	<dc:description xml:lang="en-US">The aim of this study was to find the multimodal analysis used in Man of Steel and Avengers Infinity Wars movie posters. The Method used in this study is a descriptive qualitative method. This research used theory semiotic approach which focuses on multimodal system proposed by Cheong (2004). The researcher found 6 types elements of multimodal in Man of Steel and Avengers Infinity Wars posters such as material, behavioral, mental, identifying, attributive, and intensive. The data were collected by analysis the movie posters. They were 30% on material, 15% on behavioral, 15% on mental, 15% on identifying, 10% on attributive, and 15% on intensive in Man of Steel poster. Meanwhile in Avengers Infinity Wars poster, the research found 40% on material, 5% on behavioral, 15% on mental, 10% on identifying, 10% on attributive, 20% on intensive.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-08-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/107967</dc:identifier>
	<dc:identifier>10.24036/ell.v9i2.107967</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 2 (2020); 164-174</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/107967/106123</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/1810</identifier>
				<datestamp>2021-12-18T05:38:49Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Question Types and Patterns Used In Today’s Dialogue on Metro TV</dc:title>
	<dc:creator>Jufrizal, Amri Isyam, Amallia Fitri,</dc:creator>
	<dc:description xml:lang="en-US">AbstractTujuan penelitian ini adalah (1) mengidentifikasi tipe-tipe pertanyaan yangdigunakan oleh presenter dalam forum today’s dialogue di Metro TV. (2)Mengidentifikasi bagaimana pola-pola yang digunakan ketika presenter bertanya.(3)mengidentifiksi tipe-tipe dan pola pertanyaan yang paling banyak digunakan olehpresenter. Dari hasil penelitian, peneliti menemukan 353 pertanyaan dari 6 episodeToday’s Dialogue. Dari jumlah keseluruhan data, peneliti menemukan bahwa dariinformation-seeking question adalah jenis pertanyaan yang paling banyak digunakanoleh presenter. Dari pengelompokan tipe-tipe pertanyaan yang digunakan olehpresenter, ditemukan 226 (64,02%) information-seeking questions, 30 (8,50%)information-checking questions, dan 97 (27,48%) clarification questions. Kemudianberdasarkan cara presenter ketika bertanya, terdapat dua cara yaitu direct dan indirect.Dari 253 pertanyaan tersebut, presenter lebih banyak menggunakan Direct questionsyaitu sebanyak 286 (81,02%) dan indirect question sebanyak 67 (18,98%).Kata kunci: discourse analysis, speech act, rogatives, questioning. Today’s Dialogue</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-06-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/1810</dc:identifier>
	<dc:identifier>10.24036/ell.v1i1.1810</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 1 (2012): SERIE: A; 1-18</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/1810/1548</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/121978</identifier>
				<datestamp>2023-11-10T06:10:21Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Multimodal Discourse Analysis on Representation of  Black Hero in Malcolm Spellman the Falcon and the Winter Soldier Series (2021)</dc:title>
	<dc:creator>Azizah, Anna Wafiq</dc:creator>
	<dc:creator>Irawan, Andi Muhammad</dc:creator>
	<dc:subject xml:lang="en-US">Multimodal discourse analysis ; SFL ; Visual Grammar; The falcon and the winter soldier</dc:subject>
	<dc:description xml:lang="en-US">Multimodal discourse analysis is an interdisciplinary approach that studies how different modes of communication work together to create meaning in social interactions. The author analyzes verbal and visual elements in The Falcon and the Winter Soldier in this study. This research used the descriptive qualitative method. The aim of this study is to determine the verbal and visual elements that represent black people and to find out the relationship between verbal and visual elements in this movie. To achieve these objectives, the researcher applied the theoretical framework from Halliday &amp; Matthiessen (2014) on the language of metafunctions, Kress &amp; van Leeuwen (2006) on visual grammar analysis, and the analysis of inter-mode relations from Leeuwen (2005) to obtain a detailed description of the relationship between verbal and visual elements. The results of the study show that in verbal language, the ideational metafunction is dominated by the material process. Interpersonal metafunction is dominated by statement speech acts which show that the text is mostly in the form of a declarative mood. The textual metafunction contains topical unmarked and multiple themes in this movie. In the visual image, ideational metafunction is realized mostly through the reactional process. Interactive metafunction is realized through the offer gaze and the medium shot. The medium size dominates the compositional metafunction. Visual and verbal elements have elaboration and extension relations. Through the elaboration of visual grammar analysis, some visuals are used to make the verbal elements more specific, and others are used to add information not included in the verbal elements. The verbal and visual modes clarify each other's meanings and display connected and not contradictory concepts so the audience can easily understand.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-09-27</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/121978</dc:identifier>
	<dc:identifier>10.24036/ell.v12i3.121978</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 3 (2023); 490-500</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/121978/108329</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Anna Wafiq Azizah</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/101839</identifier>
				<datestamp>2018-12-20T07:08:06Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Lexical Cohesive Devices in Narrative and Exposition Texts</dc:title>
	<dc:creator>Heni, Adnania Nugra</dc:creator>
	<dc:creator>Syarif, Hermawati</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US"></dc:subject>
	<dc:description xml:lang="en-US">This study aims to find out the types of lexical cohesive devices found and prevailed in two different genres, in this case, narrative and exposition texts. This analysis will be based on theory of discourse connections proposed by Renkema. The objects of this research are six texts, three texts from narrative and three texts from exposition. This study is descriptive comparative with the presence of tables to show the comparison. The result shows that types of lexical cohesive devices which  prevailed in both of the genres were reiteration, especially repetition. Repetition is one of the most stable ways of pointing the same referent. It means that repetition tends to be used by the author of texts in creating a cohesive text since it is the type of lexical cohesive devices which mostly found in the texts. However, the type of repetition which prevailed in each genres were different. From that fact, it can be concluded that type of lexical cohesive devices presented in narrative and exposition texts depend on which genre they belong to.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-11-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/101839</dc:identifier>
	<dc:identifier>10.24036/ell.v7i4.101839</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 4 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/101839/100727</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/127735</identifier>
				<datestamp>2024-09-23T01:02:25Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Meaning of Minangkabau Verb ‘Mangecek’: A Natural Semantic Metalanguage Analysis</dc:title>
	<dc:creator>Ridella, Natasya</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">Natural Semantic Metalanguage, Minangkabau language, mangecek, allolexy, polysemy</dc:subject>
	<dc:description xml:lang="en-US">This study aimed to analyze words in Minangkabau that have the same semantic prime: ‘mangecek’ using Natural Semantic Metalanguage (NSM). This research was conducted using a descriptive qualitative approach. This research used a theory by Goddard and Wierzbicka about NSM. The data found in this study were connected words that are associated with the prima semantic ‘say’/’mangecek’ in Minangkabau language. The sources of this data were the 10 informants who native speakers from Padang city, which is the capital city of the West Sumatera province. The data were collected using interview guidelines, recording equipment, and writing equipment. An interactive model of data analysis is used to analyze the data. From the data that were collected and analyzed there are a total of 10 words related to the semantic prime of ‘Say’: maupek, bacaruik, malawan, mangaluah, manyindia, marayu, bagunjiang, manyabuik, mamuji, and manyapo. These words are similar but not exactly the same so it will create misunderstanding in the diction.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/127735</dc:identifier>
	<dc:identifier>10.24036/ell.v13i1.127735</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 1 (2024); 51-61</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/127735/108924</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Natasya Ridella, Jufrizal Jufrizal</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/133797</identifier>
				<datestamp>2025-08-15T16:26:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Impoliteness Strategies Employed in the Film of The Adventures of Tom Sawyer (1938)</dc:title>
	<dc:creator>Ibrahim, Fadel</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">Impoliteness strategies; the adventures of Tom Sawyer; film adaptation.</dc:subject>
	<dc:description xml:lang="en-US">This research is about analysing impoliteness strategies in The adventures of Tom Sawyer (1938) film. It aims to find out the types of impoliteness and the response of impoliteness in this film. This study used the theory of Culpeper (1996) about the 5 strategies of impoliteness and Culpeper, et.al (2003) 4 types of impoliteness responses. The researcher utilised qualitative method to analyze the data and to describe the results of this analysis. The results of this study indicate that there are 62 types of impoliteness used by the characters in the cartoon of The adventures of Tom Sawyer. The most commonly strategy used in the film is Bald on record impoliteness is the most used strategy with total usage of 19 times. Meanwhile, Negative impoliteness were used 17 times, total usage of Positive Impoliteness is 12 times, and mock politeness and sarcasm used 11 times. The most rarely strategy found is Withhold Politeness with the number of usage 3 times. The response found consisted of 4 types of responses namely Accepting face attack appears 16 times, Offensive Countering 10 times, Defensive Countering 14 times, and No response 28 times, whether it is in the form of verbal and nonverbal responses. This finding shows how much impoliteness strategies occurs in The adventures of Tom Sawyer film adaptation and drawing a coclusion that the film classified aggresive and active.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-06-03</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/133797</dc:identifier>
	<dc:identifier>10.24036/ell.v14i2.133797</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 2 (2025); 328-337</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/133797/110428</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Fadel Ibrahim</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/116558</identifier>
				<datestamp>2022-10-07T00:33:20Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Realization of Verbs in Ambon Malay</dc:title>
	<dc:creator>Thenu, Firdawati</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">Morphological Typology; affixation; Ambon Malay; verbs</dc:subject>
	<dc:description xml:lang="en-US">This study analyzed realization of verbs in Ambon Malay by using the theory of morphological typology. This research was conducted using the descriptive qualitative approach. The data were collected through questionnaire and elicitation techniques. Questionnaire was shared to 30 respondents, while interview was done with 6 informants. The two techniques were done by using three main instruments; interview guidelines, recording equipment, and writing equipment. An interactive model of data analysis was used to analyze the data. The data found in this study were 200 verbs in Ambon Malay. Only a small number of these verbs are inflected by four verb-formation affixes which are {meN-}, {baR-}, {taR-}, and {baku-}. These affixes are only attached to the current verbs. Whilst, most verbs are realized without affixes. This typical structure reflects that there must be morpheme deletion of prefix {di-}, suffixes {-i}, and circumfixes {di-kan}, {di-i}, {meN-kan}, {meN-i}, {memper-kan}, {memper-i} in Ambon Malay. Thus Ambon Malay is categorized as a semi-isolating language.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-10-07</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/116558</dc:identifier>
	<dc:identifier>10.24036/ell.v11i1.116558</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 1 (2022); 29-41</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/116558/106419</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Firdawati Thenu</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/2405</identifier>
				<datestamp>2013-09-17T06:08:40Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">TYPES OF DIRECTIVE ACT USED IN SIKAMBANG SONGS IN SIBOLGA  TAPANULI TENGAH</dc:title>
	<dc:creator>Rusdi Noor Rosa (p: 157-163), Rahma Yati Hutapea,</dc:creator>
	<dc:description xml:lang="en-US">Tujuan penelitian ini adalah untuk mengetahui apa jenis-jenis direktif yang yang digunakan dalam lagu Sikambang dan apa jenis direktif yang paling banyak digunakan dalam lagu-lagu Sikambang tersebut. Sumber data penelitian ini adalah lagu-lagu Sikambang dari Sibolga Tapanuli Tengah. Data yang dikumpulkan berupa kalimat atau tuturan yang mengandung makna direktif dalam lagu Sikambang tersebut. Penulis mengumpulkan data sebanyak 40 dan ditampilkan hanya 12 kalimat atau tuturan. Dari hasil analisis, penulis menemukan ada 4 jenis direktif yang digunakan dalam lagu Sikambang, dan penulis  menyimpulkan jenis direktif yang paling banyak ditemukan adalah commanding dan jenis direktif yang paling sedikit ditemukan adalah suggestion. Key words: directive, sikambang songs.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-09-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/2405</dc:identifier>
	<dc:identifier>10.24036/ell.v2i1.2405</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 2, No 1 (2013): SERIE : B</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/2405/2017</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/103209</identifier>
				<datestamp>2019-03-17T02:34:44Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">TYPES AND FUNCTIONS OF ASSOCIATIVE MEANINGS IN THE OPENING STATEMENTS USED BY THE HOST OF MATA NAJWA TALK SHOW</dc:title>
	<dc:creator>Nelvia, Nelvia</dc:creator>
	<dc:creator>Rosa, Rusdi Noor</dc:creator>
	<dc:creator>Fitrawati, Fitrawati</dc:creator>
	<dc:subject xml:lang="en-US">associative meaning, opening statement, talk show</dc:subject>
	<dc:description xml:lang="en-US">AbstractThe purpose of this research is to find out the types and the functions of associative meaning in the opening statements used by the host of Mata Najwa Talk Show. This research uses descriptive qualitative research as the research method. Data of the research are words, phrases, and sentences that contain associative meaning. This research uses the theory conducted by Leech (1974) to find out the types of associative meaning, and the theory proposed by Searle (1979) to find out the functions of associative meaning. The result shows that the types of associative meaning in this research are connotative meaning (25 data), stylistic meaning (1 data), affective meaning (5 data), reflected (21 data), and collocative meaning (0 data). This research also find out the functions of associative meaning; connotative meaning is used to assert the hearer about the speaker’s ideas; stylistic meaning is used to show the expression of the speaker, expressed through the style of the use of words, affective meaning is used to express the feeling of the speaker; reflected meaning is used to present the new sense of word. The function of associative meaning in this research mostly used as representative. Key words: Associative Meaning, Opening Statement, Talk Show.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-02-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/103209</dc:identifier>
	<dc:identifier>10.24036/ell.v8i1.103209</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 1 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/103209/101373</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/124675</identifier>
				<datestamp>2024-06-30T16:37:56Z</datestamp>
				<setSpec>ell:ART</setSpec>
				<setSpec>ec_fundedresources</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Resistance of Brutality in The Poems Your Way-Our Way-Truth by Zelda Quakawoot (2015), I Look At The World by Langston Hughes (2009), And Tribal Lines by Dan Davis (2000)</dc:title>
	<dc:creator>Haviza, Della</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">Brutality, Injustice, Resistance, Impact, Colonization.</dc:subject>
	<dc:description xml:lang="en-US">This research is an analysis of three poems by Zelda Quakawoot entitled Your Way- Our Way- Truth (2015), Langston Hughes entitled I Look at the World (2009), and Dan Davis entitled Tribal Lines (2000). This analysis explores the resistance of the Aboriginal people represented by the speakers in the three poems in obtaining their rights and justice. This resistance needs to be carried out by the Aboriginal people to fight the acts of brutality they experienced . An analysis of the three poems also reveals the extent of resistance Aboriginal people took against brutality. The study of these poems uses the concept of Post-Colonial theory by Edward Said. The results of this study indicate that the Aboriginal people already have the awareness to fight toward the acts of brutality that they experience. The analysis discusses: 1) Forms of brutality toward Aboriginal people, 2) impacts of brutality towards the lives of Aboriginal people, 3) Resistance made by Aboriginal people against brutality. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-06-11</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/124675</dc:identifier>
	<dc:identifier>10.24036/ell.v13i2.124675</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 2 (2024); 452-464</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>info:eu-repo/grantAgreement/EC/FP7/123456</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/124675/109279</dc:relation>
	<dc:rights xml:lang="en-US">info:eu-repo/semantics/openAccess</dc:rights>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Della - Haviza</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/135288</identifier>
				<datestamp>2025-08-28T14:42:35Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Hedges and Boosters Types in Donald Trump's Presidential Speeches</dc:title>
	<dc:creator>Zelly.B, Dian</dc:creator>
	<dc:creator>Arianto, M. Affandi</dc:creator>
	<dc:subject xml:lang="en-US">Hedges and boosters; political discourse; presidential speeches</dc:subject>
	<dc:description xml:lang="en-US">This study explores the types of hedges and boosters in Donald Trump‘s Presidential Speeches by using Hyland‘s Framework. The study aims to analyze the types of hedges and boosters in Donald Trump‘s presidential speeches. Qualitative approach is used in conducting this research followed by content analysis used to analyze all three speeches. The findings revealed that Donald Trump uses various types of hedges and boosters on his presidential speeches where boosters appear more often rather than hedges on his speeches, with certainty modals is the most used boosters type and modal auxiliary verb as the most used hedges type. These findings show that Trump's speech style emphasizes aggressiveness and confidence, mirroring his persuasive and powerful political character. Overall, this study advances our understanding of stance-taking and persuasive methods in political language, particularly in the context of presidential communication.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-08-17</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/135288</dc:identifier>
	<dc:identifier>10.24036/ell.v14i3.135288</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 3 (2025); 576-584</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/135288/110675</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Dian Zelly.B</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/119004</identifier>
				<datestamp>2022-12-25T06:07:47Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Code-Switching on Tansi Language Spoken by People in Lembah Segar Sub-District</dc:title>
	<dc:creator>Afilta, Ega Putri</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">Language Variation, Bilingualism, Code-Switching, Tansi Language</dc:subject>
	<dc:description xml:lang="en-US">People usually choose different codes in different situation in every interaction. The phenomenon of code-switching is common in bilingualism and occurs in conversation. Code-switching occurs when conversation use two languages together to the extent that they change from one language to other in the course of a single utterance. By using qualitative method, this study was aimed to analyze the types and function of code-switching found in the utterance spoken by people in Lembah Segar sub-district. The researcher analyzed sixty three utterance of Minangkabaunese-Tansi language switched spoken by people in Lembah Segar sub-district. Romaine’s (1995) theory is applied in this research to find the types of code-switching. To finding the functions of code-switching the researcher used Gumperz’s (1982) theory. The result of this study shows that the intra-sentential switching was the most common type of code-switching. Also, Interjection was the most function of code-switching used by people in Lembah Segar sub-district. This research gives a contribution in sociolinguistics fields. It is because the result of this study shows the  relation of language and society.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-10-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/119004</dc:identifier>
	<dc:identifier>10.24036/ell.v11i3.119004</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 3 (2022); 291-297</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/119004/106925</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Ega Putri Afilta</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/7442</identifier>
				<datestamp>2018-01-04T05:52:53Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE LANGUAGE ATTITUDE OF THE FARMERS OF ALAHAN PANJANG TOWARD THEIR INDONESIAN</dc:title>
	<dc:creator>Putri, Murdelvia</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Language Attitude, Gender, Prestige.</dc:subject>
	<dc:description xml:lang="en-US">This paper aims to identify the attitudes of farmers towards Indonesian language in Alahan Panjang and factors of what makes the farmers in Alahan Panjang had an attitude. This research was descriptive quantitative field that describes the attitude of farmer opinion against the phenomenon of language attitude occurred. This attitude derived from the distribution of research questionnaires and interviews to farmers in Alahan Panjang which has business associates in Indonesian language. Their age restrictions on farmers is between 30-55 years. The results showed 92 out of a total of 100 farmers in Alahan Panjang were used as participants in the study showed a negative attitude towards Indonesian. They are not proud and do not want to use the Indonesian language in which they are located. There are several factors that cause these farmers Indonesian negative towards such social factors, a situation the use of language, gender, prestige, and cultural factors. The results of this study prove that farmers in Alahan Panjang do not want to use the Indonesian language in communication. They will only use the Indonesian language when communicating with people who only understand Indonesian.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2017-05-02</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/7442</dc:identifier>
	<dc:identifier>10.24036/ell.v5i1.7442</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 5, No 1 (2016): SERIE : A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/7442/6691</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2017 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/105399</identifier>
				<datestamp>2019-08-15T08:49:01Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Deception Toward British Muslims in Novel Home Fire (207) by Kamila Shamsie</dc:title>
	<dc:creator>Al Nindita, Nesia Monika</dc:creator>
	<dc:creator>Al-Hafizh, Muhd.</dc:creator>
	<dc:subject xml:lang="en-US">Deception; British Muslims; manipulation; rights; propaganda</dc:subject>
	<dc:description xml:lang="en-US">This thesis is an analysis of a novel written by Kamila Shamsie, entitled Home Fire (2017). It explored the issue about strategies carried out by the British Government and ISIS (Islamic States of Iraq and Syria) in an effort to deceive British Muslims and to what extent the implied author contributed to identify the issue. This novel analysis related to the concept of Orientalism and Islamophobia by Edward Said. The uses of the theory is based on the interpretation of the text and context of the novel. The result of this analysis showed deceptions have done by two groups with different strategies. First, deception by British Government by manipulation and limited rights. Meanwhile, ISIS create propaganda.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-08-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/105399</dc:identifier>
	<dc:identifier>10.24036/ell.v8i3.105399</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 3 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/105399/102254</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/105399/2042</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/130056</identifier>
				<datestamp>2024-11-02T02:20:32Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Contrastive Analysis Study of Nominalization in 2024 Indonesian Presidential Candidates' Speeches</dc:title>
	<dc:creator>Yulianti, Deni Friska</dc:creator>
	<dc:creator>Oktoviandry, Rifki</dc:creator>
	<dc:subject xml:lang="en-US">Keywords: Nominalization, Presidential Candidates, Speech</dc:subject>
	<dc:description xml:lang="en-US">This study aims to find the types and differences in nominalizations used in the speeches of the 2024 Indonesian presidential candidates: Anies Baswedan, Prabowo Subianto, and Ganjar Pranowo. Using data from a YouTube video hosted by CSIS Indonesia titled &quot;Pidato Calon Presiden Republik Indonesia: Arah dan Strategi Politik Luar Negeri,&quot; which aired from November 7th to November 13th, 2023, the analysis reveals key linguistic strategies. Anies Baswedan employs 90 nominalizations with a balanced distribution between deverbal (41%) and deadjectival (59%) types. In contrast, Ganjar Pranowo uses 89 nominalizations, favouring deverbal types (42%) over deadjectival (58%). Anies Baswedan and Ganjar Pranowo analyze the frequency and percentage of different affixation types in their respective languages. Anies Baswedan has the most frequent affixation, &quot;Ke-an,&quot; with 57% of the total. In contrast, English nominalization categorizes affixation to determine types, such as deverbal and deadjectival, using suffix affixation processes. Indonesian nominalization, however, lacks such categorization, relying solely on the base word formed. These findings provide insights into the distinct linguistic styles and rhetorical preferences of the candidates. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-08-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/130056</dc:identifier>
	<dc:identifier>10.24036/ell.v13i3.130056</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 3 (2024); 705-717</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/130056/109607</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Deni Friska Yulianti</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/110223</identifier>
				<datestamp>2022-04-08T16:30:38Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">A Narrative Stylistic Analysis of Associated Press (AP) News</dc:title>
	<dc:creator>Choirany, Anisa</dc:creator>
	<dc:creator>Syarif, Hermawati</dc:creator>
	<dc:subject xml:lang="en-US">Narrative stylistics, news, stylistic domains, narrative components</dc:subject>
	<dc:description xml:lang="en-US">Although there have been various stylistic studies of news, the use of narrative stylistic approach in analysing news has not been common. The aim of this research is to analyse the stylistic domains and narrative components in the Associated Press (AP) news. It was carried out descriptive-qualitatively. Ten news were studied by using stylistic units of analysis based on model of narrative structure in Simpson (2004) and Jahn’s classification of narrative components (2005). After completing the analysis, it was found that news is one category of narrative and it contains the use of six stylistic domains and nine narrative components. The six stylistic domains are textual medium, sociolinguistic code, action and event, point of view, textual medium and intertextuality. In addition, there are also occurences of the nine narrative components: narration, focalization, narrative situation, action, story analysis, tellability, tense, time and narrative mode.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-12-11</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/110223</dc:identifier>
	<dc:identifier>10.24036/ell.v9i4.110223</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 4 (2020); 384-393</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/110223/104313</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 Anisa Choirany</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/135984</identifier>
				<datestamp>2025-11-07T14:09:00Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Systemic Racism in Novel &quot;The Help&quot; by Kathryn Stockett</dc:title>
	<dc:creator>Salsabilla, Fahra</dc:creator>
	<dc:creator>Fitria, Sari</dc:creator>
	<dc:subject xml:lang="en-US">systemic racism, racial ideology, institutional discrimination, everyday practices, resistance.</dc:subject>
	<dc:description xml:lang="en-US">This research discusses the problem of systemic racism as reflected in American literature during the Jim Crow era. The study aims to identify how racism operates as a structured system influencing ideology, institutions, and daily social practices, and how marginalized groups perform resistance to challenge oppression. This research applies a qualitative descriptive method using textual analysis. The data are taken from narrative descriptions, dialogues, and events that show racial inequality and resistance. The findings reveal that racism is not merely individual prejudice but a deeply rooted social system that maintains white privilege through the transmission of racist ideology, institutional discrimination, and everyday practices that normalize inequality. Meanwhile, resistance is portrayed through covert and overt actions. Covert resistance includes silence, humor, and solidarity, while overt resistance appears in direct confrontation and collective acts of courage. These findings show that racism and resistance coexist as continuous forces: racism preserves domination, while resistance becomes the moral power that challenges and transforms it. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-11-06</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/135984</dc:identifier>
	<dc:identifier>10.24036/ell.v14i4.135984</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 4 (2025); 943-952</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/135984/110872</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Fahra Salsabilla, Sari Fitria</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/119862</identifier>
				<datestamp>2023-02-16T04:30:40Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Code-Switching Used by Multilingual Person (Jerome Polin) in Nihonggo Mantappu Youtube Video</dc:title>
	<dc:creator>Pareza, Indah</dc:creator>
	<dc:creator>Rosita, Nur</dc:creator>
	<dc:subject xml:lang="en-US">Multilingualism, Code-Swiching, Nihonggo Mantappu Youtube Channel.</dc:subject>
	<dc:description xml:lang="en-US">Language contact is the phenomenon of using two or more languages at the same time and place. The purpose of using two or more languages in communication is to build good communication based on social factors. Language contact caused various linguistic phenomena, such as bilingualism, multilingualism, diglossia, code-switching, code-mixing, and language shift. This research is about code-switching. This research aims to identify the types, reasons, and errors made by Jerome Polin when he did code-switching. The theories used in this research are by Bloom and Gumperz (1972) about types of code-switching, Hoffman (1991) about reasons why people did code-switching, and surface strategy taxonomy by Dulay et al (1982) about types of error. This research was descriptive research with a qualitative approach to solving research problems. The data was taken from the Nihonggo Mantappu youtube video, and in the form of utterances. The results of this research show there are five types of code-switching used by Jerome Polin caused by various reasons. In addition, it was also found that there were errors made even though he had mastered a language.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-03-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/119862</dc:identifier>
	<dc:identifier>10.24036/ell.v12i1.119862</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 1 (2023); 78-89</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/119862/107421</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Indah Pareza, Nur Rosita</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/9348</identifier>
				<datestamp>2018-02-28T15:14:18Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">semantic change found in traditional song of minangkabau</dc:title>
	<dc:creator>Lyanwar, Edo</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">semantic change minangkabau</dc:subject>
	<dc:description xml:lang="en-US">This study examine words experience meaning change and types of meaning change in traditional song from Minangkabau. This research intend to find out the words experience meaning change and kind of meaning change on the Minangkabau traditional song lyrics. This research is done based on many people who do not know the meaning of a word in traditional songs of Minangkabau. This research use qualitative descriptive method to analyze data in written form, describe data, and process data based on the existing context in traditional Minangkabau song lyrics. Then, this research use the theory proposed by McMahon (1999). McMahon proposes 4 types of meaning change: extension and restriction, amelioration and pejoration. The data in this research are the lyrics of Minangkabau traditional song. The songs consist of 30 songs. The findings of this study are, there are change of meaning and type of meaning change exist in traditional songs Minangkabau. There are 15 words belong to extension, 2 words belong to amelioration, and 3 words belong to pejoration.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/9348</dc:identifier>
	<dc:identifier>10.24036/ell.v7i1.9348</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 1 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/9348/7245</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/9348/664</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/131234</identifier>
				<datestamp>2024-12-17T09:32:19Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Impact of Symbolic Violence in The Novel Piranesi by Susanna Clarke (2020)</dc:title>
	<dc:creator>Afif, Fadlurrahman</dc:creator>
	<dc:creator>Alamsyah, Devy Kurnia</dc:creator>
	<dc:subject xml:lang="en-US">Symbolic Violence, Power Dynamics, Manipulation, Superiority, Inferiority.</dc:subject>
	<dc:description xml:lang="en-US">This study focuses on symbolic violence aspects that are present in the novel entitled Piranesi by Susanna Clarke (2020). The exploration of symbolic violence reveals the systems and mechanisms of how the power dynamics sustained in the environment of the low-populated and labyrinthine world. This study aims to identify the forms and impacts of symbolic violence, and the resistance that the main character commit. In order to analyse the novel, the researcher uses Pierre Bourdieu’s theories of symbolic violence, Alfred Adler’s theories of psychology, and library research to analyse the data. The result of the study shows that the main character experiences manipulation and several forms of symbolic violence, namely Legitimation, Habitus, Doxa, and Domination. Symbolic violence impacts the main character with Inferiority Behaviour, Educational Bias, and Social Imbalance. The main character resist against the symbolic violence with Critical Awareness, Self-Discovery, and Identity Validation. The researcher concludes that symbolic violence is not limited only into a vast area of society, that it can exist in society that only consist of two humans as long as the superiority and inferiority aspects is maintained.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-11-21</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/131234</dc:identifier>
	<dc:identifier>10.24036/ell.v13i4.131234</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 4 (2024); 1090-1101</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/131234/109831</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Fadlurrahman Afif, Devy Kurnia Alamsyah</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/114907</identifier>
				<datestamp>2022-04-11T23:09:22Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
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	<dc:title xml:lang="en-US">A Multimodal  Analysis of  Uda  and Uni Selection’ Poster Advertisement in Pesisir Selatan</dc:title>
	<dc:creator>Rahayu, Shilfa</dc:creator>
	<dc:creator>Irawan, Andi Muhammad</dc:creator>
	<dc:subject xml:lang="en-US">Multimodal, Visual, Verbal, Poster.</dc:subject>
	<dc:description xml:lang="en-US">This study discusses &quot;A Multimodal Analysis of Uda and Uni Selection' Poster Advertisement in Pesisir Selatan&quot; which is a talent search event poster that aims to promote tourism. Thus, to convey the message in the poster not only use visual elements but also verbal elements. The purpose of this research is to identify visual and verbal elements, as well as to describe the representation of verbal and visual elements represented in the message. This study used a qualitative descriptive method and the data sources were three posters of Uda Uni Election which were randomly selected on the internet. This analysis focused on Halliday's (2004) ideational function to analyze verbal texts,  Kress' and van Leeuwen's (2006) representations to analyze visual texts, and Cheong's (2004) theory to identify the structure of poster advertisements. The results of the analysis show that the most common verbal elements used in posters were announcements and the most common visual elements in posters were emblems. The verbal elements are often represented by the material process, while the visual elements are represented by the Action process and Reactional Process.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2021-12-14</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/114907</dc:identifier>
	<dc:identifier>10.24036/ell.v10i4.114907</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 4 (2021); 368-380</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/114907/105855</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2021 Shilfa Rahayu</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/1804</identifier>
				<datestamp>2013-06-05T03:47:25Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
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	<dc:title xml:lang="en-US">THE STUDY OF METAPHORICAL EXPRESSION IN DREAM THEATER’S ALBUM IMAGES AND WORDS</dc:title>
	<dc:creator>Rusdi Noor Rosa (p:43-50), Muhammad Fadhil Z,</dc:creator>
	<dc:description xml:lang="en-US">Abstrak   Artikel ini membahas penggunaan bahasa kiasan seperti metafora dalam kehidupan sehari-hari. Metafora tidak hanya dipakai dalam percakapan tapi juga dalam puisi, essay bahkan lirik lagu. Dalam artikel ini dikaji tentang ungkapan metaforik berdasarkan kategori, makna, dan fungsinya. Ketiga hal tersebut terdapat pada lirik lagu salah satu album Dream Theater yang berjudul Images and Words. Dengan menganalisa metaphorical expression, artikel ini memberi penjelasan, keterangan dan detail lebih lanjut mengenai jenis, makna, dan fungsi dari berbagai macam metaphorical expression yang terdapat pada lirik lagu Images and Words, sehingga pembaca bisa memperkaya pengetahuannya mengenai metaphorical expression secara optimal.   Kata kunci:   metaphorical expression, images and words</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-06-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/1804</dc:identifier>
	<dc:identifier>10.24036/ell.v1i3.1804</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 3 (2013): SERIE : A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/1804/1542</dc:relation>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/122068</identifier>
				<datestamp>2023-06-13T05:09:08Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
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	<dc:title xml:lang="en-US">Benevolent Sexism and Women Agency in Play Diving for Pearls (2012) by Katherine Thomson</dc:title>
	<dc:creator>Monica, Nilam Chris</dc:creator>
	<dc:creator>Al-Hafizh, Muhd.</dc:creator>
	<dc:subject xml:lang="en-US">Benevolent sexism, gender, discrimination, women, agency</dc:subject>
	<dc:description xml:lang="en-US">This thesis is an analysis of a play written by Katherine Thomson entitled Diving for Pearls (2012). This analysis looks at benevolent sexism that is experienced by women who are victims of benevolent sexism acts. And also shows the actions of women's agency carried out by women to get out of the limited space they receive in their environment and also to be able to change their lives for the better. This analysis related to the feminist approach and the concept of benevolent sexism by Glick and Fiske and women agency by Buttler. The aim of this analysis is to what extent the character, conflict (plot), setting and stage direction contribute to reveal the issue of benevolent sexism and women agency. This analysis also depends a lot on the narrator to determine which parts of the play are used as the data. The result of the study shows that the woman experienced benevolent sexism such as always being considered weak, unable to take responsibility for herself, unable to protect herself and must always be protected, and not solving her own problems. However, Barbara shows the desire and belief that she has rights and is able to change her life for the better with her own abilities.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-06-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/122068</dc:identifier>
	<dc:identifier>10.24036/ell.v12i2.122068</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 2 (2023); 393-402</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/122068/107993</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/122068/5995</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Nilam Chris Monica</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/101225</identifier>
				<datestamp>2018-09-27T05:59:27Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
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	<dc:title xml:lang="en-US">VIETNAM AS A POTENTIAL MEDIA IN VIET THANH NGUYEN’S NOVEL THE SYMPATHIZER (2015)</dc:title>
	<dc:creator>Karlina, Annisa</dc:creator>
	<dc:creator>Ningsih, Kurnia</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">Vietnam, Potential, Media.</dc:subject>
	<dc:description xml:lang="en-US">The purpose of this analysis are to expose the issue ofVietnam as a potential mediaand to know the contribution of the implied author in revealing the meaning of Vietnam as a potential media. This analysis is related to the concept of Neo-colonialismby Kwame Nkrumah and Hegemony by Gramscithat is supported by the text and context based interpretation. The result of this analysis shows that America utilises Vietnam as their media of promotion which can be seen from their policy and economy intervention.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-09-27</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/101225</dc:identifier>
	<dc:identifier>10.24036/ell.v7i2.101225</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 2 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/101225/100477</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/125495</identifier>
				<datestamp>2024-11-02T02:32:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
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	<dc:title xml:lang="en-US">Demystifying the Labyrynth of The Delta: An Ecolinguistic Appraisal of Selected Poems of Tanure Ojaide</dc:title>
	<dc:creator>Zakariyah, Moshood</dc:creator>
	<dc:creator>Olugbodi, Mariam</dc:creator>
	<dc:subject xml:lang="en-US">Ecology, Aesthetics, Niger-Delta, Poetry</dc:subject>
	<dc:description xml:lang="en-US">AbstractEcological issues in the context of Niger-Delta, Nigeria have been approached mostly from the perspective of environmental degradation, and marginalisation in previous studies. However, in literary pieces, which are mostly the dominant objects of analysis in those studies, there are underlying linguistic imports, which are reflexive of the beauty of the literary discourses revolving around the Niger-Delta environment. It is based on this backdrop that this study sets out to examine selected poems of Tanure Ojaide from an ecolinguistic perspective. To achieve the aim of the study, five poems are selected purposively from Ojaide’s Songs of Myself and analysed using both qualitative and quantitative approaches to data analysis. The data is also examined using the Eco-critical Discourse Analysis (EDA) approach. The findings from the study reveal the use of rhetorical devices to converge towards emphasising the beauty of the ecological characteristics of the physical environment. The use of imagery by the poet draws on readers’ socio-cognitive instincts towards the appealing to their emotive senses. In conclusion, the use of the eco-linguistic approach to examine the poems has not only revealed the poet’s intents but has also demystified the myth behind the ecosystem of the Niger Delta.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US">NIL</dc:contributor>
	<dc:date>2023-12-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/125495</dc:identifier>
	<dc:identifier>10.24036/ell.v12i4.125495</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 4 (2023); 854-869</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/125495/108933</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Moshood Zakariyah, Mariam Olugbodi</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/131875</identifier>
				<datestamp>2025-04-24T03:54:09Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
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	<dc:title xml:lang="en-US">Newmark's Translation Method on The Epilogue of Indonesian Novel “Pulang&quot; by Leila S. Chudori</dc:title>
	<dc:creator>Duarsa, Vidyananta Budi Permana</dc:creator>
	<dc:subject xml:lang="en-US">Translation, Novel, Pulang</dc:subject>
	<dc:description xml:lang="en-US">This study aims to find the four primary methods proposed by Newmark used in the Novel “Pulang” by Leila S. Chudori with its English translated version “Home” by John H. McGlynn. A qualitative method was used in this study to analyze the translation methods applied in the epilogue of Pulang by Leila S. Chudori and the results show that various translation methods such as adaptation, free translation, idiomatic translation, and communicative translation were being used in the novel. This study highlights the importance of selecting appropriate translation methods to enhance the readability and relatability of translated texts when translating it into Indonesian language.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-02-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/131875</dc:identifier>
	<dc:identifier>10.24036/ell.v14i1.131875</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 1 (2025); 220-231</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/131875/110207</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Vidyananta Budi Permana Duarsa</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/112041</identifier>
				<datestamp>2022-06-13T02:38:52Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Injustice Towards Human Rights in America After Civil Right Movement in Play The Pillowman By Martin Mcdonagh (2003)</dc:title>
	<dc:creator>Sukma, Ratih Melati</dc:creator>
	<dc:creator>Al-Hafizh, Muhd.</dc:creator>
	<dc:subject xml:lang="en-US">injustice, human rights, oppression, social class</dc:subject>
	<dc:description xml:lang="en-US">This thesis is an analysis of a play written by Martin Mcdonagh entitled The Pillowman (2003). This analysis look at the injustice after civil right movement is not only in real life, but in literature there is a problem the injustice that attacks the lower class because their profession considered lowly than the upper class. This analysis employs Marxist literary theory to explain the phenomena in the play. In this analysis, the protagonist’s injustice towards human rights can been seen through two ways: how he faces and shows several forms of the injustice towards human rights in America after civil right movement that still occurred. This analysis also depends a lot on the narrator to determine which parts of the play are used as the data. The result of the study shows that Katurian experienced injustice to get his righs and injustice in law.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-04-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/112041</dc:identifier>
	<dc:identifier>10.24036/ell.v10i2.112041</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 2 (2021); 179-197</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/112041/106200</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 ratih melati sukma</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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