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				<identifier>oai:ojs.ejournal.unp.ac.id:article/116227</identifier>
				<datestamp>2023-11-10T06:10:21Z</datestamp>
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<oai_dc:dc
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	<dc:title xml:lang="en-US">An Analysis of Swear Words Used by Netizens Comments in Lutfi Agizal Instagram Account</dc:title>
	<dc:creator>Zonelia, Karmila</dc:creator>
	<dc:creator>Refnaldi, Refnaldi</dc:creator>
	<dc:subject xml:lang="en-US">swear word, category and function of swear word, Instagram</dc:subject>
	<dc:description xml:lang="en-US">In society, people communicate and show emotion in different ways. Currently, it is often found that people express their feeling and emotion in swearing. This study aims to find out the categories of swear word used by netizens comments in Lutfi Agizal’s Instagram account. This research used a theory by Hughes(1996). This study is descriptive research. The data were taken from 21 posts in Lutfi Agizal’s account from August up to October 2020. The result shows that from 90 data collected, there are six categories out of swear word that have been found from seven categories of Hughes’s theory. They are religion (15.58%), genitalia (10.66%), excretion (5.73%), stupidity (17.21%), animal term (33.61%), and general (17.21%), while anatomical insult is not found from the data. By the finding, it can be concluded that the most dominant used of swear word is animal term.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-09-27</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
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	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/116227</dc:identifier>
	<dc:identifier>10.24036/ell.v12i3.116227</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 3 (2023); 439-446</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/116227/108324</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Karmila Zonelia</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
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				<identifier>oai:ojs.ejournal.unp.ac.id:article/105551</identifier>
				<datestamp>2022-03-25T03:12:40Z</datestamp>
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<oai_dc:dc
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	<dc:title xml:lang="en-US">AN ANALYSIS POLITENESS STRATEGIES IN THE DIRECTIVE UTTERED BY CHARACTERS IN BIG HERO 6 MOVIE</dc:title>
	<dc:creator>Nur, Ilham Muhammad</dc:creator>
	<dc:creator>Rosa, Rusdi Noor</dc:creator>
	<dc:subject xml:lang="en-US">Speech Acts, Directive Speech Acts, Politeness Strategy.</dc:subject>
	<dc:description xml:lang="en-US">This research studies about directive speech acts in Big Hero 6 movie. The objectives of this research are to know the kinds of directive speech acts and the kinds of politeness strategies. The researcher takes the data from the movie entitled Big Hero 6. This research is a qualitative research by employing descriptive method. The result tends to focus on the deep meaning of the dialogue’s quality rather than the quantity of number. The data of this research are taken from directive speech acts in dialogues in the movie. The instrument of this research is the reseacher herself who collects, analyzes, and presents the data findings of the researchthen draw the conclusion. The researcher applied the trustworthiness of the data to obtain the valid data. The result of the analysis shows four kinds of directive speech acts uttered in Big Hero 6 movie. There are 34 data (42.5%) belongs to ordering,21 data (26.25%) belong to request,20 data  (25%) belong to asking,5 data (6.25%) belong to suggesting. The kinds of politeness strategies in Big Hero 6 movie are positive politeness strategy and bald on record strategy. There are 26 data (32.5%) belongs to the positive politeness strategy,54 data (67.5%) belong to bald on record strategy.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-08-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
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	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/105551</dc:identifier>
	<dc:identifier>10.24036/ell.v8i3.105551</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 2 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/105551/102247</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
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				<identifier>oai:ojs.ejournal.unp.ac.id:article/130620</identifier>
				<datestamp>2024-11-02T02:20:32Z</datestamp>
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<oai_dc:dc
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	<dc:title xml:lang="en-US">The Comparison of Peter Parker’s Language Styles and Style-Shifting Occurrences in Jon Watts’ Spider- Man: Homecoming (2017) and Spider-Man: No Way Home (2021) Movies</dc:title>
	<dc:creator>Zulhelmi, Mutiara Luthfiyanti</dc:creator>
	<dc:creator>Oktoviandry, Rifki</dc:creator>
	<dc:subject xml:lang="en-US">Peter Parker; Language Style; Style-Shifting; Spider-Man: Homecoming; Spider-Man: No Way Home.</dc:subject>
	<dc:description xml:lang="en-US">This study analyzes the language style and style-shifting in Peter Parker's conversations in two movies directed by Jon Watts: Spider-Man: Homecoming (2017) and Spider-Man: No Way Home (2021). A descriptive-qualitative method was used to analyze the data. This study found that the casual language style is the most dominant in both movies. This is related to Joos' (1967) &quot;Five Clocks of Language&quot; with the casual type which is a relaxed, natural, and unrestricted manner language style used in everyday life. Spider-Man: Homecoming (2017) shows that the most prominent style-shifting is maintenance, indicating Peter Parker's tendency to maintain the language style. Meanwhile, in Spider-Man: No Way Home (2021) although casual style remains dominant,  Peter tended to shift his style with upward convergence, indicating that Peter Parker often adapts his interaction to be more formal. This style-shifting is related to Giles’ (1973) “Communication Accommodation Theory” with the upward convergence strategy used to adjust one’s communication style to be aligned with the interlocutor by being more formal and using a more prestigious language. While maintenance strategy occurs when a speaker chooses not to alter their communication style and use their own style consistently throughout the interaction. This difference reflects the development of Peter Parker's character between the two movies, with a more consistent style in Spider-Man: Homecoming (2017), compared to a more dynamic style adaptation in Spider-Man: No Way Home (2021).</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-09-02</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
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	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/130620</dc:identifier>
	<dc:identifier>10.24036/ell.v13i3.130620</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 3 (2024); 871-891</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/130620/109654</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/130620/7978</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Mutiara Luthfiyanti Zulhelmi, Rifki Oktoviandry</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/106512</identifier>
				<datestamp>2022-04-10T05:48:59Z</datestamp>
				<setSpec>ell:ART</setSpec>
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<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
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	<dc:title xml:lang="en-US">Fighting Disability Condition in Andrew Solomon’s Novel Far Away From Tree (2012)</dc:title>
	<dc:creator>Rahmat, Fikri</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">fighting, disability.</dc:subject>
	<dc:description xml:lang="en-US"> This article is about the analysis of a novel Far Away from Tree (2017) by Andrew Solomon. There are two keywords that need to be explained in this study: Fighting and disability condition. According to Merriam-Webster (2018) fight means to put effort as determined effort. While according to Merriam Webster Dictionary disability means a physical, mental, cognitive, or developmental condition that impairs, interferes with, or limits a person’s ability to engage in certain tasks or actions or participate in typical daily activities and interaction. According to Merriam Webster Dictionary condition means something essential to the appearance or occurrence of something else</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-04-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
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	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/106512</dc:identifier>
	<dc:identifier>10.24036/ell.v10i2.106512</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 2 (2021); 235-243</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/106512/106204</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/8918</identifier>
				<datestamp>2018-02-28T15:02:39Z</datestamp>
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<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
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	<dc:title xml:lang="en-US">EUPHEMISM FOUND IN CELEBRITY NEWS PUBLISHED IN PEOPLE.COM WEBSITE</dc:title>
	<dc:creator>Novianti, Deka</dc:creator>
	<dc:creator>Syarif, Hermawati</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">euphemism, celebrity news, people.com</dc:subject>
	<dc:description xml:lang="en-US">Euphemism is one of language phenomena that exists in society in order to keep the relationship in good harmony. This research aims to describe forms and functions of euphemism that are found in Celebrity News published in people.com website. This research is descriptive qualitative based on phenomena of euphemism in written language. Data of this research are words, phrases and sentences that contain euphemistic expression found in Celebrity News during February 2017.The result of the research shows that there are four forms and four functions of euphemism. The form of euphemism that is mostly found is semantic change, especially metaphorical transfer. The researcher also found various functions of euphemism. The function of euphemism that is mostly found is avoiding taboo.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/8918</dc:identifier>
	<dc:identifier>10.24036/ell.v7i1.8918</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 1 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/8918/7243</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/125232</identifier>
				<datestamp>2024-11-02T02:32:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
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<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
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	<dc:title xml:lang="en-US">Power Relation in The Novel Everything, Everything by Nicola Yoon (2015)</dc:title>
	<dc:creator>Fadhli, Rahmat</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">Power Relations; Power Abuse; Resistance.</dc:subject>
	<dc:description xml:lang="en-US">This research is the analysis of the novel Everything, Everything by Nicola Yoon (2015). The highlight of this research is to find the discourses of power relations contained in the novel Everything, Everything by Nicola Yoon 2015, and to find the form of resistance to abuse of power in the novel Everything, Everything by Nicola Yoon 2015 and what causes it. Descriptive qualitative method is applied in this research. In this novel the researcher found that Pauline had abused her power over her daughter in 2 types of discourse. The first discourse is family, namely Pauline who has the role of a mother for her child. The second discourse is health, namely Pauline who has the role of doctor for her child. The researcher found that the daughter character (Madeline) also showed resistance in 2 different roles towards her mother, namely as a child and also as a patient.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-11-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/125232</dc:identifier>
	<dc:identifier>10.24036/ell.v12i4.125232</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 4 (2023); 656-670</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/125232/108453</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Rahmat Fadhli, Desvalini Anwar</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/132829</identifier>
				<datestamp>2025-04-24T03:54:09Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
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<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
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	<dc:title xml:lang="en-US">The Portrayal of Post-Traumatic Stress Disorder in Sabaa Tahir's Novel &quot;All My Rage&quot; (2022)</dc:title>
	<dc:creator>Mahdyyah, Difa Rosa</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">PTSD, Cultural tensions, Freud’s drive theory, All My Rage</dc:subject>
	<dc:description xml:lang="en-US">This research examines the portrayal of Post-Traumatic Stress Disorder (PTSD) in Sabaa Tahir’s All My Rage (2022) through the lens of Sigmund Freud’s drive theory. Focusing on Noor, a Pakistani-American teenager, the study investigates how her PTSD is manifested in three key manifestations: intrusion, avoidance, and hyperarousal. These reflect the emotional toll of her traumatic experiences, beginning with an earthquake in Pakistan that resulted in the loss of her family and worsened by the abuse from her uncle, Chachu, which triggered her trauma. Intrusion is reflected in Noor’s recurring flashbacks and nightmares, avoidance is evident in her reluctance to face painful memories, and hyperarousal is portrayed through her heightened state of alertness and emotional outbursts. The study highlights the complex depiction of PTSD within Young Adult literature and explores the intersection of personal trauma and cultural tensions. It emphasizes the significance of resilience, self-awareness, and support systems in Noor's recovery journey, positioning All My Rage as a critical exploration of mental health in contemporary literature.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-02-18</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/132829</dc:identifier>
	<dc:identifier>10.24036/ell.v14i1.132829</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 1 (2025); 23-30</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/132829/110113</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Difa Rosa Mahdyyah</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
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			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/107803</identifier>
				<datestamp>2022-04-09T06:34:35Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
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	<dc:title xml:lang="en-US">Showing Identity and Proudness as Black Women in Three Poems I am a Black Woman (1970) by Mari Evans, A Woman Speaks (1997) by Audre Lorde, I am More Than That (2018) by Lindiwe Princess Maseko.</dc:title>
	<dc:creator>Husna, Fadilah</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">Black feminist, power and knowledge, Race, Gender, Stereotype.</dc:subject>
	<dc:description xml:lang="en-US">This analysis of the three poems I am a Black Woman (1970) by Mari Evans, A Woman Speaks (1997) by Audre Lorde, I am More Than That (2018) by Lindiwe Princess Maseko are expose the issues about showing identity and proudness as Black women. It is also expose the contribution of poetic elements (speaker, repetition, and tone) in revealing the issues about showing identity and proudness of Black women. This analysis is done by through text-based and context-based interpretation that is related to the concept of power and knowledge by Michel Foucault. The result of this analysis is exposing about the pronouncement of Black women about their identity and their proudness. Showing identity as Black women is live with culture of Black. Showing proudness of being Black women is respecting their original identity as Black.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-02-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/107803</dc:identifier>
	<dc:identifier>10.24036/ell.v9i1.107803</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 1 (2020); 22-31</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/107803/103137</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/905</identifier>
				<datestamp>2013-05-01T02:55:30Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE DISTORTION OF REALITY IN KAZUO ISHIGURO’S NOVEL WHEN WE WERE ORPHANS</dc:title>
	<dc:creator>Delvi Wahyuni (p: 118-125), Risna Ristiana, Kurnia Ningsih,</dc:creator>
	<dc:description xml:lang="en-US">AbstrakTujuan pembahasan ini adalah untuk mengetahui sejauh mananovel ini memperlihatkan penyimpangan realita yang dilakukanoleh protagonis. Teks novel ini dianalisa dengan menggunakantext-based approach yang difokuskan pada unsur sastra, sepertiironi dan paradoks. Penganalisaan unsur-unsur sastra ini dikaitkandengan teori denial oleh Anna Freud dan self-deception oleh BrianMclauglin. Hasil penganalisaan menunjukkan bahwa seseorangyang memiliki pengalaman buruk di masa lalu memiliki tendensiuntuk melakukan penyimpangan realita. Penyimpangan tersebutdilakukan dengan berbohong dan mengarang cerita untuk menutupikejadian yang sebenarnya.Kata Kunci: penyimpangan realita, penolakan, ironi, paradoks.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-05-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/905</dc:identifier>
	<dc:identifier>10.24036/ell.v1i2.905</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 2 (2013): SERIE: B</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/905/759</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/118571</identifier>
				<datestamp>2022-11-22T03:17:56Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Analysis of Logical Fallacy on the Arguments Made by Student from 2019 Indonesian Protests and Riots in Television Debates</dc:title>
	<dc:creator>Wiranda, Ayu</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Logical fallacy, arguments, debate, demonstration</dc:subject>
	<dc:description xml:lang="en-US">AbstractThis study sought to identify the many sorts of logical fallacies used in Indonesian television debates, notably those made by students who participated in the 2019 protests and rioting there. This is a descriptive study that takes a qualitative approach. In this study, the five categories and sixty-two types of fallacies introduced by Damer's (2009) theory of fallacy classification were used. There were eighteen of the sixty different types identified. First, the results revealed that students consistently violated the acceptability and rebuttal criteria in their arguments, using five different fallacies in each category. Second, with a frequency of 27.98%, poisoning the well was the type of fallacy that students used the most frequently, followed by the two-wrong fallacy with a frequency of 10.29% and manipulation of emotion with a frequency of 8.82%. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-10-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/118571</dc:identifier>
	<dc:identifier>10.24036/ell.v11i3.118571</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 3 (2022); 322-327</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/118571/106928</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Ayu Wiranda, Hamzah Hamzah</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/101189</identifier>
				<datestamp>2018-09-27T03:32:13Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">SOVEREIGNTY OF LIBERALISM IN ANTHONY DOEER’S  NOVEL “ALL THE LIGHT WE CANNOT SEE” (2014)</dc:title>
	<dc:creator>Putri, Maharani Deta</dc:creator>
	<dc:creator>Ningsih, Kurnia</dc:creator>
	<dc:creator>Syafei, An Fauzia Rozani</dc:creator>
	<dc:subject xml:lang="en-US">Sovereignty, liberalism, ideology.</dc:subject>
	<dc:description xml:lang="en-US">This study analyses the Anthony Doeers' All The Light We Cannot See (2014). This research raises the issue of sovereignty given by liberal ideology. The purpose of this research describes sovereignty that can be seen from two aspects: personal liberty and social liberty. Literature elements, such as character, conflict and setting are used in this analysis. This research analysis uses text and context based interpretation. These elements contribute to describe the extent to which character shows individual freedom and social freedom given by liberalism ideology. This study is associated with the concept of Liberalism by Leonard trewlawny Hobhouse. The results of the analysis show that even though the character has shortcomings but through the liberal understanding given, the character is able to work like normal people and inspire others.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-09-24</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/101189</dc:identifier>
	<dc:identifier>10.24036/ell.v7i3.101189</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 3 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/101189/100473</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/127555</identifier>
				<datestamp>2024-09-23T01:02:25Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Translation Techniques of Assertive Speech Act in Frozen II Movies Subtitle</dc:title>
	<dc:creator>Agista, Rifa</dc:creator>
	<dc:creator>Oktoviandry, Rifki</dc:creator>
	<dc:subject xml:lang="en-US">translation techniques; assertive speech act; movie subtitle; frozen II</dc:subject>
	<dc:description xml:lang="en-US">This research entitles “Translation Techniques of assertive speech acts in Frozen II movies subtitles”. This research aims to determine the types of assertive speech acts and the types of translation techniques for this film. Researcher used Yule theory (1996) in analyzing speech and the theory of translation techniques by Molina and Albir (2002). This research uses qualitative methods in analyzing data. Researcher found 34 data regarding assertive speech acts. The results of this research are 6 types of directive speech acts found in the speech of this film. This research also found nine types of translation techniques used by translator to translate utterance that contains assertive speech acts. The results of data analysis show that the dominant type of translation technique used by translators in translating assertive speech acts is the establish equivalent with 9 data (26%).</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/127555</dc:identifier>
	<dc:identifier>10.24036/ell.v13i1.127555</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 1 (2024); 26-33</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/127555/108901</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Rifa Agista, Rifki Oktoviandry</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/133892</identifier>
				<datestamp>2025-08-15T16:26:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Translation of Hedges in Pride and Prejudice Novel by Jane Austen from English - Indonesian</dc:title>
	<dc:creator>Maygita, Yona</dc:creator>
	<dc:creator>Ardi, Havid</dc:creator>
	<dc:subject xml:lang="en-US">Hedges, Translation, Politeness, Gender, Literary Translation</dc:subject>
	<dc:description xml:lang="en-US">This study explores the use and translation of hedges in Jane Austen’s Pride and Prejudice and its Indonesian translation Keangkuhan dan Prasangka by Rini Nurul Badariah. Guided by Bruce Fraser’s (2010) classification, hedges are categorized into propositional and speech act hedging. The study aims to identify the types of hedges used by male and female characters and examine how these are rendered in translation. A descriptive qualitative approach was used to analyze hedging expressions in both versions of the text. The findings indicate that female characters tend to use hedges more frequently than male characters, with a preference for propositional hedging. In translation, many hedges were retained with similar functions, though a significant number were omitted or altered, particularly those related to speech acts. These shifts may affect the tone, level of politeness, and character portrayal in the target language. The study confirms gender-based tendencies in hedging and emphasizes the importance of preserving pragmatic features in literary translation to maintain the original’s meaning, interpersonal dynamics, and stylistic nuance.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-06-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/133892</dc:identifier>
	<dc:identifier>10.24036/ell.v14i2.133892</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 2 (2025); 374-381</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/133892/110432</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Yona Maygita</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/110346</identifier>
				<datestamp>2022-04-08T16:30:38Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Analysis of Errors Made by The Third Year Students of English Department in Translating Narrative Text</dc:title>
	<dc:creator>Adelia, Vioksana Bonita</dc:creator>
	<dc:creator>Rosa, Rusdi Noor</dc:creator>
	<dc:subject xml:lang="en-US">Translation; Error in translation; Linguistics errors; Narrative translation</dc:subject>
	<dc:description xml:lang="en-US">This study aims at finding out the errors made by the third year English Department students of Universitas Negeri Padang in translating a narrative text from English into bahasa Indonesia. This study used a descriptive method. The data were the translation of the narrative text entitled Snow White done by the third year English Department students of Universitas Negeri Padang. The data were collected using a test and were analyzed using the error analysis. The results of the study indicate semantic error is the error frequently committed by the students in their translation with the frequency of 72 times (59%). Pragmatic error (29%) is the second most frequent error, while morphological error and syntactical error are seldom found in the students’ translation. In conclusion, the errors made by the students are mainly motivated by their tendency to follow the meaning of the dictionary (word for word translation).</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-12-25</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/110346</dc:identifier>
	<dc:identifier>10.24036/ell.v9i4.110346</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 4 (2020); 423-430</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/110346/104405</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 vioksana bonita adelia</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/2392</identifier>
				<datestamp>2013-09-17T05:27:13Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">POETIC EXISTENCE: WRITING POETRY AS THE MANIFESTATION</dc:title>
	<dc:creator>Delvi Wahyuni (p: 44-57), Dia Anggraini,</dc:creator>
	<dc:description xml:lang="en-US">Setiap individu memiliki masa lalu yang buruk dalam hidupnya. Sebagian individu mampu belajar  dan merubah masa lalu yang buruk untuk  mendapatkan kehidupan yang lebih baik di masa depan. Di sisi lain, sebagian individu menyimpan masa lalu yang buruk tersebut seperti represi terhadap suatu masalah yang tidak terselesaikan. Novel The Bruise (2008)yang di tulis oleh Magdalena Zurawski menunjukan bagaimana represi yang di alami oleh protagonis muncul kembali di masa tertentu. Penganalisaan dalam novel ini berdasarkan text-based interprestation. Protagonis dalam novel ini memperlihatkan masalah yang tidak terselesaikan dengan ibunya menjadi penyebab utama represi dalam hidupnya. Masalahnya tidak terselesaikan oleh protagonis dengan ibunya memberikan dampak terhadap karakter lain. karakter pertama yaitu dari saudara perempuan, protagonis menolak untuk berinteraksi dengan saudara perempuannya. karakter kedua yaitu dari lingkungannya, protagonis memilih menjadi siswa yang pendiam karena ada kecemasan dalam dirinya. Kemudian, setting dapat terlihat ketika terjadi penolakan oleh ibu terhadap status protagonist sebagai seorang anak laki-laki serta perlakuannnya terhadap lingkungan. Di sisi lain, setting yang mendukung membuat protagonist mencari jalan lain agar dirinya di anggap yaitu melalui menulis puisi sebagai bentuk pertahanan dirinya. Selain itu, penganalisaan unsur-unsur sastra tersebut juga dikaitkan dengan konsep Repression oleh Sigmun Freud yang mengemukakan bahwa repression adalah salah satu pertahanan diri individu untuk menolak masalah dari alam sadar manusia. Kemudian, pembahasan ini di lanjutkan dengan konsep dari Sigmun Freud the Return of the Repressed yaitu sebuah situasi dimana apa yang di tekan akan muncul kembali dalam bentuk lain. Penganalisaan novel yang berjudul The Bruise (2008) menunjukan apa yang di tekan oleh individu terhadap suatu masalah yang tidak terselesaikan muncul kembali dalam bentuk puisi   Kata Kunci: Protagonist, Repression, the Return of the Repressed, Puisi</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-09-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/2392</dc:identifier>
	<dc:identifier>10.24036/ell.v2i1.2392</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 2, No 1 (2013): SERIE : A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/2392/2004</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/119982</identifier>
				<datestamp>2023-02-16T04:30:40Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Betrayal Recovery in The Girl on The Train by Paula Hawkins (2015)</dc:title>
	<dc:creator>Pasti, Nada Nyata</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">betrayal, trauma, stages of betrayal recovery</dc:subject>
	<dc:description xml:lang="en-US">This research is an analysis of the novel by Paula Hawkins entitled The Girl on The Train (2015). This research reveals the kinds of betrayals committed by Rachel's ex-husband and how she was able to manage her life after experiencing trauma, anxiety and depression for a long time. This research is a qualitative descriptive study that uses psychoanalysis theory and is supported by defense mechanism theory. The results of this research indicate several stages that Rachel went through to be able to rise from the adversity she experienced. The stages of recovering the betrayal that are told in this novel are; denial, anger, depression, bargaining and acceptance. These stages have a different time span for each victim, depending on the betrayal experienced and the mental state of each victim. The results of this study also reveal that betrayal can occur not because of the shortcomings and helplessness of the betrayed person, but betrayal can occur purely because the traitors do not have the value of loyalty in themselves. Therefore, no matter how perfect their partner is, traitors will never be satisfied.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-03-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/119982</dc:identifier>
	<dc:identifier>10.24036/ell.v12i1.119982</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 1 (2023); 121-125</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/119982/107425</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 NADA NYATA PASTI</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/103045</identifier>
				<datestamp>2019-03-17T02:34:44Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Affix Changes from Middle English to Modern English Found In The Miller's Tale Written by Geoffrey Chaucer and Its Modern English Version</dc:title>
	<dc:creator>Putriana, Egi</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:creator>Fitrawati, Fitrawati</dc:creator>
	<dc:subject xml:lang="en-US">English language; Middle English; Modern English; Affix changes; The Miller’s Tale</dc:subject>
	<dc:description xml:lang="en-US">The history of English language has three periods of time; Old English, Middle English, and Modern English. The linguistic forms in English development are different each period. This research aims to find out one of the changes, that is, the affix changes from Middle English to Modern English form that found in both of The Miller’s Tale Story Middle English and Modern English versions. This research also aims to find out the spelling changes in affixes. This research used descriptive qualitative method. The data, which are the collection of words that have affixes found in The Miller’s Tale, were identified based on the base of the words and its affixes and its were classified based on the type of its functions. Based on data analysis, there are seven affixes in Middle English which have been changed in Modern English form. These changes occur in the deletion of vowel, change of vowel, substitution of the affix, and elimination of the affix. The spelling change also influenced the change in suffixes. Some of the vocabularies change into the new words and some of the words change only in its vowel.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-02-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/103045</dc:identifier>
	<dc:identifier>10.24036/ell.v8i1.103045</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 1 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/103045/101368</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/103045/1465</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/126540</identifier>
				<datestamp>2024-06-30T16:37:56Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Analysis Types of Code Mixing used from the Ruang Sandi Podcast Video with Cinta Laura</dc:title>
	<dc:creator>Prameswari, Dinda Fitri</dc:creator>
	<dc:creator>Angelin, Sheva</dc:creator>
	<dc:creator>Tsalits, Widya Nabbila</dc:creator>
	<dc:subject xml:lang="en-US">Sociolinguistics; Code-mixing; YouTube social Media; Insertion</dc:subject>
	<dc:description xml:lang="en-US">This research focuses on Code Mixing Analysis in Sandi's Podcast with Cinta Laura. This research purposes to describe the types of code mixing and its occurrence. The method of this research is descriptive qualitative analysis to analyze the data. The research data collected from Sandi's YouTube channel entitled Podcast Room with High Motivation Love Achieves Many Things at a Young Age, Sandi Uno &quot;LUAR BIASA!&quot;. The study results were described in a video of 18.13 minutes, and researchers wrote down as many as 72 code mixes. The most dominant code mix occurs with the insertion type, which has 41 code mixes. Sandi and Cinta Laura are bilingual because they can speak two languages. This research also shows that Cinta Laura is the one who more often uses code mix from Indonesian into English, and it can be concluded that code mix occurs in every native speaker to communicate.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-06-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/126540</dc:identifier>
	<dc:identifier>10.24036/ell.v13i2.126540</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 2 (2024); 511-523</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/126540/109289</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Dinda Fitri Prameswari</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/135292</identifier>
				<datestamp>2025-08-28T14:42:36Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Translation Techniques used in Translating Puns in Animated Series  Gravity Falls from English into Indonesian</dc:title>
	<dc:creator>Lubis, Siti Karina</dc:creator>
	<dc:creator>Oktavia, Witri</dc:creator>
	<dc:subject xml:lang="en-US">Animated series, Pun, Translation Techniques</dc:subject>
	<dc:description xml:lang="en-US">One of the main challenges in translating puns is capturing the double meanings or puns present in the source language. This requires creative thinking and a deep understanding of language from the translators, as a humorous play on words in one culture may not have the same effect in another culture. The purpose of this study is to identify the types of puns and to identify the translation techniques employed by the translator in translating puns found in Gravity Falls animated series into the Indonesian language. This study used Delabastita (1996) types of puns and translation techniques as the main theoretical frameworks. This study applies a descriptive-qualitative method with observation as the main technique. The data used in this study are the utterances that contain puns in the subtitle of Gravity Falls from English into Indonesian. The findings of this research reveal that there are six types found in the series, including homonymy, homophony, paronymy, polysemy, idiomatic, and morphological. The results also show that out of eight translation techniques proposed, three pun translation techniques was applied by the translator, including pun to pun, pun to non-pun, and pun ST=pun TT. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-08-20</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/135292</dc:identifier>
	<dc:identifier>10.24036/ell.v14i3.135292</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 3 (2025); 735-749</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/135292/110711</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Siti Karina Lubis</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/115038</identifier>
				<datestamp>2022-04-11T23:09:22Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Visual Representation Analysis of Meaning in BJB Bank and HSBC Bank Advertisements</dc:title>
	<dc:creator>Sari, Vitcha</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Visual Grammar, Semiotics, Advertisement</dc:subject>
	<dc:description xml:lang="en-US"> This study aims to examine the difference of meaning in visual analysis in BJB Bank and HSBC Bank advertisements. The purpose of this research is to find the difference in meaning in the visual analysis of Kress and Leeuwen metafunction, namely representational, interactional, and compositional. The data were analyzed using the theory of grammar of visual design Kress and Leeuwen (1996). The data is the visual contained in the BJB bank and the HSBC bank advertisement videos. The method of this research uses descriptive qualitative research. The results showed some differences in BJB bank and HSBC bank advertisements in visuals which are a narrative reactional phenomenon and conceptual, symbolic attribute in representational, equality in interactional, and foregrounding and backgrounding in compositional.  </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2021-12-16</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/115038</dc:identifier>
	<dc:identifier>10.24036/ell.v10i4.115038</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 4 (2021); 407-418</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/115038/105874</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2021 Vitcha Sari</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/7105</identifier>
				<datestamp>2018-02-26T07:24:46Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">CLIMBING ON A SPACE IN THANHHA LAI’S NOVEL INSIDE OUT AND BACK AGAIN (2011)</dc:title>
	<dc:creator>Zai, Yesmawati</dc:creator>
	<dc:creator>Ningsih, Kurnia</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">climbing, space, girl, feminist</dc:subject>
	<dc:description xml:lang="en-US">This study is the result of the analysis of the novel of Inside Out and Back Again (2011) written by Thanhha Lai. Topics covered are how the business of women from her childhood in reaching the realm to show her existence in the social environment. The issues raised are the extent to which the protagonist expresses the realm accession process to demonstrate its ability, as well as how far the function of fiction elements, such as setting and conflict influential to demonstrate the business. Results of this study is to discover the extent of the protagonist reaches the realm of effort in showing her abilities, and to investigate the role of setting and plot in helping determine those efforts. The theory used in this analysis is the feminist concept of Trinha Minh-ha and psychosocial concept of Richard Lazarus and Susan Folkman. Assessment method used is text-based interpretation and context-based interpretation. The results of this analysis indicate that women from an early age can achieve a wider sphere to show his ability by way of awareness of differences and turn them into concrete efforts and spur him to learn more.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2017-03-24</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/7105</dc:identifier>
	<dc:identifier>10.24036/ell.v6i1.7105</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 6, No 1 (2017): Serie A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/7105/6568</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/7105/413</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2017 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/108044</identifier>
				<datestamp>2022-04-09T06:34:35Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Exploitation of Migrant Workers in Atticus Lish's Novel Preparation for the Next Life (2014)</dc:title>
	<dc:creator>Setiawan, Arnold</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">Exploitation, Migrant Workers, Exploitation, Alienation</dc:subject>
	<dc:description xml:lang="en-US">This thesis is the analysis of a novel which written by Atticus Lish entitled Preparation for the Next Life (2014). It explores the issue of the exploitation of migrant workers which reflected by the main character and representation of migrant workers. It is also intended to find out the contribution of fictional devices such as character, plot (conflict), and setting in revealing the issue of the exploitation of migrant workers. This analysis related to the concept of exploitation and alienation which developed by Karl Marx that is supported by the text-based and context-based interpretation. The result of this analysis shows about the industrial owner acts of the exploitation of migrant workers. It can be seen in two ways, manipulating the managing systems and cutting wages.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-02-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/108044</dc:identifier>
	<dc:identifier>10.24036/ell.v9i1.108044</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 1 (2020); 1-12</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/108044/103135</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/108044/2726</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/129563</identifier>
				<datestamp>2024-11-02T02:20:32Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Manifestations of Internalized Patriarchal Norms in Taylor Jenkins Reid’s The Seven Husbands of Evelyn Hugo (2017): Feminist Perspective</dc:title>
	<dc:creator>Chairunnisa, Ainul</dc:creator>
	<dc:creator>Al Hafiz, Muhd</dc:creator>
	<dc:subject xml:lang="en-US">male domination; compulsory heterosexuality; internalized patriarchal norms; abjection; resistances</dc:subject>
	<dc:description xml:lang="en-US">Male domination manifests patriarchal practices that navigate societal expectations on women. Through patriarchal societal norms, women become socialized into patriarchal structure. Because of the oppression and discrimination that has been maintained by patriarchal norms, it causes women to have internalized patriarchal norms. In the novel The Seven Husbands of Evelyn Hugo (2017) by Taylor Jenkins Reid, the issue of compulsory heterosexuality, male domination and internalized patriarchal norms are being explored. This research used qualitative approach, focusing on the interpretation of human experiences and perspective by using feminist literary criticism. The analysis uses patriarchy and feminist theory by Catharine A. Mackinnon, Julia Kristeva and Sylvia Walby, and compulsory heterosexuality theory by Adrianne Rich and Judith Butler. This research found four forms of internalized patriarchal norms. The internalized of patriarchal norms causes women being the subject of domestic, power and law abuse, and discriminations from patriarchal society. By using “Four Faces of Resistance” by Eric S. Knowles and Jay A. Linn, Abjection and Semiotic by Julia Kristeva, Subversion of Norms by Judith Butler and Lesbian Continuum by Adrianne Rich, this research also finds five form of resistance. Women demonstrate the resistance to challenge how patriarchal norms are manifested through internalized patriarchal norms.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-08-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/129563</dc:identifier>
	<dc:identifier>10.24036/ell.v13i3.129563</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 3 (2024); 767-782</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/129563/109612</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Ainul Chairunnisa</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/136294</identifier>
				<datestamp>2025-11-07T14:09:00Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Comparative Analysis of Swear Words Between Main Male and Female Characters in ‘Casino’ (1995) and ‘Uncut Gems’ (2019) Movies</dc:title>
	<dc:creator>Situmorang, Ekasepti Nurrahma Ningrum</dc:creator>
	<dc:creator>Oktoviandry, Rifki</dc:creator>
	<dc:subject xml:lang="en-US">Swear Words; gender; Uncut Gems; Casino</dc:subject>
	<dc:description xml:lang="en-US"> This research aims to compare the types and functions of swear words uttered by the main male and female characters in the Casino (1995) and Uncut Gems (2019). A descriptive quantitative method was used in this research to emphasize the data. The data containing swear words were collected from the two movie scripts and were categorized according to Ljung’s (2011) theory of swear word types and functions. After that, the researcher compares the data, uttered by main male and female characters in both movies to identify the differences between them. The findings indicate that female characters in both movies use swear words mainly to express emotions like anger and frustration. Interestingly, the female character in Casino (1995) swears more frequently than the one in Uncut Gems (2019), suggesting that character conflict and personality play a more significant role than the movie’s era. This challenges the assumption that modern movies provide greater expressive freedom for female characters. In contrast, male characters in both movies consistently use more profanity, often as a means of asserting dominance. Overall, the study suggests that the frequency and function of swearing are influenced more by character traits, narrative roles, and situational context than by time period. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-11-07</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/136294</dc:identifier>
	<dc:identifier>10.24036/ell.v14i4.136294</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 4 (2025); 818-826</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/136294/110881</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Ekasepti Nurrahma Ningrum Situmorang, Rifki Oktoviandry</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/113394</identifier>
				<datestamp>2022-04-09T17:15:34Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Comparative Analysis of Language Style Between   Songs Lyrics of English and Indonesian Pop Singer</dc:title>
	<dc:creator>Putra, Emora Emda</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">language style, song, lyric, three levels of metafunction, Ardhito Pramono, Lewis Capaldi</dc:subject>
	<dc:description xml:lang="en-US">This study aims to compare the differences and the similarities between Indonesia and English pop song lyrics in the level of ideational metafunction, The systemic functional linguistics theory by Halliday was applied to analyze this research. The method used in this research was a descriptive research method. The results of the study show that they share two similarities and six differences in the level of ideational metafunction. The conclusion obtained from the findings is that they are more different rather than similar and the differences in how they produces the song lyric affected by the differences in cultural background of the song which are represented through song lyrics to the different ways of producing structure of clauses and selection of words in the ideational level of metafunction.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-04-09</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/113394</dc:identifier>
	<dc:identifier>10.24036/ell.v9i3.113394</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 1 (2021); 62-68</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/113394/106186</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Emora Emda Putra</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/9806</identifier>
				<datestamp>2018-02-28T04:09:39Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">EXERTION TO BE A MOSLEM IN DEBORAH BAKER’S THE CONVERT</dc:title>
	<dc:creator>Febriani, Ayu Efta</dc:creator>
	<dc:creator>Syafei, An Fauzia Rozani</dc:creator>
	<dc:subject xml:lang="en-US">Usaha, Perubahan, Exertion, personality</dc:subject>
	<dc:description xml:lang="en-US">Skripsi ini merupakan analisa novel The Convert (2011) karya Deborah Baker. Permasalahan yang dibahas dalam analisa ini adalah sejauh mana novel ini merefleksikan usaha dalam mencapai tujuan menjadi seorang muslim. Tujuan analisa ini adalah (1) mengungkapkan sejauh mana tokoh utama dalam novel merefleksikan Exertion, (2) menunjukkan kontribusi elemen fiksi dalam mengungkap permasalahan Exertion. Analisa ini menerapkan text-based interpretation yang mempertimbangkan elemen-elemen fiksi dan unsur-unsur di dalam teks secara spesifik sehingga memberikan kontribusi dalam pengungkapan makna dan context-based interpretation dengan mengaitkan konsep Personality yang dikemukakan oleh Victor Frankl. Hasil analisa menunjukkan bahwa tokoh utama berhasil melakukan usaha untuk bisa menjadi seorang muslim dan melakukan perubahan dari kehidupan lama dan memasuki kehidupan baru dan menyesuaikan diri dengan kehidupan barunya yang di pengaruhi oleh lingkungan sekitar dengan cara pindah keyakinan, mengubah pola pikir, menyesuaikan diri di kehidupan baru. Keinginan, niat, dan tekat yang kuat dari tokoh untuk berubah ke arah yang lebih baik sangat berperan penting dalam proses usaha menjadi seorang Muslim.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2017-09-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/9806</dc:identifier>
	<dc:identifier>10.24036/ell.v6i2.9806</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 6, No 2 (2017): Serie A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/9806/7234</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/128295</identifier>
				<datestamp>2024-12-17T09:32:19Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Morphological Stylistic Analysis in William Blake’s Poem “Spring”</dc:title>
	<dc:creator>Nasution, Atikah Auni</dc:creator>
	<dc:creator>Matanari, Desna Uli</dc:creator>
	<dc:creator>Fianda, Afiqah</dc:creator>
	<dc:creator>Sasmita, Rheina</dc:creator>
	<dc:creator>Rangkuti, Rahmadsyah</dc:creator>
	<dc:subject xml:lang="en-US">morphological stylistic; morphemes; William Blake’s poem; spring</dc:subject>
	<dc:description xml:lang="en-US">Morphemes used in the poem can alter the reader's perception and interpretation of the poem's meaning and message. It demonstrates the variety of language and the freedom of expression enabled by using morphemes in literature, particularly poems. This study aims to identify several types of free and bound morphemes, such as lexical, functional, derivational, and inflectional morphemes found in William Blake's Poem &quot;Spring.&quot; The researchers analyzed the data using a descriptive-qualitative method. Based on this research, William Blake's Poem &quot;Spring&quot; has 27 lines. This research showed William Blake's poem &quot;Spring&quot; contained 83 morphemes. Lexical morpheme was the most frequently found (56%). The second most common was functional morpheme (31%), derivational morpheme (8%), and the least inflectional morpheme (5%). Therefore, a number of morphemes in William Blake's poem &quot;Spring&quot; were dominated by lexical morphemes. This poem emphasizes the poet's desire to explore ideas through the use of a variety of words and phrases.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-11-21</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/128295</dc:identifier>
	<dc:identifier>10.24036/ell.v13i4.128295</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 4 (2024); 1137-1150</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/128295/109836</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Atikah Auni Nasution, Desna Uli Matanari, Afiqah Fianda, Rheina Sasmita, Rahmadsyah Rangkuti</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/105456</identifier>
				<datestamp>2019-08-16T06:18:53Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Language Function in the Discourse Produced by Traditional Medicine Sellers</dc:title>
	<dc:creator>Ananda, Rahmatika</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Traditional medicine seller, informative, directive, expressive, aesthetic, phatic.</dc:subject>
	<dc:description xml:lang="en-US">AbstractThe purpose of this research is to investigate the language function from the discourse produced by traditional medicine sellers. The method used in this research is descriptive method. The data of this research were obtained from the discourse produced by five medicine sellers in different area. The data were analyzed by using Geoffery Leech (1974) theory. The finding divided into three types, they were informative, directive, and phatic function. In informative function also found four type of informative, they were giving opinion, advice, making announcement, and admonish. In directive function was found two types, they were command and request. Last was phatic function. Most of conversations had similar types of language function. However, findings showed that there were some types of language function were not found in each section of conversation produced by traditional medicine sellers. The language functions used by traditional medicine sellers were in line with the purpose of marketing, they were to inform, persuade, and remind the costumer about the product that sold. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-08-16</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/105456</dc:identifier>
	<dc:identifier>10.24036/ell.v8i3.105456</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 3 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/105456/102280</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/105456/2057</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/896</identifier>
				<datestamp>2013-03-05T12:46:04Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">EUPHEMISM USED IN LANGUAGE OF POLITIC IN PADANG EXPRESS NEWSPAPER</dc:title>
	<dc:creator>Rusdi Noor Rosa (p: 31-40), Dina Mayang Sari, Refnaldi,</dc:creator>
	<dc:description xml:lang="en-US">AbstrakTujuan penelitian ini adalah untuk menemukan kata kataeufemisme yang di gunakan oleh penulis berita di Koran PadangExpress di dalam bahasa politik pada bulan November 2011 daritanggal 1 sampai 30. Dengan tujuan untuk mengetahui apa apa sajatipe eufemisme dari kata kata tersebut dengan memakai teori(Williams 1975; Shipley 1977; Rawson 1983; Neaman &amp; Silver1983; Allan &amp; Burridge 1991). Dan juga untuk mengetahui maknadari kata kata eufemisme tersebut dengan menggunakan teori Leech(1975). Penelitian ini menemukan 4 jenis tipe eufemisme: semanticchange (semantic shift, metaphorical transfer, litotes,understatement, indirection, abstraction), borrowing (externalborrowing, internal borrowing,) serta makna yang ditemukanadalah conceptual dan affective. Penelitian ini diklasifikasikansebagai penelitian deskriptif.Kata Kunci: figurative language, euphemism, types of euphemism,semantic meaning</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-03-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/896</dc:identifier>
	<dc:identifier>10.24036/ell.v1i2.896</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 2 (2013): SERIE: A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/896/750</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/117646</identifier>
				<datestamp>2022-11-22T03:17:56Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Phonological Error of English Vowel by Korean Speaker in Korean Drama</dc:title>
	<dc:creator>Kania, Annisa Nurhijatul</dc:creator>
	<dc:creator>Ardi, Havid</dc:creator>
	<dc:subject xml:lang="en-US">vowel, phonological error, Korean speaker</dc:subject>
	<dc:description xml:lang="en-US">English is used by many non-native English speakers from all around the world. Because of that, the mother tongue influences when they speak foreign language or their second language. Thus, this research analysed the error of English vowels pronounced by Korean Speaker based on phonetic and phonology. This research used descriptive method which according to this research means collecting language symptoms in the form of words. The data were collected from a Korean Drama entitled Descendant of the Sun in several episodes in a form of words. To obtain data, this research used listening method which listened directly by the researcher and then validated by a native speaker. The finding shows that there are six monophthongs and three diphthongs of English vowel which are incorrectly pronounced by the Korean Speakers. Those errors are /ə/, /e/, /eɪ/, /æ/, /ɑ/, /ʊ/, /ɪ/, /iə/, and /oʊ/ which are substituted by /ɛ/, /o/, /ɪ/, /ɔ/, /ʌ/, /u/, /ɪə/, /ɪ/, /ɛʌ/, /ɑ/.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-10-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/117646</dc:identifier>
	<dc:identifier>10.24036/ell.v11i3.117646</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 3 (2022); 238-250</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/117646/106920</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Annisa Nurhijatul Kania</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/9917</identifier>
				<datestamp>2018-03-12T10:44:39Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE ANALYSIS OF PARAGRAPH ELEMENTS IN EDITORIAL OF THE JAKARTA POST</dc:title>
	<dc:creator>Akhira, Widya</dc:creator>
	<dc:creator>Jufri, Jufri</dc:creator>
	<dc:subject xml:lang="en-US">Jakarta Post, Paragraph, Editorial</dc:subject>
	<dc:description xml:lang="en-US">This paper discusses the elements of the paragraph in the editorial in Jakarta Post. Jakarta Post is one of the newspapers in Indonesia. The Jakarta Post is a daily English daily newspaper in Indonesia. The Jakarta Post started as a collaboration between four media in Indonesia by urging the Information Minister and politicians. The first edition was printed on April 25, 1983, spending several years with minimal advertising and increasing circulation. After a change in editor-in-chief in 1991, the Jakarta Post began to take a more vocal pro-democracy standpoint. For the validity of this paper, the analysis of the paper is published officially on legitimate online websites. In analyzing the data, I found some of the most frequently mentioned paragraph elements in the editorial. In Jakarta Post's most frequently published editorial is Minor Detail with frequency of 57 times (48%). While Major Detail appears 28 times (24%), then Topic Sentence appears 25 times (21%) and Thesis Statement appears 8 times (7%).</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/9917</dc:identifier>
	<dc:identifier>10.24036/ell.v7i1.9917</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 1 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/9917/7387</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/127556</identifier>
				<datestamp>2024-09-23T01:02:25Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Translation Techniques of Interrogative Sentence in Maleficent Mistress of Evil 2019 Movie Subtitle</dc:title>
	<dc:creator>Novika, Restu</dc:creator>
	<dc:creator>Zaim, M</dc:creator>
	<dc:subject xml:lang="en-US">translation techniques; interrogative sentence; movie; movie subtitle</dc:subject>
	<dc:description xml:lang="en-US">This research conducted to analyze the translation techniques used in translating interrogative sentence in Maleficent Mistress of Evil 2019 movie subtitle. The purpose of this research in to find the type of translation techniques used in translating interrogative sentence in the movie. This research used theory Azar (2002) to identify interrogative sentence and theory Molina and Albir (2002) to identify translation technique. This research is descriptive qualitative research. The data were gathered from the subtitle of interrogative sentence in the movie. There are 88 data of interrogative sentence found in the movie. There were 11 types of translation techniques used in translating interrogative sentence in the movie, there were reduction with 18 data, establish equivalent with 14 data, linguistic compression with 14 data, literal translation with 14 data, calque with 12 data, discursive creation with 6 data, generalization with 3 data, modulation with 3 data, amplification with 2 data, transposition with 1 data and variation with 1 data. The results of data analysis show that the dominant type of translation technique in translating interrogative sentence is reduction with 18 data.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/127556</dc:identifier>
	<dc:identifier>10.24036/ell.v13i1.127556</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 1 (2024); 97-106</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/127556/108928</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Restu Novika, M Zaim</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/133209</identifier>
				<datestamp>2025-08-15T16:26:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Interlanguage Pragmatics: Comparing The Complaining Strategies Used by Male and Female EFL Learners and Indonesian Speakers</dc:title>
	<dc:creator>Yuri, Melati Asri</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Interlanguage Pragmatics, Complaining, Gender</dc:subject>
	<dc:description xml:lang="en-US">This research analyzes the differences in complaining strategies used by five male and five female EFL learners using English, as well as five male and five female Indonesian speakers using Indonesian Language. This research used a descriptive method with Oral Discourse Completion Task (DCT) as the data collection instrument and was conducted in simulation for role play. From the data analysis, there are 200 data in total from ten situations. The results showed that annoyance was most widely used by male (29) and females (22) in EFL Learners. Direct accusation is most used by male (16) and females (19) in Indonesian Speakers. However, it was also compared for the same gender and showed that Male EFL Learners tend to use annoyance and Male Indonesian Speakers tend to use direct accusation. And Female EFL Learners tend to use annoyance and Female Indonesian Speakers tend to use direct accusation. This research found that the level of education and cultural background affect the way individuals convey complaints. EFL Learners tend to be more formal and consider politeness in complaining, while Indonesian Speakers are more spontaneous and direct in expressing their dissatisfaction.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-06-02</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/133209</dc:identifier>
	<dc:identifier>10.24036/ell.v14i2.133209</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 2 (2025); 275-285</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/133209/110414</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Melati Asri Yuri, Hamzah Hamzah</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/109418</identifier>
				<datestamp>2022-04-08T07:21:10Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Racial Stereotyping in Bruce Norris Play Script Clybourne Park (2010)</dc:title>
	<dc:creator>Sofiani, Sofiani</dc:creator>
	<dc:creator>Al-Hafizh, Muhd.</dc:creator>
	<dc:subject xml:lang="en-US">Racial, Stereotyping, The White, The black</dc:subject>
	<dc:description xml:lang="en-US">This thesis is an analysis of a play written by Bruce Norris, entitled Clybourne Park (2010). This study is aimed to expose the issue about racial stereotyping which is done by the white people toward the Black and to know contribution dramatic elements; character, plot (conflict), setting, and stage direction in revealing the issue of racial stereotyping. This analysis is related to the concept of Orientalism by Edward Said in the post-colonial approach and also supported by the concepts of stereotype by Gamble. The result of this analysis is to expose the forms of stereotype toward black people. White sees blacks as poor people and black as a barbaric group.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-08-14</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/109418</dc:identifier>
	<dc:identifier>10.24036/ell.v9i3.109418</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 3 (2020); 272-287</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/109418/106154</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/1833</identifier>
				<datestamp>2021-12-18T05:20:04Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">EFFORTS TO REVITALIZE LIVES SPIRIT IN COLUM McCANN’S NOVEL LET THE GREAT WORLD SPIN (2009)</dc:title>
	<dc:creator>Kurnia Ningsih, Delvi Wahyuni, Siti Fauzana Azzahra,</dc:creator>
	<dc:description xml:lang="en-US">AbstrakArtikel ini merupakan analisa teks novel (karya sastra) Let The GreatWorld Spin (2009) karya Colum McCann. Masalah yang dianalisa dalam artikelini adalah tentang upaya merevitalisasi semangat hidup yang dilakukan olehkarakter dalam novel ini. Tujuan analisa ini adalah mengkaji sejauh mana novelmengekspos upaya untuk merevitalisasi semangat hidup. Teks novel dalam artikelini dianalisis dengan menggunakan metode text-based. Dalam metode text-based,unsur sastra dalam penganalisaan difokuskan pada karakter, setting dan konflik.Analisa ini dihubungkan dengan konsep life instinct (Eros) oleh Sigmund Freuddan konsep self-reliance oleh Ralph Waldo Emerson (1984). Hasil analisamenunjukkan ada tiga cara dalam upaya merevitalisasi semangat hidup yaitumelakukan aktivitas positif, bersosialisasi dan memperkuat ikatan antar anggotakeluarga.Key words: efforts, revitalize, lives, spirit.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-03-04</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/1833</dc:identifier>
	<dc:identifier>10.24036/ell.v1i1.1833</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 1 (2012): SERIE: C</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/1833/1570</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/119525</identifier>
				<datestamp>2023-02-16T04:30:40Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Resistance Discourse against Gender Discrimination in MS. Magazine: A Critical Discourse Analysis Study</dc:title>
	<dc:creator>Nurfitriani, Annisa</dc:creator>
	<dc:creator>Irawan, Andi Muhammad</dc:creator>
	<dc:subject xml:lang="en-US">CDA, Feminist media, Ideological Square, Discourse Topics, Discourse Strategies</dc:subject>
	<dc:description xml:lang="en-US">This research analyzed resistance against gender discrimination in a US-based feminist magazine, Ms., by using Critical Discourse Analysis (CDA). This research aimed to find the discourse topics and discourse strategies in selected news and opinion articles published by Ms. and to reveal how the feminist magazine resist gender discrimination and try to make a change in society based on their ideology through discourse. This study focused in examining how the writers of the articles and Ms. as a feminist media present themselves and other groups based on their ideology. This researcher used qualitative method and employed positive self and negative-other presentation in van Djik’s Ideological Square (2000) as the theoretical framework to analyze the data. From the selected articles, the researcher collected 188 data. Nine discourse topics and 22 discourse strategies were found in the data. The findings of this research reveal that the topics discussed in the selected articles were not only limited on gender issues but also included racism and democracy issues. Moreover, various discourse strategies were used the selected articles to convey negative presentation towards the out-groups (e.g. patriarchy, authoritarianism, corporate media) and positive self-presentation towards the in-groups (e.g. feminism, women, feminist media).</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-03-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/119525</dc:identifier>
	<dc:identifier>10.24036/ell.v12i1.119525</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 1 (2023); 24-39</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/119525/107412</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Annisa Nurfitriani</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/101919</identifier>
				<datestamp>2018-12-20T07:21:08Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">AN ANALYSIS OF SLANG WORD IN SONG LYRICS EMINEM ON ALBUM  KAMIKAZE</dc:title>
	<dc:creator>Haspo, Fernando Charlino</dc:creator>
	<dc:creator>Rosa, Rusdi Noor</dc:creator>
	<dc:subject xml:lang="en-US">Language Variety, Slang Word, Sociolinguistics, Word      Formation.</dc:subject>
	<dc:description xml:lang="en-US">This research paper is entitled “An Analysis of Slang Word in Song Lyrics Eminem on Album  Kamikaze.” This study was intended to find out the slang words that appear in the lyrics of the song of Eminem and classification of slang words in song lyrics of Eminem on album Kamikaze. The method of the research was qualitative descriptive method. The research got the data from transcript, which was from the internet. The writer uses transcript of this song as his main sources, the sources of data are 5 transcripts of the lyrics of the song by Eminem. Data obtained from the data collection through reading and comprehending the lyrics, the data were analyzed based on the theories of word formation proposed by Yule (2006). Based on the data analysis, it was found that there are 4 out of 9 types of word. They are (1) Coinage, (2) Compounding, (3) Blending, (4) Clipping, (5) Converstion, (6) Acronym, (7) Derivation, (8) Back-formation, and (9) Multiple Processes. Among the 4 types of word formation found, the type of word formation most frequently used in Eminem song lyrics on album Kamikaze is clipping with the frequency of 50 data (84%). This finding shows that Eminem in song lyrics mostly used clipping to make the rhyme and beat balance.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-11-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/101919</dc:identifier>
	<dc:identifier>10.24036/ell.v7i4.101919</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 4 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/101919/100760</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/101919/1180</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/128968</identifier>
				<datestamp>2024-06-30T16:37:56Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Translation Techniques of Swear Words Found in Colleen Hoover's Novel Entitled &quot;It Ends with Us&quot;</dc:title>
	<dc:creator>Putri, Nurul Assyifa</dc:creator>
	<dc:creator>Ardi, Havid</dc:creator>
	<dc:subject xml:lang="en-US">swear words, translation</dc:subject>
	<dc:description xml:lang="en-US">This research analyzed the types of swear words and the translation techniques of swear words that found in a translated novel by Colleen Hoover entitled It Ends With Us into Bahasa Indonesia. This research used descriptive qualitative method to collect the data. The researcher used the theory by Anderson (1992) to analyze types of swear words and the theory by Molina &amp; Albir (2000) to analyze translation techniques of swear words. The researcher found all types of swear words such as expletive swearing, abusive swearing, humorous swearing and auxiliary swearing, the most type that found is expletive swea. Then the researcher also found nine types of translation techniques of swear words such as adaptation, compensation, amplification, established equivalent, literal translation, linguisric amplification, linguistic compression, transposition and modulation, the most techniqu that found is established equivalent.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-06-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/128968</dc:identifier>
	<dc:identifier>10.24036/ell.v13i2.128968</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 2 (2024); 408-419</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/128968/109255</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Nurul Assyifa Putri, Havid Ardi</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/135197</identifier>
				<datestamp>2025-08-28T14:42:36Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Onomatopoeia in Wind Breaker (2014) Webtoon Comics</dc:title>
	<dc:creator>Fitri, Olivia Rahma</dc:creator>
	<dc:creator>Nurjanah, Anisa</dc:creator>
	<dc:subject xml:lang="en-US">Semantics, Onomatopoeia, Webtoon Comic, Wind Breaker (2014).</dc:subject>
	<dc:description xml:lang="en-US">This research explores the use of onomatopoeia in the Wind Breaker webtoon comic by Mira Augustin, focusing on the types and sound sources of onomatopoeic expressions through a semantic approach. This study use Ullmann (1962) theory which categorizes onomatopoeia into two types, namely primary and secondary, as well as Thomas &amp; Clara (2004) classification which divides sound sources into four categories, namely humans, animals, nature, and other sounds. Then analyze the functions of onomatopoeia in the comic using Chandler (2007)using a descriptive qualitative method, 166 onomatopoeia words were collected from nine selected webtoon episodes. The findings showed that secondary onomatopoeia (90 examples) appeared more frequently than primary onomatopoeia (76 examples). In terms of sound sources, man-made sounds are the most dominant with 60 data, followed by other sounds (77), nature sounds (24), and animal sounds (5). The result of functions found RF (97), PO (98), EF (29), RF + PO (36), RF + EF (13), PO + EF (8). This study adds to what is known about how language shows what is meant in a comic. It can help students, teachers, and others who study how words and pictures work together to make meani</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-08-17</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/135197</dc:identifier>
	<dc:identifier>10.24036/ell.v14i3.135197</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 3 (2025); 640-647</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/135197/110680</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/135197/9354</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Olivia Rahma Fitri</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/113894</identifier>
				<datestamp>2022-04-11T00:13:08Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Visual Representational Analysis of Meaning in Pond's Men and Garnier Men TV Commercials</dc:title>
	<dc:creator>Riza, Resty Septia</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Visual Grammar, Semiotics, Advertisement</dc:subject>
	<dc:description xml:lang="en-US">AbstractThis research aims to examine the difference of meaning in visual analysis in Pond's Men and Garnier Men advertisements. The purpose of this research is to find the difference in meaning in the visual analysis of Kress and Leeuwen metafunction which included representational, interactional, and compositional. The data were analyzed using the theory of The grammar of visual design Kress and Leeuwen (1996). The data is the visual contained in the Pond's Men and Garnier Men advertisement videos. The method of this research uses descriptive qualitative research. The results showed that there were some differences in Pond's Men and Garnier Men advertisements in visuals which are narrative actional transactional and narrative reactional transactional in representation, social, detachment, viewer power, and representation in interactional, and foregrounding and backgrounding in compositional.   </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2021-11-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/113894</dc:identifier>
	<dc:identifier>10.24036/ell.v10i3.113894</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 3 (2021); 330-337</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/113894/105630</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2021 Resty Septia Riza</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/2416</identifier>
				<datestamp>2013-09-17T07:42:35Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">TYPES OF WORD FORMATION OF SLANG WORDS FOUND IN TV ADVERTISEMENT</dc:title>
	<dc:creator>Rusdi Noor Rosa (p: 256-266), Sri wahyuni,</dc:creator>
	<dc:description xml:lang="en-US">Tujuan penelitian ini adalah untuk menganalisa  jenis-jenis pembentukan kata yang terdapat pada slogan iklan. Bahasa iklan tidaklah sama dengan bahasa yang kita gunakan dalam kehidupan sehari-hari. Dalam makalah ini penulis menggunakan teori yang dikemukakan oleh O’Grady dan Yule dalam mengidentifikasi dan menganalisis jenis-jenis pembentukan kata yang digunakan di dalam slogan iklan. Penulis mengumpulkan data sebanyak 41 slogan iklan dari televisi. Dari hasil analisis slogan iklan TV ini, penulis menyimpulkan bahwa tipe pembentukan kata yang paling banyak digunakan adalah borrowing, karena dalam slogan iklan penutur lebih sering menggunakan kata pinjaman dari bahasa asing sebagai slogan dari klan produk mereka.   Kata Kunci : Word formation, Slang words, TV Advertisement</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-09-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/2416</dc:identifier>
	<dc:identifier>10.24036/ell.v2i1.2416</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 2, No 1 (2013): SERIE : D</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/2416/2028</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/121929</identifier>
				<datestamp>2023-06-13T05:09:08Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Ambivalence of Identity in Tope Folarin's A Particular Kind of Black Man (2019)</dc:title>
	<dc:creator>Windari, Tiara Agnesi</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">Ambivalence, Identity, Cultures, Postcolonial, Black Man</dc:subject>
	<dc:description xml:lang="en-US">This study examined how the novel A Particular Kind of Black Man (2019) by Tope Folarin portrayed the issue of ambivalent identity. The main character named Tunde Akinola is a second-generation immigrant who experiences ambivalence of identity. This analysis is related to the concept of ambivalence and mimicry by Homi K. Bhaba. Researchers use those theories to interpret the hidden meaning of the novel. The data collection is in the form of sentences, and paragraphs from the novel. For this study, the researcher use the qualitative method by connecting the sentence and paragraph to many journals, books,s and also podcasts. The result is the factor's ambivalent identity of the main character is caused by the parent’s broken American dream and also the racism he gets because he is Black. Because of the racism, the main character concludes that he is not American because he is not White, and determined to be the perfect Black Man by mimicking many successful Black Men. The main character becomes sick of faking to be something he is not and finally embraces his identity as a hybrid.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-06-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/121929</dc:identifier>
	<dc:identifier>10.24036/ell.v12i2.121929</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 2 (2023); 341-353</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/121929/107988</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Tiara Agnesi Windari</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/135971</identifier>
				<datestamp>2025-11-07T14:09:00Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Politeness Strategies in Directive Speech Acts Used by The Main Characters in a Romantic Series</dc:title>
	<dc:creator>Sabilillah, Rizki Fatma</dc:creator>
	<dc:creator>Nurjanah, Anisa</dc:creator>
	<dc:subject xml:lang="en-US">Pragmatics, politeness strategies, speech acts, directive speech acts.</dc:subject>
	<dc:description xml:lang="en-US">This study aims to determine the types of directive speech acts and politeness strategies used in conveying directive speech acts by the male and female main characters in the Bridgerton season 1 series. This study uses Yule's theory for directive speech acts and Brown and Levinson's  theory for politeness strategies. A descriptive quantitative method was used to analyze the data. The results show that there were 136 directive utterances used, consisting of 86 by female main characters and 50 by male main characters. The types of directive speech acts found included commands 57 (41,91%), orders 8 (5,88%), requests 27 (19.85%), and suggestions 44 (32,35%). All directive utterances were classified into politeness strategies, which included bald on record 56 (41.18%), positive politeness 31 (22.79%), negative politeness 36 (26.47%), and off record 13 (9.56%). The results of this study indicate that both main characters convey more directive speech acts in the form of commands and use bald politeness strategies, but the female lead character dominates more than the male lead character. This is related to social factors and the characterization of the female lead character in the first season of the Bridgerton series. Both main characters come from noble families known holding high positions and power, which encourages them to speak clearly and directly. And the female character is portrayed as the central figure of the story rather than the male character, so this situation places her in a position where she leads conversations and directs the actions of others.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-11-06</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/135971</dc:identifier>
	<dc:identifier>10.24036/ell.v14i4.135971</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 4 (2025); 895-910</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/135971/110868</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Rizki Fatma Sabilillah</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/7808</identifier>
				<datestamp>2022-04-06T15:19:34Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Conversational Structure in Physiotherapist's Medical Consultation at YARSI Padang Panjang</dc:title>
	<dc:creator>Mukhlisah, Nur</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:creator>Fitrawati, Fitrawati</dc:creator>
	<dc:subject xml:lang="en-US">Conversational Structure, Physiotherapist, Medical Consultation</dc:subject>
	<dc:description xml:lang="en-US">This research aims to find elements of conversational structures that happen between physiotherapist and his patients at YARSI Padang Panjang when doing medical consultation. This research uses descriptive method to conduct the research. Data of this research are the transcription of recorded conversation that happens during therapy process. The participants who act as the subject of the study and became the source of the data are physiotherapist and his patients at YARSI Padang Panjang.Total patients who do therapy treatment with therapist are 20 patients. From 20 patients, seven of them are new patients, and thirteen of them are regular patients. This research uses Goutsos (2005) theory to analyze elements in global structure of conversation. Meanwhile, Stenstrom (1994) theory uses to analyze the elements of turn-taking systems in local structure of conversation. Result of this research shows that the conversation that happens between physiotherapist and his patients is structured and organized. In global structure section, it is found that every conversation has the elements of opening, body, and closing even though not all elements found in each section. Then, in turn-taking systems case, it is found that three strategies in turn-taking systems found in the research. They are turn-yielding strategy, taking the turn strategy, and turn-holding strategy.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US">Hamzah, Fitrawati</dc:contributor>
	<dc:date>2020-08-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/7808</dc:identifier>
	<dc:identifier>10.24036/ell.v9i2.7808</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 2 (2020); 221-228</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/7808/106146</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/8688</identifier>
				<datestamp>2018-01-04T06:19:46Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE MAINTENANCE OF MINANGKABAUNESE FOUND IN SUNGAI LANDIA</dc:title>
	<dc:creator>Harliyani, Nessa</dc:creator>
	<dc:creator>Fitrawati, Fitrawati</dc:creator>
	<dc:subject xml:lang="en-US">language maintenance, Sungai Landia’s people.</dc:subject>
	<dc:description xml:lang="en-US">The purpose of this article is to know the words that still maintained in Sungai Landia and the factors that those words still exist. The data were collected through interview from 10 informants. Based on findings, there are 111 words that still maintained in Sungai Landia. It consists of 34 nouns, 27 adjectives, 34 verbs, 8 adverb (times), 5 adverb (degrees), and 3 directionals. The factors that those words still maintained, such language loyalty and pride of language itself, globalization, customs, population and location, the concern for the language. Based on findings and discussion, Sungai Landia’s people should increase language maintenance so that language shift or language death will never happen.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2017-05-02</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/8688</dc:identifier>
	<dc:identifier>10.24036/ell.v5i1.8688</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 5, No 1 (2016): SERIE : A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/8688/6692</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/124721</identifier>
				<datestamp>2023-11-10T06:10:21Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Characterization Adaptation in and “Then There Were None”</dc:title>
	<dc:creator>Ramdani, Paisal</dc:creator>
	<dc:creator>Saehu, Andang</dc:creator>
	<dc:creator>Pramita, Agry</dc:creator>
	<dc:subject xml:lang="en-US">And Then There Were None, Characterization, Comparative Literature, Literary Adaptation.</dc:subject>
	<dc:description xml:lang="en-US">This study analyzes the adaptation process of literary element in the novel and the film “And Then There Were None” by Agatha Christie. The researcher uses a qualitative descriptive method combined with Huctheon theory because the research results and the content of this study are in the form of words and pictures that must be explained and referred to as content analysis. Theory of Literary Adaptation by Hutcheon uses to review the data where the discussion focuses on character &amp; characterization as a literary element in the novel and the film And Then There Were None by Agatha Christie. This study provides new results regarding the changes in character &amp; characterizations in the novel to the film. One adaptation process found in this research is subtraction, which relates to the omission of the novel’s character in the film form. In this case, the adaptation process refers to the character's peripheral roles. The peripheral role of the character is a type of character that is unimportant or unnecessary to the core of the story. This research also provides another type of adaptation process, namely modification related to the character's characterization in the film form.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-09-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/124721</dc:identifier>
	<dc:identifier>10.24036/ell.v12i3.124721</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 3 (2023); 582-609</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/124721/108380</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Paisal Ramdani</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/131403</identifier>
				<datestamp>2024-12-17T09:32:19Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
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	<dc:title xml:lang="en-US">An Analysis of Figurative Language Commented by Peter Drury in World Cup Final Matches in 2014, 2018, and 2022</dc:title>
	<dc:creator>Azra, Syaifatul</dc:creator>
	<dc:creator>Fitrawati, Fitrawati</dc:creator>
	<dc:subject xml:lang="en-US">Figurative Language, Peter Drury, World Cup Final</dc:subject>
	<dc:description xml:lang="en-US">This thesis explores the use of figurative language in football commentary, focusing on Peter Drury's commentary on the 2014, 2018, and 2022 World Cup final matches. This study aims to identify and analyze the types of figurative language and meanings used by Peter Drury during the 2014, 2018, and 2022 World Cup final matches. A qualitative descriptive approach was employed, using Abrams and Harpham's theory to analyze figurative language, alongside Leech's theory for meaning. Out of 53 instances of figurative language, metaphor emerged as the dominant type in each World Cup final edition, appearing 11 times in 2014, 11 times in 2018, and 10 times in 2022, totaling 32 times (60.38%). The connotative meaning was the most prevalent among the seven types of meaning, occurring 29 times (54.72%). Types of figurative language such as alliteration, onomatopoeia, litotes, and euphemisms were not found in this study. The type of meaning that was not found reflected meaning. This analysis reveals a change in the pattern of Peter Drury's figurative language use in the last three editions of the World Cup finals, in addition to metaphors that appear dominant each year, hyperbole has decreased significantly in the three editions of the World Cup finals. In 2014 it was found 6 times, in 2018 it was found 3 times, and in 2022 it was found 2 times. This analysis also highlights the role of figurative language in creating an immersive experience for the audience.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-11-19</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/131403</dc:identifier>
	<dc:identifier>10.24036/ell.v13i4.131403</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 4 (2024); 1046-1057</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/131403/109825</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Syaifatul Azra</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/1822</identifier>
				<datestamp>2013-06-05T05:01:59Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">TYPES OF EUPHEMISM USED BY MALE AND FEMALE KERINCINESS SPEAKER</dc:title>
	<dc:creator>Havid Ardi, Nilwati,</dc:creator>
	<dc:description xml:lang="en-US">AbstrakTujuan dalam penelitian ini untuk (1) mengidentifikasi jenis-jeniseufemisme yang digunakan oleh laki-laki dan perempuan yang adadi kerinci (2) mendeskripsikan perbedaan jenis-jenis eufemismeyang digunakan oleh laki-laki dan perempuan yang ada di kerinci.Dalam penganalisaan makalah ini, penulis melakukan penelitiansederhana dengan cara mewawancarai penutur asli bahasa Kerincilaki-laki dan perempuan yang ada di Kerinci. Penelitian initermasuk penelitian secara deskriptif yang berpijak pada fakta danrealita yang terdapat dikerinci, dan dalam penganalisaan ini penelitimenemukan 50 euphemisme yang digunakan oleh masyarakatkerinci tersebut, yang terdiri dari 25 eufemisme di tindakankejahatan, 15 eufemisme di sifat-sifat tidak baik, dan 10 eufemismedi bagian tubuh.Kata Kunci: euphemism, types of euphemism, Kerincinese speaker</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2012-09-26</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/1822</dc:identifier>
	<dc:identifier>10.24036/ell.v1i1.1822</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 1 (2012): SERIE: B</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/1822/1560</dc:relation>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/115897</identifier>
				<datestamp>2022-10-07T00:51:04Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Multimodality Analysis: Verbal Representation in Mie Sedaap and Indomie Intant Noodles Video Advertisement</dc:title>
	<dc:creator>Hendra, Karina May</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">systemic functional linguistics, semiotics, advertising</dc:subject>
	<dc:description xml:lang="en-US">This study aims to examine the difference in meaning in the verbal analysis of Mie Sedaap and Indomie instant noodles advertisements. This study aims to determine the difference in meaning in verbal analysis at the level of Systemic Functional Linguistics, namely ideational, interpersonal, and textual metafunctions. The data were analyzed using Halliday's (2006) theory of Systemic Functional Linguistics. The data is the words contained in the Mie Sedaap and Indomie ad videos. This research method uses descriptive qualitative research. The results showed that there were some differences in the two advertisements in using Systemic Functional Linguistics, namely the analysis of mood, attitude, modality, graduation, and theme. The five differences are dominated by Mie Sedaap advertisements.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-06-17</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/115897</dc:identifier>
	<dc:identifier>10.24036/ell.v11i2.115897</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 2 (2022); 132-141</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/115897/106447</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/115897/4727</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Karina May Hendra</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/9908</identifier>
				<datestamp>2018-03-12T09:28:38Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">AN ANALYSIS OF ADDRESS TERMS BASED ON KINSHIP SYSTEM OF BATAK TOBA USED BY BATAKNESSE IN PADANG</dc:title>
	<dc:creator>Lumbanbatu, Sarnyanti</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:creator>Wahyuni, Delvi</dc:creator>
	<dc:subject xml:lang="en-US">Address terms, Forms of Address Terms, Kinship terms.</dc:subject>
	<dc:description xml:lang="en-US">The word address term is the word person use to call or greet others. Batak Toba language has various forms of greeting words used in communicating with someone. This study aims to find out the forms of the word greetings based on kinship or family system used by Batak Toba people who live in Padang Pasir Parupuk Tabing as nomads. This study will also explain and describe the communicative function the use of greeting. The method used in this research is descriptive method that describes and process data based on facts that exist in the field. This research is focused on the forms and functions of the address terms word in Batak Toba language. Data were collected through interview with some informants and made notes. In this study, the informants are Batak Toba People who has blood relations and marriage. Data were analyzed based on the forms of address terms based on kinship system of Batak Toba. The results of research indicate that there are various address terms used by Batak Toba ethnic especially in kinship relationship based on lineage and marriage that used by Batak Toba people. Interestingly, there are several forms of greeting words that are similar to each other. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/9908</dc:identifier>
	<dc:identifier>10.24036/ell.v7i1.9908</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 1 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/9908/7378</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/126002</identifier>
				<datestamp>2024-11-02T02:32:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
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	<dc:title xml:lang="en-US">Language Production in Relation to Students’ Anxiety to Speak English in Public</dc:title>
	<dc:creator>Rozani, Fany Amelia</dc:creator>
	<dc:creator>Zaim, M</dc:creator>
	<dc:subject xml:lang="en-US">Speaking Anxiety, Speaking Ability, Language Production</dc:subject>
	<dc:description xml:lang="en-US">This study aims to investigate and comprehend the relationships between students' anxiety levels and students’ language production. This study used descriptive quantitative approach. The participants of this study were 20 students of classes NK – 3 as first-year English department at Universitas Negeri Padang. Data was collected using the FLCAS questionnaire to measure the level of speaking anxiety and speaking performance to assess students' speaking ability. The results showed that students' speaking anxiety level was in the average mildly range. The most dominant anxiety in students is related to two main aspects, namely Communication Apprehension and Test Anxiety. Furthermore, students' speaking ability has generally reached the level of &quot;good enough&quot; in aspects such as fluency, grammar, pronunciation, and vocabulary. Then, the relationship between the level of speaking anxiety and students' language production is a very negative strong relationship. It can be conclude that speaking anxiety has a significant negative impact on language production skills among first-year English Language and Literature students at Padang State University. This is evidenced by the fact that although most students have good enough speaking ability skills, they still experience speaking anxiety, especially in the context of speaking in public.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-11-11</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/126002</dc:identifier>
	<dc:identifier>10.24036/ell.v12i4.126002</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 4 (2023); 810-820</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/126002/108484</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Fany Amelia Rozani, M Zaim</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/132959</identifier>
				<datestamp>2025-04-24T03:54:09Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Illocutionary and Perlocutionary Act Analysis on Main Character in Disney Movie Tittle &quot;Encanto&quot;</dc:title>
	<dc:creator>Damayanti, Yora Alfina</dc:creator>
	<dc:creator>Wahyuni, Delvi</dc:creator>
	<dc:subject xml:lang="en-US">Speech act, Illocutionary and perlocutionary Act</dc:subject>
	<dc:description xml:lang="en-US">This research analyzed the type of Illocutionary and perlocutionary act on Main character in Disney Movie tittle “Encanto”. The study using Searle (1979) theory in Illocutionary acts type and Austin (1975) on perlocutionary act analysis. Data was collected from “Encanto” movie script and categorized based on the type of Illocutionary or perlocutionary acts. This study using desriptives qualitatives. The findings reveal that in Illocutionary act representative is the most commonly used in this research with (33.34%). And for the least common type of Illocutionary act with (6,70%). For the Perlocutionary act this study  also found 4 out of 5 type. Convincing type was the common used with (40%) and Inspiring was the one type that doesn’t have found. This research also highlights the illocutionary and perlucutionary acts in movie to better understandable and get for the certain purpose of every’s speaker intention or utterences.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-02-18</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/132959</dc:identifier>
	<dc:identifier>10.24036/ell.v14i1.132959</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 1 (2025); 167-172</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/132959/110151</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Yora Alfina Damayanti</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/108064</identifier>
				<datestamp>2022-04-09T06:34:35Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Archaic words of Minangkabaunese found in Padang Lua</dc:title>
	<dc:creator>Azim, Fauzan</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">archaic words, lexical word classes</dc:subject>
	<dc:description xml:lang="en-US">The aim of this study is to figure out what are the archaic words of Minangkabaunese language found in Padang_Lua sub-dialect. Type of this research is descriptive qualitative in order to describe what are the causes of the extinction in certain words. This research successfully figured out that there are thirty one percents of archaic words found in Padang Lua sub-dialect by using a hundred words of Minangkabaunese language which are potentially become the archaic words. The factors of archaic words in Padang Lua sub-dialect caused by migration, bilingualism, intervention of Indonesian language, decreasing number of old generations, inter marriage, and technological developments. The main factor that contributes dominantly, the first is intervention of Indonesian language and the second is migration. Thus, it can be concluded that intervention of Indonesian language take an important role in causing words into archaic words.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-02-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/108064</dc:identifier>
	<dc:identifier>10.24036/ell.v9i1.108064</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 1 (2020); 32-37</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/108064/103138</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/1811</identifier>
				<datestamp>2021-12-18T05:38:49Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Types of English Passive Voice and Forms of Passivization at Headline News Found in Columns in WWW.TIME.COM: A Typological Analysis</dc:title>
	<dc:creator>Ningsih, Arfina Dewi</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:creator>Ardi, Havid</dc:creator>
	<dc:subject xml:lang="en-US"></dc:subject>
	<dc:description xml:lang="en-US">AbstrakTujuan penelitian ini adalah untuk (1) mengidentifikasi tipe- tipe pasifbahasa inggris (2) menjelaskan bentuk- bentuk proses pemasifan yangmuncul dalam berita- berita utama pada setiap kolom yang terdapat padawww.time.com berdasarkan analisis tipologi. Data dari penelitian ini 113kalimat pasif. Data dikumpulkan dengan menggunakan metode deskriptifkualitatif. Temuan penelitian yaitu terdapat 6 tipe pasif, tipe personal pasifyang paling mendominasi diantara tipe pasif yang lain. Sedangkan bentukpemasifan yang paling dominan adalah copular be+ past participle dari 24bentuk cara pemasifan yakni 31,87 %. Serta 20 kalimat yang memilikiagen (backgrounding) dan 93 kalimat yang tidak memiliki agen(foregrounding), yakni sekitar 82, 30 % dari 113 data yang diperoleh. Halini membuktikan bahwa tulisan bahasa inggris didominasi sekitar 80 %oleh agentless (Dixon, 1991: 298).Kata kunci: passivization, typological analysis, time.com, headline news,voice, foregrounding, backgrounding, oblique.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-06-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/1811</dc:identifier>
	<dc:identifier>10.24036/ell.v1i1.1811</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 1 (2012): SERIE: A; 19-33</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/1811/1549</dc:relation>
</oai_dc:dc>
			</metadata>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/119294</identifier>
				<datestamp>2023-05-15T10:29:19Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Types of Masculinity in &quot;Me Before You&quot; (2012) by Jojo Moyes</dc:title>
	<dc:creator>Yesa, Rialdo Dwi</dc:creator>
	<dc:creator>Wahyuni, Delvy</dc:creator>
	<dc:subject xml:lang="en-US">Masculinity, Forms of Masculinity, Disability</dc:subject>
	<dc:description xml:lang="en-US">This research is an analysis of the novel by Jojo Moyes entitled Me Before You (2012). The objective of this research is to find out the forms of masculinity depicted in this novel. This study employs masculinity theory to analyzed the novel and supported by feminist theory and patriarchy theory. This a qualitave descritipve by using masculinity theory which supported by feminist literary theory and patriarchy ideologies. The results of this study shows there are several forms of masculinity depicted in this novel which are; strength, power, stoicism, action, control, independence and self-sufficiency. The result of this research shows that disability is the opposite of what is called masculine. A masculine man must have strength, power, stoicism, action, control, independence, self-sufficiency, male companionship, mateship and work.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-12-12</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/119294</dc:identifier>
	<dc:identifier>10.24036/ell.v11i4.119294</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 4 (2022); 476-487</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/119294/107171</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Rialdo Dwi Yesa</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/101829</identifier>
				<datestamp>2018-12-20T07:09:42Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE SYNTACTICAL ANALYSIS OF THE INFLUENCE OF SPEECH THERAPY TO POST STROKE PATIENTS WITH BROCA’S APHASIA’S SPEECH ABILITY</dc:title>
	<dc:creator>Yulia, Hilfa</dc:creator>
	<dc:creator>Syarif, Hermawati</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">influence; speech ability; speech therapy; post-stroke</dc:subject>
	<dc:description xml:lang="en-US">Although there are many studies about post-stroke, the research about this study is rare. This study aims to analyze the influence of the speech ability of post-stroke patients affected by Broca aphasia before and after speech therapy in terms of syntax. This study uses a qualitative description method. The data in this study were conversations from three post-stroke patients before and after speaking therapy on YouTube videos. This data were analyzed based on Language Acquisition theory regarding language acquisition classifications. There are several types of syntactic structures in language acquisition of the patients before and after speaking therapy and their influence on their speech ability of post-stroke patients in this thesis, Patients no longer experience holophrastic (one word) and two words. This study shows the ability to utter of three post-stroke patients before speaking therapy of the type of syntactic structure, namely, telegraphic speech (70.27%), short sentence is (16.21%) and two words is (8.10%) and holophrastic (5.40%) . The ability to utter of three post-stroke patients after speech therapy of the type of syntactic structure of telegraphic speech is (66.32%), short sentence is (33.67%), holophrastic and two words are (0%). It can be concluded that speech ability of patients is limited to simple sentences after speech therapy.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-11-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/101829</dc:identifier>
	<dc:identifier>10.24036/ell.v7i4.101829</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 4 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/101829/100728</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/101829/1152</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/101829/1153</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/101829/1154</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/101829/1155</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/101829/1156</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/127767</identifier>
				<datestamp>2024-09-23T01:02:25Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The ID Dominance in Kathleen Glasgow’s Novel Girl in Pieces (2016)</dc:title>
	<dc:creator>Madiar, Melati Vaya Nugraha</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">Id dominance, Self-Injury Behavior, Theory of Personality, Girl in Pieces.</dc:subject>
	<dc:description xml:lang="en-US">Nowadays, it is important to provide a deeper understanding of the psychological dynamics underlying self-injurious behavior in the context of fictional narratives, so that it can provide new insights into our understanding of mental health problems and the prevention of such dangerous behavior. This study aims to examine how the id dominance of the character Charlie in Kathleen Glasgow's novel &quot;Girl in Pieces&quot; influences self-injury behavior. The research method used is qualitative. The theories used in this study are the Theory of Personality by Sigmund Freud (1923). The results show that Factors contributing to Charlie's id dominance include personality imbalance, lack of coping skills, and traumatic experiences. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-03-04</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/127767</dc:identifier>
	<dc:identifier>10.24036/ell.v13i1.127767</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 1 (2024); 319-329</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/127767/108968</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Melati Vaya Nugraha Madiar</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/135284</identifier>
				<datestamp>2025-08-28T14:42:35Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Syntactic Structure of Linguistics Research Article Titles Written by Indonesian Authors</dc:title>
	<dc:creator>Zhahrah, Aula Fitria</dc:creator>
	<dc:creator>Arianto, M. Affandi</dc:creator>
	<dc:subject xml:lang="en-US">Syntactic Structure, Research Article Title Structure, Indonesian Authors</dc:subject>
	<dc:description xml:lang="en-US">The title of a research article serves as a concise summary of its content and plays a vital role in attracting readers and increasing visibility in academic databases. This study investigates the syntactic structure of linguistics research article titles written by Indonesian authors and published in nationally accredited journals indexed in SINTA 3. Using Cheng’s (2012) classification, which includes five types of syntactic structures and eleven compound constituent patterns, 100 titles were analyzed through a descriptive quantitative approach. The results reveal that Indonesian authors predominantly use nominal structures (54%), followed by compound structures (40%), and a small number of V-ing structures (6%). The most frequent compound pattern is Topic–Method, indicating a strong emphasis on methodological clarity. The study highlights Indonesian authors’ preference for concise, formal, and topic-focused titles, with limited variation in rhetorical combinations. These findings provide insight into national academic writing practices and may serve as a reference for researchers seeking to improve the effectiveness and clarity of their article titles.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-08-17</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/135284</dc:identifier>
	<dc:identifier>10.24036/ell.v14i3.135284</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 3 (2025); 529-536</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/135284/110671</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/135284/9293</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Aula Fitria Zhahrah</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/112363</identifier>
				<datestamp>2022-04-10T05:48:59Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Instilling Negative Stereotypes in Jackie Sibblies Drury’s Play Fairview (2018)</dc:title>
	<dc:creator>Anggraini, Yola</dc:creator>
	<dc:creator>Syafei, An Fauzia Rozani</dc:creator>
	<dc:subject xml:lang="en-US">Instill, white, subordination, black, inferior</dc:subject>
	<dc:description xml:lang="en-US">This thesis is an analysis of the Play Fairview (2018) by Jackie Siblies Drury. The purpose of this analysis is to expose the issue of instilling negative stereotypes. It is also intended to expose how the contribution of fictional elements (character, setting, plot/conflict, and stage direction) in revealing the issue of instilling negative stereotypes. This analysis is done through text-based and context-based interpretation which are related to the concept of The Fact of Blackness by Frantz Fanon in his book Black Skin, White mask. The result of this analysis shows white has instilled the negative stereotypes toward black by circulating and perpetuating through the media that black is forever inferior. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2021-11-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/112363</dc:identifier>
	<dc:identifier>10.24036/ell.v10i2.112363</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 2 (2021); 115-126</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/112363/106193</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2021 Yola Anggraini</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/2407</identifier>
				<datestamp>2013-09-17T07:20:02Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">AN ANALYSIS OF WORD FORMATION PROCESS OF ENGLISH SLANG IN TEENAGER MOVIE SCRIPTS</dc:title>
	<dc:creator>Hermawati Syarif, Havid Ardi (p: 163-173), Rahmi Marzita,</dc:creator>
	<dc:description xml:lang="en-US">Penelitianinimembahaspembentukan kata daribahasagaulamerika yang terdapatdalam film remaja. Tujuandaripenelitianiniadalahmenemukanjenispembentukan kata slang apasaja yang terdapatdalamduajenis film remajayaitufilm”Camp Rock”dan film “Juno” berdasarkanteoripembentukan kata dari O’Grady.Selainitupenelitianinijugabertujuanuntukmembandingkanjenispembentukan kata daribahasagauldalamkedua film tersebut. Metodepenelitian yang digunakanadalahmetodedeskriptif. Dari hasilanalisis, karakter-karakterdaridua film tersebutmenggunakanbanyaktipepembentukan kata, seperticoinage, internal change, clipping, affixation, derivation, compounding, blending and acronym. Hasil yang ditemukanpada film “Camp Rock”,terdapat 32 data. Jenispembentukan kata yang paling banyakditemukanadalahclipping, diikuticoinage.Setelahitu, internal change ,kemudianacronym danaffixation sertaback formationSedangkanpada film “Juno”,terdapat 71 data. Jenispembentukan kata yang paling banyakditemukanadalahcoinage, setelahitucompounding, kemudianclippingsebanyakdanterakhirderivation, affixationsertaacronym.Perbedaankedewasaanmasingkarakterdanalurnyamerupakanfaktorpenting yang mempengaruhiperbedaanjenispembentukan kata dalam film tersebut.   Kata Kunci : Slang, Word formation, Teenager movie</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-09-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/2407</dc:identifier>
	<dc:identifier>10.24036/ell.v2i1.2407</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 2, No 1 (2013): SERIE : C</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/2407/2019</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/120869</identifier>
				<datestamp>2023-06-13T05:09:08Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Figurative Language in Karla Kukin’s Children Poems (1980) with Surrounding and Animals Theme</dc:title>
	<dc:creator>Sitohang, Marta Rotua</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">Figurative language, children’s poem, surrounding and animals</dc:subject>
	<dc:description xml:lang="en-US">Figurative language is a way of conveying a message using the beauty of language. The use of figurative language is usually found in casual conversation, novels, poems, song lyrics, speech, and poems. This study aims to investigate the types of figurative language in selected children’s poetry compiled by Sylvia M. Vardell (2020). This research focused on the types of figurative language and the meaning of those figurative lines. The method of this research is the descriptive qualitative method.  The object of this research is the figurative lines from selected 5 poems with Family and Friends theme. The researcher also made a conclusion about the most frequent types at the end. To achieve the goal of this research, the researcher employed the theory from Laurence E. Rozakis (1995) about the types of figurative language. Thus, from 43 data, the findings show that there are 12 occurrences of hyperbole, 18 occurrences of metaphor, 1 occurrence of simile, 2 occurrences of ambiguity, 5 occurrences of personification, three occurrences of synecdoche, and 2 occurrences of allegory. The researcher finds a conclusion about the most dominant type in this research, which is metaphor. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-06-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/120869</dc:identifier>
	<dc:identifier>10.24036/ell.v12i2.120869</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 2 (2023); 266-272</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/120869/107979</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Marta Rotua Sitohang</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/103213</identifier>
				<datestamp>2019-03-17T02:34:44Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">IMPOLITENESS STRATEGIES USED BY MALE AND FEMALE HATERS OF HABIB RIZIEQ AND FELIX SIAUW FOUND IN INSTAGRAM COMMENTS</dc:title>
	<dc:creator>Apriliyani, Vira</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:creator>Wahyuni, Delvi</dc:creator>
	<dc:subject xml:lang="en-US">impoliteness strategy, comments, Instagram</dc:subject>
	<dc:description xml:lang="en-US">Abstract             This study aims to find out the types of impoliteness strategies that used by male and female haters of Habib Rizieq and Felix Siauw found in instagram comments. Moreover, researcher also finds the differencess of impoliteness strategies that used by male and female haters. This study is descriptive research. The data is taken from the comments contained about Habib Rizieq and Felix Siauw in instagram. They are @Maklameturah, @FelixSiauw, @Habib Rizieq, @Rakyatbersuara11, and @Detikcom. The researcher login to instagrams accounts, then searching instagram accounts meantioned before. The result shows that the male and female haters only use four of five impoliteness strategies. The strategies are bald on record, positive impoliteness, negative impoliteness, and sarcasm or mock politeness. From total 100 comments by male haters there were found 253 impoliteness strategies and it sub strategies. However, from total 100 comments by female haters there were found 231 impoliteness strategies and it sub strategies. The higher impoliteness strategies that used by male and female haters is sarcasm or mock politeness. Researcher finds the differences between male and female haters but it is not significance. The differences between male and female haters were 10%.  Key words: impoliteness strategies, comments, instagram.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-02-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/103213</dc:identifier>
	<dc:identifier>10.24036/ell.v8i1.103213</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 1 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/103213/101379</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/125714</identifier>
				<datestamp>2024-06-30T16:37:56Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Stylistic Analysis of Verbal Humors in Stand-Up Comedy: The Figurative Language Analysis of Raditya Dika’s Verbal Humors</dc:title>
	<dc:creator>Putri, Ika Dewita</dc:creator>
	<dc:creator>Irawan, Andi Muhammad</dc:creator>
	<dc:subject xml:lang="en-US">Figurative Language, Raditya Dika, Stand-up Comedy, Verbal Humor.</dc:subject>
	<dc:description xml:lang="en-US">This research is analyzing the use of figurative language used in stand-up comedy show presented by Raditya Dika. This research uses the theory by Kennedy in 1979 as the main theory, and Theory by Davis (2016) as the supporting theory. The aim of this research is to find out the type of figurative language used in verbal humor presented by Raditya Dika in stand-up comedy show in 2017 and 2019. Also, this research aims to find the differences between the use of figurative language by Raditya Dika in stand-up comedy show in 2017 and 2019. This is a qualitative research. The researcher uses qualitatuve method in order make the reader understand by describing and explaining the findings. The data of this research is stand-up comedy by Raditya Dika in 2017 and 2019. The data is taken from Raditya Dika’s youtube Channel. There are 69 figurative language which are found by researcher in Raditya Dika’s stand-up comedy show in 2017 and 2019. In 2017, there are 33 figurative languages. Those 33 figurative languages are divided into 6 types. They are simile (11), metaphor (11), irony (4), personification (3), hyperbole (3), and meiosis (1). In 2019, there are 36 figurative languages. Those 36 figurative languages are divided into four types. They are simile (6), metaphor (17), Irony (5), and hyperbole (8). In 2017, figurative language types that most used by Raditya Dika is simile (11) and metaphor (11). Then, the less used figurative language is meiosis (1). While, in 2019, the most used figurative language type is metaphor (17) and the less used is irony (5). There is no personification and meiosis which are found in Raditya Dika’s stand-up comedy show in 2019. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-06-19</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/125714</dc:identifier>
	<dc:identifier>10.24036/ell.v13i2.125714</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 2 (2024); 677-682</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/125714/109313</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 ika dewita putri</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/8543</identifier>
				<datestamp>2018-02-26T07:24:46Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">AN ANALYSIS OF THE FIRST WORDS PRODUCED BY AN INFANT OF FOURTEEN MONTH IN TWO MONTH OBSERVATION</dc:title>
	<dc:creator>Gusfila, Alfi</dc:creator>
	<dc:creator>Zaim, M.</dc:creator>
	<dc:creator>Wahyuni, Delvi</dc:creator>
	<dc:subject xml:lang="en-US">pemerolehan bahasa pertama, bayi, kata pertama, pola ponologi, dan kelas kata.</dc:subject>
	<dc:description xml:lang="en-US">Penelitian ini bertujuan untuk menentukan jumlah dan mengelompokan jumlah kata pertama yang diproduksi, aturan ponologi, dan kelas kata yang paling banyak yang muncul dalam ujaran pertama bayi dalam percakapan sehari hari selama dua bulan penelitian. Metode yang digunakan dalam penelitian ini adalah kuantitatif. Metode ini digunakan untuk menghitung, mengelompokan dan menganalisis data yang didapat berdasarkan keadaan yang sebenarnya. Sumber dari penelitian ini adalah kata-kata yang memiliki arti yang muncul dalam ujaran-ujaran yang diproduksi bayi dalam percakapan sehari-hari secara natural. Data diperoleh dengan cara merekam 120 percakapan pada saat bayi berinteraksi dengan yang lain. Data tersebut kemudian dianalisis dengan teori pemerolehan bahasa pertama. Untuk menemukan kata yang diproduksi, pola ponologi, dan kelas kata yang paling banyak diproduksi.Hasil penelitian ini menunjukan bahwa selama dua bulan penelitian bayi memproduksi 87 kata dengan 37 makna sebenarnya. Didalam kata yang di produksi ini terdapat proses penghapusan, penambahan, pengulangan dan penyederhanaan kata. Penelitian ini juga menunjukan bahwa kata yang diproduksi bayi terbagi atas tiga kategori, yaitu satu kata dengan satu pola, satu kata dengan dua pola dan satu kata dengan tiga pola. Terakhir, penelitian ini juga menunjukan bahwa kelas kata yang paling banyak diproduksi bayi yaitu noun. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2017-03-24</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/8543</dc:identifier>
	<dc:identifier>10.24036/ell.v6i1.8543</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 6, No 1 (2017): Serie A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/8543/6561</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2017 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/121978</identifier>
				<datestamp>2023-11-10T06:10:21Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Multimodal Discourse Analysis on Representation of  Black Hero in Malcolm Spellman the Falcon and the Winter Soldier Series (2021)</dc:title>
	<dc:creator>Azizah, Anna Wafiq</dc:creator>
	<dc:creator>Irawan, Andi Muhammad</dc:creator>
	<dc:subject xml:lang="en-US">Multimodal discourse analysis ; SFL ; Visual Grammar; The falcon and the winter soldier</dc:subject>
	<dc:description xml:lang="en-US">Multimodal discourse analysis is an interdisciplinary approach that studies how different modes of communication work together to create meaning in social interactions. The author analyzes verbal and visual elements in The Falcon and the Winter Soldier in this study. This research used the descriptive qualitative method. The aim of this study is to determine the verbal and visual elements that represent black people and to find out the relationship between verbal and visual elements in this movie. To achieve these objectives, the researcher applied the theoretical framework from Halliday &amp; Matthiessen (2014) on the language of metafunctions, Kress &amp; van Leeuwen (2006) on visual grammar analysis, and the analysis of inter-mode relations from Leeuwen (2005) to obtain a detailed description of the relationship between verbal and visual elements. The results of the study show that in verbal language, the ideational metafunction is dominated by the material process. Interpersonal metafunction is dominated by statement speech acts which show that the text is mostly in the form of a declarative mood. The textual metafunction contains topical unmarked and multiple themes in this movie. In the visual image, ideational metafunction is realized mostly through the reactional process. Interactive metafunction is realized through the offer gaze and the medium shot. The medium size dominates the compositional metafunction. Visual and verbal elements have elaboration and extension relations. Through the elaboration of visual grammar analysis, some visuals are used to make the verbal elements more specific, and others are used to add information not included in the verbal elements. The verbal and visual modes clarify each other's meanings and display connected and not contradictory concepts so the audience can easily understand.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-09-27</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/121978</dc:identifier>
	<dc:identifier>10.24036/ell.v12i3.121978</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 3 (2023); 490-500</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/121978/108329</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Anna Wafiq Azizah</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/105403</identifier>
				<datestamp>2019-08-15T08:57:56Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Authoritarian Leadership in Collaborators by John Hodge 2011</dc:title>
	<dc:creator>Syafitri, Nia Arista</dc:creator>
	<dc:creator>Al-Hafizh, Muhd.</dc:creator>
	<dc:subject xml:lang="en-US">Authoritarian, Leadership, Power</dc:subject>
	<dc:description xml:lang="en-US">The purpose of this analysis is to expose the issue of authoritarian leadership and to know the contribution of the character, setting and stage direction in revealing the meaning of authoritarian leadership. This analysis is related to the concept of Power and Country by Niccolo Machiavelli that is supported by the text and context based interpretation. The result of this analysis shows that the strategies in maintaining the power legitimacy done by a state leader can be seen through performing autocracy and personality cult.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-08-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/105403</dc:identifier>
	<dc:identifier>10.24036/ell.v8i3.105403</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 3 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/105403/102255</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/105403/2046</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/130629</identifier>
				<datestamp>2024-11-02T02:20:32Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Violation of Cooperative Principle Maxim in The Rush Hour Movie 1</dc:title>
	<dc:creator>Pahril, Afiq</dc:creator>
	<dc:creator>Zaim, M.</dc:creator>
	<dc:subject xml:lang="en-US">Maxim violation; Cooperative principle; Characterization; Rush Hour Movie 1</dc:subject>
	<dc:description xml:lang="en-US">This study aims to find out the maxim that are classified as violating by the main characters in Rush Hour Movie 1 and to find out the maxim violation by the main characters influence to the characterization in the movie. This study uses a descriptive approach. Data and data sources are taken from the dialogues of the main characters which they are Lee and Carter  in the Rush Hour Movie 1 movie. Data collection was carried out by analyzing using Grice's theory (1975). The results of the data obtained from this study are that there are 4 maxims that are violated in Rush Hour Movie 1 with a total of 27 maxim violations. Of the 4 maxims, there are 14 violations of the maxim of quality, 2 violations of the maxim of quantity, 6 violations of the maxim of relevance, and 5 violations of the maxim of manner. This study provides valuable insight into how the cooperative principle does not occur properly due to the violation of maxims in their communication, then, the characterizations main characters that are violated from the four maxims are Liar, Braggart, Narcissitic, Overstate, Not Relevant, Unresponsive, Ambiguity, and Insolent.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-09-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/130629</dc:identifier>
	<dc:identifier>10.24036/ell.v13i3.130629</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 3 (2024); 941-951</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/130629/109694</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Afiq Pahril, M. Zaim</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/116558</identifier>
				<datestamp>2022-10-07T00:33:20Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Realization of Verbs in Ambon Malay</dc:title>
	<dc:creator>Thenu, Firdawati</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">Morphological Typology; affixation; Ambon Malay; verbs</dc:subject>
	<dc:description xml:lang="en-US">This study analyzed realization of verbs in Ambon Malay by using the theory of morphological typology. This research was conducted using the descriptive qualitative approach. The data were collected through questionnaire and elicitation techniques. Questionnaire was shared to 30 respondents, while interview was done with 6 informants. The two techniques were done by using three main instruments; interview guidelines, recording equipment, and writing equipment. An interactive model of data analysis was used to analyze the data. The data found in this study were 200 verbs in Ambon Malay. Only a small number of these verbs are inflected by four verb-formation affixes which are {meN-}, {baR-}, {taR-}, and {baku-}. These affixes are only attached to the current verbs. Whilst, most verbs are realized without affixes. This typical structure reflects that there must be morpheme deletion of prefix {di-}, suffixes {-i}, and circumfixes {di-kan}, {di-i}, {meN-kan}, {meN-i}, {memper-kan}, {memper-i} in Ambon Malay. Thus Ambon Malay is categorized as a semi-isolating language.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-10-07</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/116558</dc:identifier>
	<dc:identifier>10.24036/ell.v11i1.116558</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 1 (2022); 29-41</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/116558/106419</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Firdawati Thenu</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/9252</identifier>
				<datestamp>2018-02-28T15:17:20Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">PRESUPPOSITION TRIGGERS OF ISRAELI-PALESTINIAN NEWS FOUND IN ONLINE AL-JAZEERA AND FOX NEWS</dc:title>
	<dc:creator>Hasta, Abni Sintia</dc:creator>
	<dc:creator>Marlina, Leni</dc:creator>
	<dc:subject xml:lang="en-US">Presupposition, Presupposition triggers, News, Al-Jazeera, Fox news</dc:subject>
	<dc:description xml:lang="en-US">Presupposition as property of language is used to build and influence audience’s opinion by the language users. In the news, presupposition triggers is a sign to trigger the use of presupposition. The purpose of this study is to analyze the use of presupposition triggers in Israeli-Palestinian news in the two online news; Al-Jazeera and Fox news. This research used the descriptive qualitative method. The data of this research is the Israeli-Palestinian news in two online Al-Jazeera and Fox news. The news that is analyzed are two news from Al-Jazeera and one news from Fox news. This data were analyzed based on Khaleel’s theory (2010) about presupposition triggers. The results of analysis showed that in Al-Jazeera, the highest occurrence is existential (definite description) that occurred 28 times (43%), and 20 times (40%) in Fox news. In addition both Al-Jazeera and Fox news used change of state verb in lexical, and adverbial clause in structural as the dominant types. In contrast, the difference on the two online news is the use of verb of judging.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/9252</dc:identifier>
	<dc:identifier>10.24036/ell.v7i1.9252</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 1 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/9252/7248</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/125953</identifier>
				<datestamp>2024-11-02T02:32:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Postcolonial Trauma Caused by Dehumanization in Esi Edugyan's Washington Black (2018)</dc:title>
	<dc:creator>Frianda, Septian</dc:creator>
	<dc:creator>Wahyuni, Delvi</dc:creator>
	<dc:subject xml:lang="en-US">Washington Black, Dehumanization, Colonized People, Postcolonial trauma.</dc:subject>
	<dc:description xml:lang="en-US">This analysis explores the issue of Postcolonial trauma caused by dehumanization in the novel &quot;Washington Black&quot; by Esy Edugyan. This analysis is text-based interpretation by applying Franz Fanon's theory of dehumanization can cause Postcolonial trauma. This analysis is to find out how dehumanization can cause Postcolonial trauma to colonized people. The result of this research found several act of dehumanization that makes colonized people feel Postcolonial trauma such as animalistic dehumanization and mechanical dehumanization. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-11-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/125953</dc:identifier>
	<dc:identifier>10.24036/ell.v12i4.125953</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 4 (2023); 714-723</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/125953/108463</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Septian Frianda</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/132983</identifier>
				<datestamp>2025-04-24T03:54:09Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Return of Repressed Past Trauma in The Silent Patient by Alex Michaelides (2019)</dc:title>
	<dc:creator>Hayqal, Nirwan</dc:creator>
	<dc:creator>Wahyuni, Delvi</dc:creator>
	<dc:subject xml:lang="en-US">Trauma; Repression; Repressed; Manifestation; Past.</dc:subject>
	<dc:description xml:lang="en-US">This study is about the return of the repressed trauma that was experienced by one of the main protagonists in the novel The Silent Patient (2019) by Alex Michaelides. This study focuses on the internal problem of one of its protagonists. This analysis uses psychoanalysis and literary theory. The results of this research are that the main protagonist suffers quite a lot due to her repressed trauma. One of the main protagonists tries to make her talk and make her get out from her silent treatment habits that plagues her nowadays.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-02-18</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/132983</dc:identifier>
	<dc:identifier>10.24036/ell.v14i1.132983</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 1 (2025); 71-78</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/132983/110119</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Nirwan Hayqal</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/106348</identifier>
				<datestamp>2019-11-14T07:38:44Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">AN ANALYSIS OF FLOUTING OF MAXIM PERFORMED BY POLITICIAN GUESTS IN MATA NAJWA TALK SHOW IN THE EPISODE OF ADU LANTANG JELANG PENENTUAN AND BABAK AKHIR PILPRES</dc:title>
	<dc:creator>Aisya, Norin</dc:creator>
	<dc:creator>Fitrawati, Fitrawati</dc:creator>
	<dc:subject xml:lang="en-US">Flouting of Maxim, Indirectness, Politician guests, Mata Najwa Talk Show.</dc:subject>
	<dc:description xml:lang="en-US">In the process of communication, speakers are expected to obey the maxim of cooperative principles to convey messages effectively. However, many speakers disobey it for some reasons. Flouting of maxim is one of cases when speakers fail to observe the maxim to generate an implicature. This research aimed to find the types of flouting of maxim and the reasons of indirectness in flouting the maxim done by Politician guests in two episode of Mata Najwa Talk Show named Adu Lantang Jelang Penentuan and Babak Akhir Pilpres. The method of this research is descriptive research . The data of this research were the utterances of guests that flout the maxim of cooperative principles. It is found that there were total of 55 utterances that flout the maxim of cooperative principles that were analyzed. The results show that the Politician guests flout maxim of quantity and manner the most with frequency of 53.96% and 36.50%. Flouting of maxim of quality and relation rarely appeared with the same frequency, 4.76%. It is also found that the reasons of indirectness in flouting the maxim were vary such as interestingness, increasing the force’s of messages, competing goals, and politeness. However, increasing the force of the messages and politeness are two reasons that occurred more frequent in comparison with interestingness and competing goals. This research implicated that politician guests convey messages by flouting maxim for many reasons in order to gain support from masses. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-11-14</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/106348</dc:identifier>
	<dc:identifier>10.24036/ell.v8i4.106348</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 4 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/106348/102565</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/1803</identifier>
				<datestamp>2013-06-05T03:47:25Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">NAIVETY AS THE PARADOX AND IRONY OF WAR IN THREE WAR POEMS: DOUGLAS DUNN’S AFTER THE WAR, LOUIS JOHNSON’S BREAD AND PENSION AND W.H. AUDEN’S REFUGEE BLUES</dc:title>
	<dc:creator>Delvi wahyuni (p:34-42), Dhini Gusnita,</dc:creator>
	<dc:description xml:lang="en-US">Abstrak    Tujuan pembahasan teks puisi ini adalah untuk mengetahui sejauh mana ketiga puisi perang ini menunjukkan kenaifan speaker dalam menghadapi perang. Teks puisi ini dianalisa dengan menggunakan text-based analysis. Penganalisaan makna ketiga puisi ini dikuak melalui elemen paradoks dan ironi pada ketiga puisi yang memperlihatkan kenaifan speaker dalam menghadapi perang yang mempengaruhi hidupnya serta masyarakat dimana dia berada. Hasil penganalisaan menunjukkan kenaifan speaker dalam menghadapi perang dilihat melalui tingkah laku.   Kata kunci:   perang, kenaifan, speaker, paradoks, ironi</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-06-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/1803</dc:identifier>
	<dc:identifier>10.24036/ell.v1i3.1803</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 3 (2013): SERIE : A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/1803/1541</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/119250</identifier>
				<datestamp>2022-10-07T00:51:04Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Logical Function Analysis on the Thread about Vaccines in Social Media Twitter</dc:title>
	<dc:creator>Hasrimarta, Nicky</dc:creator>
	<dc:creator>Tiarina, Yuli</dc:creator>
	<dc:subject xml:lang="en-US">logical function, social media, Twitter thread, Vaccines</dc:subject>
	<dc:description xml:lang="en-US">In logical function analysis, the analysis deals with clause complexes form which is the meaning relation of each clause in the clause complex. This thesis is about the logical function analysis used in the thread about vaccines in social media twitter. The objective of this research is to find out the types of logical function analysis in the threads about vaccines which is in clause complexes form. This research is conducted by qualitative descriptive approach which means this research makes the description of the situation. The data of this research is from the thread 1 about vaccine by Prof. Christine Pagel on her twitter account. The thread consists of 10 tweets that are 35 clause complexes. And the other data is from the thread 2 by Nida Qadir, MD on her twitter account. The thread consists of 5 tweets that are 21 clause complexes. The finding of this research is indicated that there are 2 main types of logical function; expansion and projection. In analyzing thread 1, there were 19 elaboration, 3 extension, 12 enhancement, and 1 types of idea. There is no locution type in thread 1. In analyzing the thread 2, there are 9 elaboration, 3 extension, 7, enhancement, 1 locution, and 1 idea. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-09-14</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/119250</dc:identifier>
	<dc:identifier>10.24036/ell.v11i2.119250</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 2 (2022); 226-237</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/119250/106830</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Nicky Hasrimarta</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/101226</identifier>
				<datestamp>2018-09-27T05:59:27Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE WHITE’S FELONY IN FIVE POEMS BY BENJAMIN ZEPHANIAH</dc:title>
	<dc:creator>Handayani, Fitri</dc:creator>
	<dc:creator>Ningsih, Kurnia</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">Felony, The White, The Black</dc:subject>
	<dc:description xml:lang="en-US">This study is aimed to expose the issue about the White’s felony which is done by the white people toward the Black and to know the contribution of poetic elements; imagery, irony and repetition in revealing the issue of the White’s felony. This analysis is related to the concept of Otherness by Edward Said in post-colonial approach. The result of this analysis shows that the White’s felonies are done by the policemen, parliament members and societies.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2018-09-27</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/101226</dc:identifier>
	<dc:identifier>10.24036/ell.v7i2.101226</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 7, No 2 (2018)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/101226/100478</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/126940</identifier>
				<datestamp>2024-09-23T01:02:25Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Sarcasm in Social Media: A Figurative Language Analysis of Ryan Reynolds’ YouTube Videos</dc:title>
	<dc:creator>Azizi, Hafizul</dc:creator>
	<dc:creator>Fitrawati, Fitrawati</dc:creator>
	<dc:subject xml:lang="en-US">Figurative Language, Sarcasm, YouTube, Ryan Reynolds</dc:subject>
	<dc:description xml:lang="en-US">This research aimed to identify types and purposes of sarcasm used in Ryan Reynolds’ YouTube videos. Ryan Reynolds is famous actor who starred in various movies including Deadpool, Deadpool 2, Free Guy and Red Notice. This study uses the theory proposed by Camp (2011) and Kreuz (1991) regarding types and purposes of sarcasm respectively. This study uses descriptive method to analyse the utterances, as the source of the data. The data for this research were 37 sarcastic utterances taken from 15 videos from Ryan Reynolds’ YouTube channel. Three out of four types of sarcasm found after analyzing the data using Camp’s theory. They were propositional sarcasm (23 occurrences), illocutionary sarcasm (13 occurrences) and ‘like’-prefixed sarcasm (1 occurrence) with zero occurrence of lexical sarcasm. The second finding showed that all purposes of sarcasm occurs throughout the 37 data obtained. They were ‘to mock’ (15 occurrences), ‘to insult’ (13 occurrences), ‘to be funny’ (6 occurrences), ‘to criticize’ (2 occurrences) and ‘to show anger' (1 occurrence). It can be concluded that the most prominent type of sarcasm used in Ryan Reynolds’ YouTube videos is propositional sarcasm with 23 occurences and the most prominent used purpose of sarcasm is to mock with 15 occurrences. </dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-03-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/126940</dc:identifier>
	<dc:identifier>10.24036/ell.v13i1.126940</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 1 (2024); 216-231</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/126940/108945</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Hafizul Azizi</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/135002</identifier>
				<datestamp>2025-08-15T16:26:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Between Two Worlds : The Displacement of Identity in Novel Homegoing by Yaa Gyasi (2016)</dc:title>
	<dc:creator>Wahyuni, Vivi</dc:creator>
	<dc:creator>Al Hafizh, Muhd</dc:creator>
	<dc:subject xml:lang="en-US"></dc:subject>
	<dc:description xml:lang="en-US">This study examines displacement of identity as a central theme in the novel Homegoing by Yaa Gyasi (2016), a condition described by the phrase between two worlds. Between two worlds is a fundamental condition that faced by the subject post-colonial that imprisonment between two reality that created by the relationship between the first worlds as colonizer and the third worlds as colonized. Colonialism, as a system of foreign domination, causes cultural erasure and social disintegration, resulting in psychological and cultural wounds that are passed down from generation to generation. This study aims to analyze the causes, forms, and effects of displacement of identity experienced by the characters in the novel. Using a qualitative method with a postcolonial theoretical framework, this study employs in-depth reading and note-taking to collect and classify data from the narrative and events in the novel. The findings reveal that displacement of identity manifests in four primary causes; colonialism, war, migration and dehumanization of slavery. The primary forms; cultural, physical, linguistic, and social. As a result, the characters experience consequences such as identity crises, alienation, psychological trauma, and the formation of hybrid identities. Key words: Between Two Worlds, Displacement of Identity, Post-colonial, Dehumanization of Slavery, Alienation</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-06-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/135002</dc:identifier>
	<dc:identifier>10.24036/ell.v14i2.135002</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 2 (2025); 431-446</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/135002/110655</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/135002/9166</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/135002/9167</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Vivi Wahyuni</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/111249</identifier>
				<datestamp>2022-04-09T17:15:34Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Institutional Racism in American Post-Civil Rights Movement in Dear Martin by Nic Stone (2017)</dc:title>
	<dc:creator>Indriani, Afifah</dc:creator>
	<dc:creator>Wahyuni, Delvi</dc:creator>
	<dc:subject xml:lang="en-US">institutional racism, systemic racism, the white, the black</dc:subject>
	<dc:description xml:lang="en-US">This thesis is an analysis of a novel written by Nic Stone entitled Dear Martin (2017). It explores the issue of institutional racism in the post-civil rights era. The concept of systemic racism by Joe R.Feagin is employed to analyze this novel. This analysis focuses on four issues of systemic racism as seen through several African-American characters. This analysis also depends on the narrator to determine which parts of the novel are used as the data. The result of the study shows that African-American characters experience four forms of institutional racism which are The White Racial Frame and Its Embedded Racist Ideology, Alienated Social Relations, Racial Hierarchy with Divergent Group Interest, and Related Racial Domination: Discrimination in Many Aspects. In conclusion, in this post-civil rights movement era, African-Americans still face institutional racism.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2021-05-07</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/111249</dc:identifier>
	<dc:identifier>10.24036/ell.v10i1.111249</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 1 (2021); 1-7</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/111249/104982</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2021 Afifah Indriani</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/2406</identifier>
				<datestamp>2013-09-17T06:08:40Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE USE OF DIRECTIVE IN ADVERTISEMENT IN GAUL TABLOID</dc:title>
	<dc:creator>Rusdi Noor Rosa (p: 90-97), Eka Nur Fitri,</dc:creator>
	<dc:description xml:lang="en-US">Penelitian ini bertujuan untuk melihat salah satu fenomena bahasa yaitu tindak tutur. Proses tindak tutur ini bisa terjadi karena bahasa tidak hanya dituturkan, tapi dalam tuturan tersebut kita juga harus melakukan tindakan atau ekspresi sesuai dengan tujuan tuturan kita agar pendengar mengerti apa maksud dari tuturan kita tersebut. Dalam penelitian ini membahas mengenai salah satu jenis tindak tutur yaitu directive, yang mana pembahasannya tentang penggunaan directive dalam bahasa iklan dalam salah satu media cetak.Tujuan penelitian ini adalah untuk mengetahui yang mana iklan-iklan yang menggunakan directive dan apa jenis directive yang paling banyak digunakan dan jenis directive  yang paling sedikit digunakan dalam iklan di media cetak tersebut, khususnya dalam tabloid Gaul.Metode penelitian yang digunakan adalah metode deskriptif dan sumber datanya diambil adalah tabloid Gaul. Oleh karena itu untuk mengumpulkan data dilakukan dengan membaca langsung tabloid Gaul tersebut dan mengidentifikasi yang mana iklan-iklan yang menggunakan directive.Dalam penelitian ini, kelima directive yang dikelompokkan oleh  Kreidlrer (1998: 217) ditemukan. Directive yang paling banyak ditemukan adalah directive kalimat tanya (question), dan yang paling sedikit ditemukan adalah directive kalimat permintaan (request).Dari penelitian ini dapat disimpulkan bahwa penggunaan tindak tutur khususnya directive tidak hanya bisa digunakan dalam bahasa lisan, tapi juga bisa digunakan dalam bahasa tulisan. Iklan-iklan dalam tabloid tersebut merupakan bahasa lisan yang diungkapkan lewat tulisan.  Penggunaan directive dalam iklan-iklan dalam tabloid Gaul tersebut menggunakan directive yang berbeda-beda.     Key Word: Speech act, Directive, Advertisement, Gaul tabloid</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-09-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/2406</dc:identifier>
	<dc:identifier>10.24036/ell.v2i1.2406</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 2, No 1 (2013): SERIE : B</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/2406/2018</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/120348</identifier>
				<datestamp>2023-02-16T04:30:40Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Code Switching Used by Judges and Models in Indonesia's Next Top Model in NET TV</dc:title>
	<dc:creator>Surani, Hari Kri</dc:creator>
	<dc:creator>Rosita, Nur</dc:creator>
	<dc:subject xml:lang="en-US">Code switching, Judges, Model, Indonesia’s Next Top Model</dc:subject>
	<dc:description xml:lang="en-US">This study aimed to analyze the types, social function, and the construction of speaker’s identity in code switching. This research used mixed (qualitative and quantitative) method by transcribing and analysing the videos to find out the types, social functions, and identity in code switching. The data were utterances uttered by participants in Indonesia’s Next Top Model cycle 2. The result of the study showed there were three types of code switching, intra-sentential switching, inter-sentential switching, and tag switching. The most dominant type was intra-sentential switching with 192 utterances, 41 utterances are inter-sentential switching, and 19 utterances for tag switching. Then five function of code switching found in this research, referential function with 3 utterances, directive function with 15 utterances, expressive function with 37 utterances, phatic function with 13 utterances, and metalinguistic function which most dominant function used by the speaker with 184 utterances. The construction of identity were divided into four categories, classification with 4 occurrences, relational identification with 15 occurrences, physical identification with 8 occurrences, and functionalization with 34 occurrences.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-03-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/120348</dc:identifier>
	<dc:identifier>10.24036/ell.v12i1.120348</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 1 (2023); 178-183</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/120348/107430</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/120348/5602</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Hari Kri Surani</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/103140</identifier>
				<datestamp>2019-03-17T02:34:44Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">SETTLING IN NEW LAND IN HA-JIN'S SHORT STORIES COLLECTION A GOOD FALL (2009)</dc:title>
	<dc:creator>Anggraini, Asih</dc:creator>
	<dc:creator>Ningsih, Kurnia</dc:creator>
	<dc:subject xml:lang="en-US">Settling, immigrant, land, adaptation</dc:subject>
	<dc:description xml:lang="en-US">The purpose of this analysis is to expose the issue of settling in new land which is done by Chinese immigrants in United States and to know he contribution of character, plot (conflict), and setting in revealing the settling in new land. This analysis is related to the adaptation concept by Wiiliam Butler Yeats in postcolonial approach that is supported by the text and conotext based interpretation. The result of this analysis shows two different characters succeeds to settle in new land that can be seen through their ways of self-adaptation and hard work.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-02-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/103140</dc:identifier>
	<dc:identifier>10.24036/ell.v8i1.103140</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 1 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/103140/101392</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/124857</identifier>
				<datestamp>2024-06-30T16:37:56Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Ideological Square on Joe Biden and Vladimir Putin Speech Related to Russia-Ukraine War</dc:title>
	<dc:creator>Kauthsar, Abhid Al</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Discourse, Political Discourse, Ideological Square, Discursive Device, Speech</dc:subject>
	<dc:description xml:lang="en-US">Critical Discourse Analysis studies of communication in political contexts have scrutinized the use of language by politicians striving to win public opinion related to some topic or conflict. utilizing Teun A. van Dijk's framework for political discourse analysis, this thesis examines discursive devices and ideological squares in four speeches related to the Russia Ukraine conflict in 2022 from president Joe Biden and president Vladimir Putin. The study described in this thesis combines micro-level text analysis focusing on discursive devices and macro-level analysis focusing on the ideology formed by the ideological square that represents &quot;us&quot; and &quot;them within it. the data analysis explains the discursive devices that only the president uses Biden namely &quot;disclaimer&quot; &quot;euphemism&quot; &quot;national self-glorification&quot; &quot;number game&quot; and &quot;polarization&quot;, on the other hand discursive devices that are only found in president Putin namely &quot;authority&quot; and &quot;comparison&quot;. in using ideological square president Biden uses &quot; de-emphasizing negative &quot;us&quot; more than president Putin and on the other hand president Putin uses &quot;emphasizing negative &quot;them&quot; and &quot;de-emphasizing positive &quot;them&quot; more. The results of the study also show that the two presidents conveyed different ideological perspectives and attitudes on the 2022 Ukraine and Russia conflict based on the four speeches analysed.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-06-19</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/124857</dc:identifier>
	<dc:identifier>10.24036/ell.v13i2.124857</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 2 (2024); 582-592</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/124857/109302</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Abhid Al Kauthsar</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/130683</identifier>
				<datestamp>2025-08-28T14:45:44Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Code Mixing Used in Layangan Putus Series</dc:title>
	<dc:creator>Ivory, Ivory</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">Code mixing, Layangan Putus Series, Sociolinguistic</dc:subject>
	<dc:description xml:lang="en-US">AbstractThe purpose of this research is to find the type of code mixing and the function of code mixing used by the actors in Layangan Putus Series. The data in this research are the utterances spoken by the actors in Layangan Putus Series. This research is made using qualitative descriptive method. This research uses the theory of Muysken (2000) to find the type of code mixing and uses the theory of Marasigan (1983) cited from Putri (2001). The results of this research show that alternation code mixing is most widely used in the speech of the actors in Layangan Putus Series from the three types of code mixing, namely; insertion, alternation, and congruent lenxicalization. Meanwhile, the interjection function is the most commonly found in the code mixing utterances in this study from the seven functions of code mixing, namely; quotation, address specification, repeatition, interjection, message qualification, personalization and objectification, and facility expression.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-08-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/130683</dc:identifier>
	<dc:identifier>10.24036/ell.v14i3.130683</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 3 (2025); 792-805</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/130683/110733</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 ivory ivory, Jufrizal Jufrizal</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/107967</identifier>
				<datestamp>2022-04-06T15:19:34Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Multimodal Analysis of Action Movie Poster</dc:title>
	<dc:creator>Saputra, Muhammad Azis</dc:creator>
	<dc:creator>Rosa, Rusdi Noor</dc:creator>
	<dc:subject xml:lang="en-US">Multimodal, Advertisement, Action movie poster.</dc:subject>
	<dc:description xml:lang="en-US">The aim of this study was to find the multimodal analysis used in Man of Steel and Avengers Infinity Wars movie posters. The Method used in this study is a descriptive qualitative method. This research used theory semiotic approach which focuses on multimodal system proposed by Cheong (2004). The researcher found 6 types elements of multimodal in Man of Steel and Avengers Infinity Wars posters such as material, behavioral, mental, identifying, attributive, and intensive. The data were collected by analysis the movie posters. They were 30% on material, 15% on behavioral, 15% on mental, 15% on identifying, 10% on attributive, and 15% on intensive in Man of Steel poster. Meanwhile in Avengers Infinity Wars poster, the research found 40% on material, 5% on behavioral, 15% on mental, 10% on identifying, 10% on attributive, 20% on intensive.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-08-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/107967</dc:identifier>
	<dc:identifier>10.24036/ell.v9i2.107967</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 2 (2020); 164-174</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/107967/106123</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/122068</identifier>
				<datestamp>2023-06-13T05:09:08Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Benevolent Sexism and Women Agency in Play Diving for Pearls (2012) by Katherine Thomson</dc:title>
	<dc:creator>Monica, Nilam Chris</dc:creator>
	<dc:creator>Al-Hafizh, Muhd.</dc:creator>
	<dc:subject xml:lang="en-US">Benevolent sexism, gender, discrimination, women, agency</dc:subject>
	<dc:description xml:lang="en-US">This thesis is an analysis of a play written by Katherine Thomson entitled Diving for Pearls (2012). This analysis looks at benevolent sexism that is experienced by women who are victims of benevolent sexism acts. And also shows the actions of women's agency carried out by women to get out of the limited space they receive in their environment and also to be able to change their lives for the better. This analysis related to the feminist approach and the concept of benevolent sexism by Glick and Fiske and women agency by Buttler. The aim of this analysis is to what extent the character, conflict (plot), setting and stage direction contribute to reveal the issue of benevolent sexism and women agency. This analysis also depends a lot on the narrator to determine which parts of the play are used as the data. The result of the study shows that the woman experienced benevolent sexism such as always being considered weak, unable to take responsibility for herself, unable to protect herself and must always be protected, and not solving her own problems. However, Barbara shows the desire and belief that she has rights and is able to change her life for the better with her own abilities.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-06-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/122068</dc:identifier>
	<dc:identifier>10.24036/ell.v12i2.122068</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 2 (2023); 393-402</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/122068/107993</dc:relation>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/downloadSuppFile/122068/5995</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Nilam Chris Monica</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/105522</identifier>
				<datestamp>2022-03-25T03:11:48Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Verbal Humor Found in Sitcom Tetangga Masa Gitu</dc:title>
	<dc:creator>Wahyuni, Febby</dc:creator>
	<dc:creator>Hamzah, Hamzah</dc:creator>
	<dc:subject xml:lang="en-US">Verbal Humor, Types, GTVH, Six Knowledge Resources</dc:subject>
	<dc:description xml:lang="en-US">AbstractNowadays, humor is something that has significant role in daily life. Humor can be found in any aspects in human life, such as in education, literature, and also entertainment. One of various entertainment in Indonesian Television that contain humor is situation comedy. This research pay attention in analyzing verbal humor by using theory of Shade (1996) and analyze the types of verbal humor by using General Theory of Verbal Humor (GTVH). The method used in the research is descriptive method. The result of the study shows that there were 81 verbal humor found in sitcom Tetangga Masa Gitu: Pun (1,2%), Joke (2,4%), Satire (32,2%), Anecdote (1,2%), Irony (34,5%), Sarcasm (8,3%), Tall tale (8,3%), and Wit (110,7%). There were no Riddle, Limerick, Parody and Farce in this object. The verbal humor that found in both object was analyzed by using six parameters of Knowledge Resources (KRs) of GTVH. The six parameters are Script Opposition (SO), Logical Mechanism (LM), Situation (SI), Target (Ta), Narrative Strategy (NS), and Language (LA).Key words: Verbal Humor, Types, GTVH, Six Knowledge Resources</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-08-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/105522</dc:identifier>
	<dc:identifier>10.24036/ell.v8i3.105522</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 2 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/105522/102241</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/130319</identifier>
				<datestamp>2024-11-02T02:20:32Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Pragmatics Analysis of Intentions and Motives of Hate Speech on Hailey Bieber's Instagram</dc:title>
	<dc:creator>Pebrianti, Anggi</dc:creator>
	<dc:creator>Rosita, Nur</dc:creator>
	<dc:subject xml:lang="en-US">Pragmatics Analysis; Hate Speech; Intentions; Motives; Instagram</dc:subject>
	<dc:description xml:lang="en-US">Pragmatics analysis and hate speech are closely related in which hate speech is analyzed based on the context between speakers and hearers that affect communication, so the message conveyed by the speaker contains the meaning of action in accordance with the context. Hate speech is an action or utterance that crosses the line and causes a negative impact. The aims of this research are to analyze intentions of hate speech and motives of hate speech which mostly used by netizens in Hailey Bieber’s Instagram comment section. The data of this research were utterances from netizens in the comment section of one post on 2 November 2023 Hailey Bieber’s Instagram. This research used theory by Kreidler (2002) to analyze intentions and also theory by Pinker (2011) to analyze motives of hate speech in one post of Hailey Bieber’s Instagram comment section. This research was a descriptive qualitative method. From 220 data, it was found that there were five intentions of hate speech, namely mocking, accusing, blaming, insulting, and insinuating. Also, five motives of hate speech namely instrumental violence, dominance, revenge, ideology, and sadism. Insinuating was mostly found for intentions of hate speech and sadism was mostly found for motives of hate speech used by netizens on Hailey Bieber’s Instagram. This research found that netizens tend to deliver hate speech comments against the celebrity explicitly.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-08-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/130319</dc:identifier>
	<dc:identifier>10.24036/ell.v13i3.130319</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 3 (2024); 817-829</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/130319/109618</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Anggi Pebrianti</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/112041</identifier>
				<datestamp>2022-06-13T02:38:52Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Injustice Towards Human Rights in America After Civil Right Movement in Play The Pillowman By Martin Mcdonagh (2003)</dc:title>
	<dc:creator>Sukma, Ratih Melati</dc:creator>
	<dc:creator>Al-Hafizh, Muhd.</dc:creator>
	<dc:subject xml:lang="en-US">injustice, human rights, oppression, social class</dc:subject>
	<dc:description xml:lang="en-US">This thesis is an analysis of a play written by Martin Mcdonagh entitled The Pillowman (2003). This analysis look at the injustice after civil right movement is not only in real life, but in literature there is a problem the injustice that attacks the lower class because their profession considered lowly than the upper class. This analysis employs Marxist literary theory to explain the phenomena in the play. In this analysis, the protagonist’s injustice towards human rights can been seen through two ways: how he faces and shows several forms of the injustice towards human rights in America after civil right movement that still occurred. This analysis also depends a lot on the narrator to determine which parts of the play are used as the data. The result of the study shows that Katurian experienced injustice to get his righs and injustice in law.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-04-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/112041</dc:identifier>
	<dc:identifier>10.24036/ell.v10i2.112041</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 10, No 2 (2021); 179-197</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/112041/106200</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 ratih melati sukma</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/9811</identifier>
				<datestamp>2018-02-28T04:22:38Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">LANGUAGE CHANGE ON THE  LEVEL OF LEXICON IN BAHASA KERINCI FOUND IN PULAU TENGAH DIALECT</dc:title>
	<dc:creator>Resmana, Jetra Aspo</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:creator>Wahyuni, Delvi</dc:creator>
	<dc:subject xml:lang="en-US">perubahan bahasa, level kosakata, Bahasa Kerinci, dialek Pulau Tengah</dc:subject>
	<dc:description xml:lang="en-US">Penelitian ini bertujuan untuk mengetahui tipe-tipe perubahan bahasa pada level kosakata dalam Bahasa Kerinci yang ditemukan di dialek Pulau Tengah dan sikap penutur terhadap perubahan bahasa yang terjadi. Metode yang digunakan dalam penelitian ini adalah deskriptif dengan data penelitian berupa kosakata lama dalam dialek Pulau Tengah yang mengalami perubahan dan jawaban dari para penutur yang mengemukakan pendapat mereka terhadap perubahan bahasa pada level kosakata dalam dialek Pulau Tengah. Hasil dari penelitian ini menunjukkan bahwa ada dua tipe perubahan bahasa pada level kosakata yang ditemukan pada dialek Pulau Tengah yaitu penambahan kosakata baru dan kata-kata yang hilang. Bagian-bagian dari penambahan kosakata baru yang ditemukan adalah peminjaman dari Bahasa Indonesia, peminjaman dari Bahasa Minangkabau, penciptaan dari merek, dan penciptaan kata baru yang tidak memiliki alasan spesifik. Berikutnya, ditemukan dua macam sikap penutur terhadap perubahan yang terjadi yaitu positif dan netral dengan jumlah sikap positif lebih banyak daripada netral.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2017-09-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/9811</dc:identifier>
	<dc:identifier>10.24036/ell.v6i2.9811</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 6, No 2 (2017): Serie A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/9811/7239</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/122841</identifier>
				<datestamp>2023-11-10T06:10:21Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Textual Metafunction Analysis in Surah Maryam and The Gospel of Luke: A Comparative Analysis</dc:title>
	<dc:creator>Putri, Anabel Dwiana</dc:creator>
	<dc:creator>Rosita, Nur</dc:creator>
	<dc:subject xml:lang="en-US">Systemic Functional Linguistics; Textual Metafunction; Surah Maryam; The Gospel of Luke; Comparative Analysis</dc:subject>
	<dc:description xml:lang="en-US">This study aims to analyze and compare the Textual Metafunction in Surah Maryam and The Gospel of Luke. The texts were analyzed using Halliday and Matthiesen’s type of Themes theory and Danes’ thematic progression theory. There are three types of themes, namely topical, interpersonal, and textual themes. Also, there are three types of thematic progression, which are simple linear, constant continuous, and derived hyper-theme progression. While the data from this research is in the form of text. This study focused on comparing the theme types and thematic progression found in both texts. In analysis, both of the texts are mostly using an unmarked topical theme which aims to make the information conveyed in the text clear and easily understood by the reader. For the thematic progression, both of the texts also mainly use derived hyper-theme progression which focuses on a single Theme.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-09-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/122841</dc:identifier>
	<dc:identifier>10.24036/ell.v12i3.122841</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 3 (2023); 622-628</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/122841/108382</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Anabel Dwiana Putri</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/132077</identifier>
				<datestamp>2024-12-26T09:01:23Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Rethinking Gender and Power: A Limitation of Women's Freedom in Accidental Transients by Randa Jarrar</dc:title>
	<dc:creator>Ni’mah, Ima Fauzia</dc:creator>
	<dc:creator>Munawwaroh, Nurul</dc:creator>
	<dc:creator>Fitria, Sari</dc:creator>
	<dc:subject xml:lang="en-US">existential feminism; gender role; male domination; patriarchy;  women’s limited freedom</dc:subject>
	<dc:description xml:lang="en-US">This article aims to explore the relationship between gender and power in the short story, Accidental Transients, by Randa Jarrar. It discusses how women’s freedom is limited in a patriarchal society. In this kind of society, there is male supremacy which places men as the superior one. This study applied feminist existentialist concept by Simone de Beauvoir. It engages with an idea that women have to be able to become subjects in order to be not dominated by men. Furthermore, this study employs content analysis method. The data used in this study are sentences that show the issue of gender and power in Accidental Transients written by Randa Jarrar. The results of this study show that the main character, Dina, in patriarchal life is burdened by her gender role to be responsible for domestic tasks. In addition, she also does not have the freedom to act as she intends. Dina's character in this story shows that male dominance over women is still difficult to eliminate in a patriarchal society.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-12-26</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/132077</dc:identifier>
	<dc:identifier>10.24036/ell.v13i4.132077</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 4 (2024)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/132077/110031</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Sari Fitria</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/105780</identifier>
				<datestamp>2019-08-16T10:00:34Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">AFFIRMING POSITION OF WOMEN IN PATRIARCHY SYSTEM IN LYNN NOTTAGE’S PLAY SCRIPT BY THE WAY, MEET VERA STARK (2013)</dc:title>
	<dc:creator>Lestari, Indah</dc:creator>
	<dc:creator>Ningsih, Kurnia</dc:creator>
	<dc:subject xml:lang="en-US">Patriarchy System, Domination, Women, Subordinate</dc:subject>
	<dc:description xml:lang="en-US">The aim of this analysis is to expose the issue about affirming position of women in patriarchy system which is done by patriarchal in order to subordinates the women. It is also intended to find out how the contribution of dramatic elements (character, plot/conflict, setting and stage direction) in revealing the issue of affirming position of women in patriarchy system. This analysis is done through text and contex based interpretation which is related to the concept of patriarchy by Kamla Bhasin and beauty by Naomi Wolf. The result of this analysis shows how patriarchy system strengthens the position of women as subordinate and less important person in patriarchal society that can be seen from limitation of career and its development as well as physical appearance.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-08-16</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/105780</dc:identifier>
	<dc:identifier>10.24036/ell.v8i3.105780</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 3 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/105780/102295</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/901</identifier>
				<datestamp>2013-05-01T02:55:30Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">THE PHRASES’ AND SENTENCES’ WORD ORDERS OF AUTISTIC STUDENTS AT YPPA PADANG</dc:title>
	<dc:creator>Amri Isyam (p: 79-92), Lia Anggraeni W, Jufrizal,</dc:creator>
	<dc:description xml:lang="en-US">AbstrakTujuan penelitian ini adalah (1) mendeskripsikan bentuk frasa yangdiujarkan siswa-siswa autis di YPPA Padang, (2) mendeskripsikansusunan kata dalam kalimat yang diujarkan siswa-siswa tersebut,(3) mendeskripsikan perbedaan perkembangan bahasa siswa-siswatersebut dengan anak normal berdasarkan umur. Data penelitian iniadalah kata dan kalimat yang diujarkan siswa-siswa tersebut.Sumber data penelitian ini adalah lima orang siswa autis yangbersekolah di YPPA Padang. Data dikumpulkan denganmenggunakan metode simak dan teknik rekam langsung saat jambelajar berlangsung. Temuan penelitian ini yaitu (1) susunan frasamereka sudah beraturan dengan bentuk frasa satu kata yangmendominasi, (2) susunan kalimat mereka pada umumnya berpolaS-V-O dan formal karena data diambil saat mereka belajar, (3)perkembangan bahasa anak autis tidak sejalan denganperkembangan umur mereka serta terdapat beberapa perbedaanantara perkembangan bahasa anak autis dengan anak normal.Key words: autistic students, word orders, YPPA Padang.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-05-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/901</dc:identifier>
	<dc:identifier>10.24036/ell.v1i2.901</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 1, No 2 (2013): SERIE: B</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/901/755</dc:relation>
</oai_dc:dc>
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		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/119004</identifier>
				<datestamp>2022-12-25T06:07:47Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Code-Switching on Tansi Language Spoken by People in Lembah Segar Sub-District</dc:title>
	<dc:creator>Afilta, Ega Putri</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">Language Variation, Bilingualism, Code-Switching, Tansi Language</dc:subject>
	<dc:description xml:lang="en-US">People usually choose different codes in different situation in every interaction. The phenomenon of code-switching is common in bilingualism and occurs in conversation. Code-switching occurs when conversation use two languages together to the extent that they change from one language to other in the course of a single utterance. By using qualitative method, this study was aimed to analyze the types and function of code-switching found in the utterance spoken by people in Lembah Segar sub-district. The researcher analyzed sixty three utterance of Minangkabaunese-Tansi language switched spoken by people in Lembah Segar sub-district. Romaine’s (1995) theory is applied in this research to find the types of code-switching. To finding the functions of code-switching the researcher used Gumperz’s (1982) theory. The result of this study shows that the intra-sentential switching was the most common type of code-switching. Also, Interjection was the most function of code-switching used by people in Lembah Segar sub-district. This research gives a contribution in sociolinguistics fields. It is because the result of this study shows the  relation of language and society.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2022-10-05</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/119004</dc:identifier>
	<dc:identifier>10.24036/ell.v11i3.119004</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 11, No 3 (2022); 291-297</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/119004/106925</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Ega Putri Afilta</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/104451</identifier>
				<datestamp>2019-05-27T07:37:57Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">LIFE TRANSFORMATION IN NOVIOLET BULAWAYO’S NOVEL WE NEED NEW NAMES (2013)</dc:title>
	<dc:creator>Erlanda, Debi</dc:creator>
	<dc:creator>Anwar, Desvalini</dc:creator>
	<dc:subject xml:lang="en-US">life, transformation, change, self-awareness</dc:subject>
	<dc:description xml:lang="en-US">This article is about the analysis of novel We Need New Names (2013) by NoViolet Bulawayo that focuses on how the main character has an awareness to transform her life. The problem in this analysis is how far the main character in this novel exposes the issue about life transformation. The aim of this analysis is to find out how far NoViolet Bulawayo’s novel We Need New Names bring ups and reveals the issue of life transformation which is done by the main character in this novel. This analysis involved the fictional devices that are plot (conflict) and setting support the issue of life transformation. This analysis is will deal with the concept of life instinct by Sigmund Freud and the concept of self-awareness by Crisp and Turner.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-05-27</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/104451</dc:identifier>
	<dc:identifier>10.24036/ell.v8i2.104451</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 8, No 2 (2019)</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/104451/101798</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 E-Journal English Language and Literature</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/127560</identifier>
				<datestamp>2024-09-23T01:02:25Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Code Mixing as Found in Livy Renata's YouTube Channel</dc:title>
	<dc:creator>Natasyah, Jeni</dc:creator>
	<dc:creator>Jufrizal, Jufrizal</dc:creator>
	<dc:subject xml:lang="en-US">Bilingualism; Code Mixing;  YouTube</dc:subject>
	<dc:description xml:lang="en-US">This study focused on the code mixing in YouTube channel used by Livy Renata which analyzed the types and levels. This research applied descriptive qualitative method, which describes the data that researcher collected form of words, phrases, sentences that contain other language mixtures. The data were code mixing utterances in the form of word, phrase, and sentence uttered by Livy Renata in her YouTube Channel. The results of the research on the type of code mixing used Hoffman's theory (1991) found 345 data collected, there were three types of code mixing in Hoffman's theory. They were intra-sentential code mixing, intra-lexical code mixing, and involving change of pronunciation. Based on the analysis of the level of code mixing used the theory of Mckay &amp; Hornberger (1996) found 320 data, there were two levels of code mixing, which were the level of lexical and level of syntactic.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2024-02-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/127560</dc:identifier>
	<dc:identifier>10.24036/ell.v13i1.127560</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 13, No 1 (2024); 44-50</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/127560/108923</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Jeni Natasyah, Jufrizal Jufrizal</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/134054</identifier>
				<datestamp>2025-08-15T16:26:31Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">An Analysis of Slang Words Used by the Main Characters in Do Revenge (2022) Movie</dc:title>
	<dc:creator>Maharani, Fanesa Athaya</dc:creator>
	<dc:creator>Ardi, Havid</dc:creator>
	<dc:subject xml:lang="en-US">Slang words; main characters; movie</dc:subject>
	<dc:description xml:lang="en-US">This study focused on analyzing the types of slang words and word formation processes by the male and female main characters. The slang words were collected from a movie titled “Do Revenge”. There were two theories used in this research, types of slang words by Allan and Burridge (2006) and types of word formation processes by George Yule (2006). This study was conducted using descriptive qualitative method. The data were collected by downloading the movie, watching the movie, reading the movie subtitles, taking notes of all the slang words that were spoken by the male and female main characters, classifying the data based on the theories that were used, and categorized it based on the gender of the main characters. After the data were analyzed, it can be concluded that there were four out of five types of slang words appeared in this movie that were spoken by the main characters. They were flippant, fresh and creative, imitative, and clipping. Female main characters used slang more frequently (83.96%) than the male character (16.04%). For the word formation processes, there were seven out of ten types appeared in this movie. They were conversion, borrowing, derivation, compounding, clipping, coinage and blending. The most frequently used is compounding with 32 times slang words appeared using this type of word formation process with a percentage of 30.19%.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2025-06-03</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/134054</dc:identifier>
	<dc:identifier>10.24036/ell.v14i2.134054</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 14, No 2 (2025); 338-347</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/134054/110419</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Fanesa Athaya Maharani</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/110223</identifier>
				<datestamp>2022-04-08T16:30:38Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">A Narrative Stylistic Analysis of Associated Press (AP) News</dc:title>
	<dc:creator>Choirany, Anisa</dc:creator>
	<dc:creator>Syarif, Hermawati</dc:creator>
	<dc:subject xml:lang="en-US">Narrative stylistics, news, stylistic domains, narrative components</dc:subject>
	<dc:description xml:lang="en-US">Although there have been various stylistic studies of news, the use of narrative stylistic approach in analysing news has not been common. The aim of this research is to analyse the stylistic domains and narrative components in the Associated Press (AP) news. It was carried out descriptive-qualitatively. Ten news were studied by using stylistic units of analysis based on model of narrative structure in Simpson (2004) and Jahn’s classification of narrative components (2005). After completing the analysis, it was found that news is one category of narrative and it contains the use of six stylistic domains and nine narrative components. The six stylistic domains are textual medium, sociolinguistic code, action and event, point of view, textual medium and intertextuality. In addition, there are also occurences of the nine narrative components: narration, focalization, narrative situation, action, story analysis, tellability, tense, time and narrative mode.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2020-12-11</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/110223</dc:identifier>
	<dc:identifier>10.24036/ell.v9i4.110223</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 9, No 4 (2020); 384-393</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/110223/104313</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 Anisa Choirany</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/2388</identifier>
				<datestamp>2013-09-17T05:10:19Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">EGALITARIANISM IN KATHRYN STOCKETT’S NOVELTHE HELP(2009)</dc:title>
	<dc:creator>Kurnia Ningsih, Delvi Wahyuni (p: 1-10), Ary Tuessonwily,</dc:creator>
	<dc:description xml:lang="en-US">Abstrak   Tujuanpenelitianiniadalah (1) menganalisasejauhmananovelinimerefleksikanegalitarianism, (2) menunjukkankontribusielemenfiksi (karakterdan seting) dalammengungkapegalitarianismdalamnovelini. Data penelitianiniadalahtekstertulis yang dikutipdarinovel. Kutipantekstersebutkemudiandiinterpretasidandianalisadengan elemen fiksi (karakter dan seting) dan dikaitkan dengankonsep egalitarianism yang dikemukakanolehRichard Arnerson.Hasilanalisamenunjukkanbahwaprotagonismelakukantindakan-tindakanseorang egalitarian untuk melindungi hak dan mengangkat status orang kulit hitam atau minoritas di lingkungannya yang rasis. Keingingankuatuntuk mencapaitujuantersebutterefleksikan melalui tindakan-tindakan yang bertentangan dengan ideologi serta kepercayaan yang dianut oleh para mayoritas pada umumnya.   Key words: Egalitarianism, egalitarian, majorities, minorities, belief, ideology.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2013-09-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/2388</dc:identifier>
	<dc:identifier>10.24036/ell.v2i1.2388</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 2, No 1 (2013): SERIE : A</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/2388/2000</dc:relation>
</oai_dc:dc>
			</metadata>
		</record>
		<record>
			<header>
				<identifier>oai:ojs.ejournal.unp.ac.id:article/119862</identifier>
				<datestamp>2023-02-16T04:30:40Z</datestamp>
				<setSpec>ell:ART</setSpec>
			</header>
			<metadata>
<oai_dc:dc
	xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/
	http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Code-Switching Used by Multilingual Person (Jerome Polin) in Nihonggo Mantappu Youtube Video</dc:title>
	<dc:creator>Pareza, Indah</dc:creator>
	<dc:creator>Rosita, Nur</dc:creator>
	<dc:subject xml:lang="en-US">Multilingualism, Code-Swiching, Nihonggo Mantappu Youtube Channel.</dc:subject>
	<dc:description xml:lang="en-US">Language contact is the phenomenon of using two or more languages at the same time and place. The purpose of using two or more languages in communication is to build good communication based on social factors. Language contact caused various linguistic phenomena, such as bilingualism, multilingualism, diglossia, code-switching, code-mixing, and language shift. This research is about code-switching. This research aims to identify the types, reasons, and errors made by Jerome Polin when he did code-switching. The theories used in this research are by Bloom and Gumperz (1972) about types of code-switching, Hoffman (1991) about reasons why people did code-switching, and surface strategy taxonomy by Dulay et al (1982) about types of error. This research was descriptive research with a qualitative approach to solving research problems. The data was taken from the Nihonggo Mantappu youtube video, and in the form of utterances. The results of this research show there are five types of code-switching used by Jerome Polin caused by various reasons. In addition, it was also found that there were errors made even though he had mastered a language.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Padang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2023-03-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.unp.ac.id/index.php/ell/article/view/119862</dc:identifier>
	<dc:identifier>10.24036/ell.v12i1.119862</dc:identifier>
	<dc:source xml:lang="en-US">English Language and Literature; Vol 12, No 1 (2023); 78-89</dc:source>
	<dc:source>2302-3546</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.unp.ac.id/index.php/ell/article/view/119862/107421</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Indah Pareza, Nur Rosita</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
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